A diverse collection of 169 poems by 74 poets writing about blue- collar America at work. Arrangement is by author, with indexing that gives access by subjects such as accidents, after work, bosses, various industries, retirement, sabotage, pride in work. The theme of work is a central and evocative one, and this collection brings its importance home.
Oates's fifth volume of poems tells of the central concerns of everyday lives, the metamorphoses undergone in life and death, and the merging of the individual self with others
Philosophy has often been criticized for privileging the abstract; this volume attempts to remedy that situation. Focusing on one of the most concrete of human concerns, food, the editors argue for the existence of a philosophy of food. The collection provides various approaches to the subject matter, offering new readings of a number of texts—religious, philosophical, anthropological, culinary, poetic, and economic. Included are readings ranging from Plato's Phaedo and Verses of Sen-No-Rikyu to Peter Singer's "Becoming a Vegetarian" and Jean-François Revel's Culture and Cuisine. This reader will have particular appeal for philosophers working in social theory, feminist theory, and environmental ethics, and for those working on alternative approaches to such traditional subject areas as epistemology, aesthetics, and metaphysics.
"A sound and engaging book that creates a balanced overview of Oates's career while tackling the question of her role in the wider community." -- Modern Fiction Studies Joyce Carol Oates is America's most extraordinary and prolific woman of letters. In Dark Eyes on America, Gavin Cologne-Brookes illuminates the vision of this remarkable master of her craft, finding evidence in her novels of an evolving consciousness that ultimately forgoes abstract introspection in favor of a more practical approach to art as a tool for understanding both personal and social challenges. With her clear-eyed perception of human behavior, Oates has for decades offered unhesitating explorations of genre, topic, and style -- making her an inevitable if somewhat elusive subject for critical assessment. Cologne-Brookes's conversations and correspondence with Oates, his close textual study of her novels, and abundant references to her essays, stories, poetry, and plays result in a work that critically synthesizes the layers of her writing. This comprehensive yet accessible study offers an essential analysis of one of the twentieth century's most significant writers. "A thoughtful, thorough study which... encourages readers to re-examine Oates's novels within a philosophical context" -- Journal of the American Studies Association of Texas.
In this companion volume to their anthology Working Classics, Nicholas Coles and Peter Oresick present poems written in the 1980s and 1990s that address the nature and culture of nonindustrial work---white collar, domestic, clerical, technical, managerial, or professional. They cross lines of status, class, and gender and range from mopping floors to television news reporting, Wall Street brokerage, and raising children.
These twenty-five interviews with Joyce Carol Oates from early in her career to the present are the first such collection to be published. In these conversations from sources as diverse as major news magazines and small scholarly journals, Oates candidly talks about her work, her concepts of literature, her methods of writing, and many other topics. Throughout this anthology, Oates discusses how her writing paints a modern panorama of American life. Oates described her vast canvas to an interviewer: ""I could not take the time to write about a group of people who did not represent, in their various struggles, fantasies, unusual experiences, hopes, etc., our society in miniature."" She also comments upon her responsibility as an artist ""to bear witness"" to certain aspects of society. In this light, she responds to criticisms that violence seems to dominate her work by noting that ""one simply cannot know strengths unless suffering, misfortune, and violence are explored quite frankly by the writer.""In addition to discussing her works---from her first book By the North Gate (1963) to her most popular novel You Must Remember This (1987)---this prolific writer also answers questions about her writing habits. These interviews, spanning nineteen years, reveal a vivid portrait of Joyce Carol Oates writing as the conscience of society, as the creator of memorable prose and poetry, and as the artist deeply committed to a unique vision.
“If the phrase ‘woman of letters’ existed, [Joyce Carol Oates] would be, foremost in this country, entitled to it.”—John Updike, The New Yorker As powerful and relevant today as it was on its initial publication, them chronicles the tumultuous lives of a family living on the edge of ruin in the Detroit slums, from the 1930s to the 1967 race riots. Praised by The Nation for her “potent, life-gripping imagination,” Joyce Carol Oates traces the aspirations and struggles of Loretta Wendall, a dreamy young mother who is filled with regret by the age of sixteen, and the subsequent destinies of her children, Maureen and Jules, who must fight to survive in a world of violence and danger. Winner of the National Book Award, them is an enthralling novel about love, class, race, and the inhumanity of urban life. It is, raves The New York Times, “a superbly accomplished vision.” Them is the third novel in the Wonderland Quartet. The books that complete this acclaimed series, A Garden of Earthly Delights, Expensive People, and Wonderland, are also available from the Modern Library. [Oates is] a superb storyteller. For sheer readability, them is unsurpassed.”—The Atlanta Journal-Constitution
American literature is no longer the refuge of the solitary hero. Like the society it mirrors, it is now a far richer, many-faceted explication of a complicated and diverse society—racially, culturally, and ethnically interwoven and at the same time fractured and fractious. Ten women writing fiction in America today—Toni Cade Bambara, Joan Didion, Louise Erdrich, Gail Godwin, Mary Gordon, Alison Lurie, Joyce Carol Oates, Jayne Anne Phillips, Susan Fromberg Schaeffer, and Mary Lee Settle—represent that geographic, ethnic, and racial diversity that is distinctively American. Their differing perspectives on literature and the American experience have produced Erdrich's stolid North Dakota plainswomen; Didion's sun-baked dreamers and screamers; the urban ethnics—Irish, Jewish, and black—of Gordon, Schaeffer, and Bambara; Oates's small-town, often violent, neurotics; Lurie's intellectual sophisticates; and the southern survivors and victims, male and female, of Phillips, Settle, and Godwin. The ten original essays in this collection focus on the traditional themes of identity, memory, family, and enclosure that pervade the fiction of these writers. The fictional women who emerge here, as these critics show, are often caught in the interwoven strands of memory, perceive literal and emotional space as entrapping, find identity elusive and frustrating, and experience the interweaving of silence, solitude, and family in complex patterns. Each essay in this collection is followed by bibliographies of works by and about the writer in question that will be invaluable resources for scholars and general readers alike. Here is a readable critical discussion of ten important contemporary novelists who have broadened the pages of American literature to reflect more clearly the people we are.
Collected here are selections from the first twenty years of Cometbus, including the ultra-rare and embarrassing early issues, plus new intros, notes and a scrapbook. The ultimate zine in a world of millions. It's irregular, it's handmade, it's personal, it's portable, it's inspiring, it's challenging, it's unique, it's put out by a really cute boy (that's sorta important)' - Ben is Dead 'Cometbus is considered a classic in the subterranean world' - Time 'Could well be the best loved zine ever' - Bay Guardian'
