In this issue: Powercarve a Bear Head Six pages are devoted to detailed instructions and techniques for power carving Lori Andrews' bear head. •Carving a Realistic Rabbit •Put to the Test: Walnut Hollow Creative •Craft an owl pendant in an afternoon •Chip-Carved Picture Frame •Power Carving a Bear Head •Adorn your favorite staff with •a Celtic-inspired braided handle
Carve autumn-inspired earrings, a structural mobius strip, a loyal Golden Retriever walking stick topper, Halloween ornaments and caricatures, and more! This 88th issue of Woodcarving Illustrated magazine includes 9 unique projects, plus 12 additional Halloween-themed projects, all with ready-to-use patterns and step-by-step instructions that are perfect for all skill levels! From whittling a simple witch pin for beginners to a detailed Dracula, mummy, and a beaver named Bartholomew, there’s something for every carver to learn, practice, and enjoy. Also featured is an incredible mission to recover centuries-old sunken wood that’s been repurposed into works of art – see the designs and how the historical wood responded! Read about the best new Dockyard miniature carving tools, gain access to special offers and online extras – like bonus patterns and action videos – practice hand exercises to increase your strength, and so much more!
Carve woodland classics, stylized combs, Civil War busts, and more! This 87th issue of Woodcarving Illustrated magazine includes 11 exciting projects and ready-to-use patterns with step-by-step instructions and photography that are perfect for all skill levels! From a baby chickadee and summery coasters for beginners to an intricate green man spirit and humorous (and slightly snobby) gourmand caricature for advanced challenge-seekers, there’s something for every carver to enjoy. Also featured are artist spotlights to learn about the carvers behind some project designs. Read about the best new carving tools (including the revolutionary Pegas Scroll Band Saw), gain access to online extras – like bonus patterns and action videos – learn to carve classic moldings, and so much more!
A good illustration is worth a thousand wood chips! Here at last is a woodcarving book that lays the projects out chip-by-chip, with drawing-after-drawing to teach the craft in the most accurate way possible. With this book beginners don't have to guess how to position the knife or where to chip away. Clearly, explicitly, taking an many drawings as necessary - sometimes up to 50 for one project - the authors guide you through each project to the completion of handsome, useful, realistic finished pieces. The ten projects are actually ten lessons for building skill in carving techniques and developing confidence and proficiency in this age-old craft.
Born of illustrious New England stock, Rachel Field was a National Book Award–winning novelist, a Newbery Medal–winning children’s writer, a poet, playwright, and rising Hollywood success in the early twentieth century. Her light was abruptly extinguished at the age of forty-seven, when she died at the pinnacle of her personal happiness and professional acclaim. Fifty years later, Robin Clifford Wood stepped onto the sagging floorboards of Rachel’s long-neglected home on the rugged shores of an island in Maine and began dredging up Rachel’s history. She was determined to answer the questions that filled the house’s every crevice: Who was this vibrant, talented artist whose very name entrances those who still remember her work? Why is that work—so richly remunerated and widely celebrated in her lifetime—so largely forgotten today? The journey into Rachel’s world took Wood further than she ever dreamed possible, unveiling a life fraught with challenge, and buried by tragedy, and yet incandescent with joy. The Field House is a book about beauty—beauty in Maine island landscapes, in friendship, love, and heartbreak; beauty hidden beneath a woman’s woefully unbeautiful exterior; beauty in a rare, delightful spirit that still whispers from the past. Just listen.
Mike Sullivan loves his adopted city of San Francisco, and he loves trees. In The Trees of San Francisco he has combined his passions, offering a striking and handy compendium of botanical information, historical tidbits, cultivation hints, and more. Sullivan's introduction details the history of trees in the city, a fairly recent phenomenon. The text then piques the reader's interest with discussions of 71 city trees. Each tree is illustrated with a photograph--with its common and scientific names prominently displayed--and its specific location within San Francisco, along with other sites; frequently a close-up shot of the tree is included. Sprinkled throughout are 13 sidelights relating to trees; among the topics are the city's wild parrots and the trees they love; an overview of the objectives of the Friends of the Urban Forest; and discussions about the link between Australia's trees and those in the city, such as the eucalyptus. The second part of the book gets the reader up and about, walking the city to see its trees. Full-page color maps accompany the seven detailed tours, outlining the routes; interesting factoids are interspersed throughout the directions. A two-page color map of San Francisco then highlights 25 selected neighborhoods ideal for viewing trees, leading into a checklist of the neighborhoods and their trees.
The first English-language book to comprehensively discuss the history and methodology of conserving medieval polychrome wood sculpture. Medieval polychrome wood sculptures are highly complex objects, bearers of histories that begin with their original carving and adornment and continue through long centuries of repainting, deterioration, restoration, and conservation. Abundantly illustrated, this book is the first in English to offer a comprehensive overview of the conservation of medieval painted wood sculpture for conservators, curators, and others charged with their care. Beginning with an illuminating discussion of the history, techniques, and meanings of these works, it continues with their examination and documentation, including chapters on the identification of both the wooden support and the polychromy itself—the paint layers, metal leaf, and other materials used for these sculptures. The volume also covers the many aspects of treatment: the process of determining the best approach; consolidation and adhesion of paint, ground, and support; overpaint removal and surface cleaning; and compensation. Four case studies on artworks in the collection of The Cloisters in New York, a comprehensive bibliography, and a checklist to aid in documentation complement the text.
It’s been 10 years since the world officially ended. In the last city on Earth, Jon Salt is addicted to Sadness, a drug that invokes its name, and obsessed with his lover, Michelle; both of which threaten to drive him insane. Strange creatures and new technologies appeared in the last days of humanity and the widespread adoption of teleportation technology sundered the fabric of time and space, leaving a smattering of looping ghosts. It is a sad, monotone world, but the remaining populace is happy, thanks to the anti-depressants in the water supply. The last government on Earth has taken a special interest in a gift that Jon possesses: the ability to make his thoughts real. Jon must rely on that gift and the help of a few unlikely friends to stay one step ahead of those who desperately want to use him for something far more sinister than even he could dream…
