Woodcuts of the XV Century in the Department of Prints and Drawings, British Museum
Author: British Museum. Department of Prints and Drawings
Publisher:
Published: 1934
Total Pages: 196
ISBN-13:
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Author: British Museum. Department of Prints and Drawings
Publisher:
Published: 1934
Total Pages: 196
ISBN-13:
DOWNLOAD EBOOKAuthor: British Museum. Department of Prints and Drawings
Publisher:
Published: 1903
Total Pages: 652
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1924
Total Pages: 1694
ISBN-13:
DOWNLOAD EBOOKAuthor: DavidS. Areford
Publisher: Routledge
Published: 2017-07-05
Total Pages: 347
ISBN-13: 135153968X
DOWNLOAD EBOOKStructured around in-depth and interconnected case studies and driven by a methodology of material, contextual, and iconographic analysis, this book argues that early European single-sheet prints, in both the north and south, are best understood as highly accessible objects shaped and framed by individual viewers. Author David Areford offers a synthetic historical narrative of early prints that stresses their unusual material nature, as well as their accessibility to a variety of viewers, both lay and monastic. This volume represents a shift in the study of the early printed image, one that mirrors the widespread movement in art history away from issues of production, style, and the artist toward issues of reception, function, and the viewer. Areford's approach is intensely grounded in the object, especially the unacknowledged material complexity of the print as a portable, malleable, and accessible image that depended on a response that was not only visual but often physical, emotional, and psychological. Recognizing that early prints were not primarily designed for aesthetic appreciation, the author analyzes how their meanings stemmed from specific functions involving private devotion, protection, indulgences, the cult of saints, pilgrimage, exorcism, the art of memory, and anti-Semitic propaganda. Although the medium's first century was clearly transitional and experimental, Areford explores how its potential to impact viewers in new ways?both positive and negative?was quickly realized.
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
Published: 1960
Total Pages: 982
ISBN-13:
DOWNLOAD EBOOKAuthor: Charles Frederick Tweney
Publisher:
Published: 1915
Total Pages: 936
ISBN-13:
DOWNLOAD EBOOKAuthor: British Museum
Publisher:
Published: 1927
Total Pages: 1586
ISBN-13:
DOWNLOAD EBOOKAuthor: Alfred William Pollard
Publisher:
Published: 1912
Total Pages: 516
ISBN-13:
DOWNLOAD EBOOKAuthor: Bernard Quaritch (Firm)
Publisher:
Published: 1907
Total Pages: 1028
ISBN-13:
DOWNLOAD EBOOKAuthor: Susan Dackerman
Publisher: Penn State Press
Published: 2002
Total Pages: 324
ISBN-13: 9780271022352
DOWNLOAD EBOOKBetr. u.a. Hans Holbeins Totentanz in den "Simulachres & historiƩes faces de la mort", Lyon 1538 (S. 176-179).