COST Action IE0601 "Wood Science for Conservation of Cultural Heritage" (www.woodculther.org) aims to improve the conservation (including study, preventive conservation and restoration) of European Wooden Cultural Heritage Objects (WCHOs), by fostering targeted research and multidisciplinary interaction between Researchers in various fields of Wood Science, Conservators of wooden artworks, other Scientists from related fields. This book of Proceedings contains most of the papers presented in the International Conference held in Florence (Italy) on 8-10 November 2007, dealing with several of the Action's themes, including structure and properties of historic wood, ageing and non-biological degradation of wood material, contributions from Wood Science to conservation issues.
COST Action IE0601 "Wood Science for Conservation of Cultural Heritage" (www.woodculther.org) aims to improve the conservation (including study, preventive conservation and restoration) of European Wooden Cultural Heritage Objects (WCHOs), by fostering targeted research and multidisciplinary interaction between Researchers in various fields of Wood Science, Conservators of wooden artworks, other Scientists from related fields. This book of Proceedings contains most of the papers presented in the International Conference held in Florence (Italy) on 8-10 November 2007, dealing with several of the Action's themes, including structure and properties of historic wood, ageing and non-biological degradation of wood material, contributions from Wood Science to conservation issues.
This book addresses core questions about the role of materials in general and of wood in particular in the construction of string instruments used in the modern symphony orchestra – violins, violas, cellos and basses. Further attention is given to materials for classical guitars, harps, harpsichords and pianos. While some of the approaches discussed are traditional, most of them depend upon new scientific approaches to the study of the structure of materials, such as for example wood cell structure, which is visible only using modern high resolution microscopic techniques. Many examples of modern and classical instruments are examined, together with the relevance of classical techniques for the treatment of wood. Composite materials, especially designed for soundboards could be a good substitute for some traditional wood species. The body and soundboard of the instrument are of major importance for their acoustical properties, but the study also examines traditional and new wood species used for items such as bows, the instrument neck, string pegs, etc. Wood species’ properties for musical instruments and growth origins of woods used by great makers such as Antonio Stradivari are examined and compared with more recently grown woods available to current makers. The role of varnish in the appearance and acoustics of the final instrument is also discussed, since it has often been proposed as a ‘secret ingredient’ used by great makers. Aspects related to strings are commented.As well as discussing these subjects, with many illustrations from classical and contemporary instruments, the book gives attention to conservation and restoration of old instruments and the physical results of these techniques. There is also discussion of the current value of old instruments both for modern performances and as works of art having great monetary value.The book will be of interest and value to researchers, advanced students, music historians, and contemporary string instrument makers. Musicians in general, particularly those playing string instruments, will also find its revelations fascinating. It will also attract the attention of those using wood for a variety of other purposes, for its use in musical instruments uncovers many of its fundamental features. Professor Neville H. FletcherAustralian National University, Canberra
Since prehistoric times and throughout the course of human evolution, wood has been an integral part of all civilizations. Wooden Cultural Heritage can be found worldwide, providing valuable information on the social and economic context of human history. Nonetheless, as a natural cellulosic material, wood shows low resistance to biodeterioration and thus wooden Cultural Heritage often fails to escape decomposition in both aquatic and terrestrial ecosystems. This book provides a comprehensive overview on the biodeterioration of wooden Cultural Heritage and describes the decay mechanisms of key organisms and microorganisms encountered in aquatic and terrestrial ecosystems. Cultural Heritage professionals, researchers and academics may explore within this book the associations between deteriogens, habitats and decay, which will assist them to understand wood biodeterioration and design effective prevention, mitigation and remediation strategies. The book presents case studies around the world to demonstrate the impact of biogenic deterioration on wooden Cultural Heritage and illustrates mechanisms and patterns in order to be a useful handbook of decay diagnosis. Lastly, by adopting a holistic approach to wood decay, basic concepts of wood technology, ecology, and deteriogens' biology are introduced, permitting readers of different scientific backgrounds to easily comprehend wood biodeterioration.
