The death of a loved one throws us into a surreal world no one else can understand. The poems in Words for the Unbearable, written after the death of Enid Sanders' one-year-old daughter and later her husband, take readers on a down-to-earth journey through the everyday realities of grieving, mirroring their experience so they know they're not alone.
Praise for Sun Yung Shin: Finalist for the Believer Poetry Award "[her] work reads like redactions, offering fragments to be explored, investigated and interrogated, making her reader equal partner in the creation of meaning."—Star Tribune Sun Yung Shin moves ideas—of identity (Korean, American, adoptee, mother, Catholic, Buddhist) and interest (mythology, science fiction, Sophocles)— around like building blocks, forming and reforming new constructions of what it means to be at home. What is a cyborg but a hybrid creature of excess? A thing that exceeds the sum of its parts. A thing that has extended its powers, enhanced, even superpowered.
Subject: When a loved one dies, the pain of loss can feel unbearable, especially in the case of a traumatizing death that leaves us shouting, 'NO!' with every fiber of our body. The process of grieving can feel wild and nonlinear and often lasts for much longer than other people, the nonbereaved, tell us it should. This book is a companion for life and most difficult times, revealing how grief can open our hearts to connection, compassion, and the very essence of our shared humanity. The author, who is also a bereavement educator, researcher, Zen priest, and leading counselor in the field accompanies the reader along the heartbreaking path of love, loss, and grief. Through moving stories of her encounters with grief over decades of supporting individuals, families, and communities, as well as her own experience with loss, the author opens a space to process, integrate, and deeply honor our grief
At stake in this book is a struggle with language in a time when our old faith in the redeeming of the word-and the word's power to redeem-has almost been destroyed. Drawing on Benjamin's political theology, his interpretation of the German Baroque mourning play, and Adorno's critical aesthetic theory, but also on the thought of poets and many other philosophers, especially Hegel's phenomenology of spirit, Nietzsche's analysis of nihilism, and Derrida's writings on language, Kleinberg-Levin shows how, because of its communicative and revelatory powers, language bears the utopian "promise of happiness," the idea of a secular redemption of humanity, at the very heart of which must be the achievement of universal justice. In an original reading of Beckett's plays, novels and short stories, Kleinberg-Levin shows how, despite inheriting a language damaged, corrupted and commodified, Beckett redeems dead or dying words and wrests from this language new possibilities for the expression of meaning. Without denying Beckett's nihilism, his picture of a radically disenchanted world, Kleinberg-Levin calls attention to moments when his words suddenly ignite and break free of their despair and pain, taking shape in the beauty of an austere yet joyous lyricism, suggesting that, after all, meaning is still possible.
When four very different small-town Delaware high school girls are forced to join a mother-daughter book club over summer vacation, they end up learning about more than just the books they read.
Provide opportunities for students to explore and expand vocabularies, increase reading comprehension, and improve writing composition. Assist your students in understanding word relationships and nuances in word meanings related to self-concept.
With its privileging of the unconscious, Jacques Lacan's psychoanalytic thought would seem to be at odds with the goals and methods of philosophy. Lacan himself embraced the term "anti-philosophy" in characterizing his work, and yet his seminars undeniably evince rich engagement with the Western philosophical tradition. These essays explore how Lacan's work challenges and builds on this tradition of ethical and political thought, connecting his "ethics of psychoanalysis" to both the classical Greek tradition of Socrates, Plato, and Aristotle, and to the Enlightenment tradition of Kant, Hegel, and de Sade. Charles Freeland shows how Lacan critically addressed some of the key ethical concerns of those traditions: the pursuit of truth and the ethical good, the ideals of self-knowledge and the care of the soul, and the relation of moral law to the tragic dimensions of death and desire. Rather than sustaining the characterization of Lacan's work as "anti-philosophical," these essays identify a resonance capable of enriching philosophy by opening it to wider and evermore challenging perspectives.