Secondary Xylem Biology: Origins, Functions, and Applications provides readers with many lenses from which to understand the whole scope and breadth of secondary xylem. The book builds on a basic comprehension of xylem structure and development before delving into other important issues such as fungal and bacterial degradation and biofuel conversion. Chapters are written by recognized experts who have in-depth knowledge of their specific areas of expertise. It is a single information source containing high quality content, information, and knowledge related to the understanding of biology in woody plants and their applications. - Offers an in-depth understanding of biology in woody plants - Includes topics such as abiotic stresses on secondary xylem formation, fungal degradation of cell walls, and secondary xylem for bioconversion - Progresses from basic details of wood structure, to dynamics of wood formation, to degradation
This book presents novel applications of nanotechnology for the preservation of artistic and historical artifacts. It explains the scientific principles behind numerous nanomaterials and discusses their applications to different types of common movable and fixed artistic substrates. It starts with an overview of the nano-tools developed over the last three decades, such as dispersions of nanoparticles, micellar solutions, microemulsions and gels. Compared to traditional methods, these new tools have the benefit of considerably less impact on both the operators and the environment. Each chapter is dedicated to a specific type of cultural heritage material (wall and easel paintings, stone, paper, canvas and wood) starting with the main degradation paths and discussing protocols for the application of innovative nanomaterials-based tools for cleaning, consolidation, or deacidification, which represent the majority of the case studies encountered in restoration facilities, workshops and ateliers. The book provides step-by-step descriptions that are meant to support conservators in the application of these novel materials and methods. The aim of the book is to equip end-users and conservators with essential information and knowledge on the availability and applicability of different nano-materials and dispersed systems. While the book’s focus is on the practical aspects, interested readers will also find references to the relevant advanced colloid and material science literature. Main audience: Expert conservators, restorers and technical staff at conservation institutes and museums, students at conservation and restoration schools, and scientists who are new to the field of conservation of artistic and historical artifacts.
Wood Deterioration, Protection and Maintenance provides an up to date discussion of the natural durability of wood, wood degradation processes, and methods of structural and chemical protection of wood. Modern active substances in wood preservatives and the relationships between preservative properties, the anatomical structure and moisture content of wood and protective processes involving pressure and/or diffusion driving forces are fully illustrated.
The aim of the conference was to discuss the contribution of physics and other sciences in archaeological research and in the preservation of cultural heritage. Considering that the mission of ECSAC is to promote the interaction among the diverse cultures of the peoples from the lands on the Adriatic and Ionian seas, it is apt that the major themes were related to the rich history and pre-history of this region - from Greek-Roman archaeology on the eastern Adriatic coasts to the palaeoanthropology of the Neanderthals of the Vindija caves in Croatia, from the Roman city of Aquileia to the pleistocenic cave of Homo heidelbergensis in the Karst of Visogliano (Trieste), from the Roman ship Julia Felix of the Grado lagoon to the ancient bronze Apoxyomenos of the Veli Loscaron;inj waters. A variety of scientific disciplines provide tools and methods that are crucial in reconstructing humanity's past and in preserving material remains that witness the evolution of human culture. Geology reconstructs the history of terrestrial environments, critical for the evolution and dispersal of humans. Chemistry explains reactions that modify materials left by human activities, including the destructive effects of pollution. Biology has a critical role in archaeology, particularly with the recent advance in analysis of DNA in ancient organic materials.
Microclimate for Cultural Heritage: Conservation and Restoration of Indoor and Outdoor Monuments, Second Edition, is a cutting-edge, theoretical, and practical handbook concerning microclimate, environmental factors, and conservation of cultural heritage. Although the focus is on cultural heritage objects, most of the theory and instrumental methodologies are common to other fields of application, such as atmospheric and environmental sciences. Microclimate for Cultural Heritage, Second Edition, is a useful treatise on microphysics and a practical handbook for conservators and specialists in physics, chemistry, architecture, engineering, geology, and biology who work in the multidisciplinary field of the environment, and, in particular, in the conservation of works of art. Part I, devoted to applied theory, is a concise treatise on microphysics, which includes a survey on the basic ideas of environmental diagnosis and conservation. The second part of the book focuses on practical utilization, and shows in detail how field surveys should be performed, with many suggestions and examples, as well as some common errors to avoid. - Presents updated scientific and technological findings based on the novel European standards on microclimate and cultural heritage - Includes the latest information on experimental research on environmental factors and their impact on materials, such as the behavior of water and its interactions with cultural heritage materials - Contains case studies of outdoor and indoor microclimate conditions and their effects, providing ideas for readers facing similar problems caused by heat, water, radiation, pollution, or air motions - Covers instruments and methods for practical applications to help readers understand, to observe and interpret observations, and avoid errors
Reviewing the analytical strategies used in the study of cultural heritage assets such as movable artworks and archaeological items, and immovable objects like mural paintings, archaeological sites and historical buildings, this book pays particular attention to analytical methodology. It is not always necessary to use new and sophisticated instrumentation, what is important is how the instruments are used to obtain reliable, reproducible and repetitive results in view of the problems to be solved. The book considers the influence of the environment on the conservation state including degradation and how modern analytical methods have improved the analysis of materials. It emphasizes multi-method approaches on a range of materials, an approach that is of keen interest to those working in conservation practice. Primarily aimed at final year undergraduate study and masters level students, it would also be useful as supplementary reading for postgraduates and academics who require analytical techniques to enhance their research.
