Women, Scholarship and Criticism C. 1790-1900
Women, Scholarship and Criticism C. 1790-1900

Author: Anne Laurence

Publisher: Manchester University Press

Published: 2000

Total Pages: 272

ISBN-13: 9780719057205

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This innovative volume explores a wide range of artistic, critical, and cultural productions by women scholars, critics, and artists between 1790 and 1900, many of whom are little known. The essays question the concepts of “scholarship,” “criticism,” and “artist” across different disciplines, focusing on the gendered associations and exclusions and on structures of sexual difference. Women discussed include Mary Wollstonecraft Shelley, Sydney Morgan, and Anna Jameson; actresses such as Elizabeth Siddons, Dorothy Jordan, and Mary Robinson; critics such as Margaret Oliphant and Mary Cowden Clarke; historians such as Agnes Strickland, Lucy Aikin, Mary Anne Everett Green, Elizabeth Cooper, and Lucy Toulmin Smith; the writers and readers of women's magazines; educationalists such as the Shirreff sisters, and translators such as Anna Swanwick, as well as many others.

The Female Romantics
The Female Romantics

Author: Caroline Franklin

Publisher: Routledge

Published: 2012-09-10

Total Pages: 263

ISBN-13: 1136245510

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Awarded the Elma Dangerfield Prize by the International Byron Society in 2013 The nineteenth century is sometimes seen as a lacuna between two literary periods. In terms of women’s writing, however, the era between the death of Mary Wollstonecraft and the 1860s feminist movement produced a coherent body of major works, impelled by an ongoing dialogue between Enlightenment ‘feminism’ and late Romanticism. This study focuses on the dynamic interaction between Lord Byron and Madame de Staël, Lady Morgan, Mary Shelley and Jane Austen, challenging previous critics’ segregation of the male Romantic writers from their female peers. The Romantic movement in general unleashed the creative ambitions of nineteenth-century female novelists, and the public voice of Byron in particular engaged them in transnational issues of political, national and sexual freedom. Byronism had itself been shaped by the poet’s incursion onto a literary scene where women readers were dominant and formidable intellectuals such as Madame de Staël were lionized. Byron engaged in rivalrous dialogue with the novels of his female friends and contemporaries, such as Caroline Lamb, Mary Shelley and Jane Austen, whose critiques of Romantic egotism helped prompt his own self-parody in Don Juan. Later Victorian novelists, such as George Sand, the Brontë sisters and Harriet Beecher Stowe, wove their rejection of their childhood attraction to Byronism, and their dawning awareness of the significance for women of Lady Byron’s actions, into the feminist fabric of their art.

The Cambridge Companion to Victorian Women's Writing
The Cambridge Companion to Victorian Women's Writing

Author: Linda H. Peterson

Publisher: Cambridge University Press

Published: 2015-10-15

Total Pages: 323

ISBN-13: 1107064848

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Innovative and comprehensive coverage of women writers' careers and literary achievements spanning many literary genres during the Victorian period.

Victorian Turns, NeoVictorian Returns
Victorian Turns, NeoVictorian Returns

Author: Penny Gay

Publisher: Cambridge Scholars Publishing

Published: 2009-05-27

Total Pages: 240

ISBN-13: 1443811815

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Victorian Turns, NeoVictorian Returns: Essays on Fiction and Culture brings together essays by scholars of international reputation in nineteenth-century British literature. Encompassing new work on Victorian writers and subjects as well as later readings, rewritings, and adaptations, the two-part arrangement of this collection highlights an ongoing dialogue. Part One: Victorian Turns focuses principally on some of the major novelists of the period—George Eliot, Charles Dickens, Charlotte Brontë—while placing them in a wide cultural context, in particular that provided by the intellectual journals to which many of the novelists contributed. Reflecting the diversity of debate in the Victorian period, contributors’ essays range across key topics of the day, including the “woman question”, class relations, language, science, work, celebrity, and travel. English writers’ consciousness of the challenging contemporary developments in French literature forms a significant and persistent theme. In Part Two: NeoVictorian Returns, the rich and varied afterlife of Victorianism is touched on. NeoVictorianism in contemporary literature and film demonstrates an ongoing and productive engagement with an age which established the social and cultural directions of the modern world. In rewritings, appropriations, and colonial writings-back, and in the persistent power of nineteenth-century images and stories in modern cinema, the period’s social, cultural and political modernity continues to flourish.

The Oxford History of Classical Reception in English Literature
The Oxford History of Classical Reception in English Literature

Author: David Hopkins

Publisher:

Published: 2012

Total Pages: 761

ISBN-13: 0199594600

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The Oxford History of Classical Reception (OHCREL) is designed to offer a comprehensive investigation of the numerous and diverse ways in which literary texts of the classical world have stimulated responses and refashioning by English writers. Covering the full range of English literature from the early Middle Ages to the present day, OHCREL both synthesizes existing scholarship and presents cutting-edge new research, employing an international team of expert contributors for each of the five volumes. OHCREL endeavours to interrogate, rather than inertly reiterate, conventional assumptions about literary 'periods', the processes of canon-formation, and the relations between literary and non-literary discourse. It conceives of 'reception' as a complex process of dialogic exchange and, rather than offering large cultural generalizations, it engages in close critical analysis of literary texts. It explores in detail the ways in which English writers' engagement with classical literature casts as much light on the classical originals as it does on the English writers' own cultural context. This fourth volume, and second to appear in the series, covers the years 1790-1880 and explores romantic and Victorian receptions of the classics. Noting the changing fortunes of particular classical authors and the influence of developments in archaeology, aesthetics and education, it traces the interplay between classical and nineteenth-century perceptions of gender, class, religion, and the politics of republic and empire in chapters engaging with many of the major writers of this period.

Companion to Women's Historical Writing
Companion to Women's Historical Writing

Author: M. Spongberg

Publisher: Springer

Published: 2016-04-30

Total Pages: 729

ISBN-13: 1349724688

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This A-Z reference work provides the first comprehensive reference guide to the wide range of historical writing with which women have been involved, particularly since the Renaissance. The Companion covers biographical writing, travelogue and historical fictions, broadening the concept of history to include the forms of writing with which women have historically engaged. The focus is on women writing in English internationally, but historical and historiographical traditions from beyond the English-speaking world are also examined. Brief biographies of individual writers are included.

Women, Travel Writing, and Truth
Women, Travel Writing, and Truth

Author: Clare Broome Saunders

Publisher: Routledge

Published: 2014-07-17

Total Pages: 217

ISBN-13: 1317690249

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The issue of truth has been one of the most constant, complex, and contentious in the cultural history of travel writing. Whether the travel was undertaken in the name of exploration, pilgrimage, science, inspiration, self-discovery, or a combination of these elements, questions of veracity and authenticity inevitably arise. Women, Travel, and Truth is a collection of twelve essays that explore the manifold ways in which travel and truth interact in women's travel writing. Essays range in date from Lady Mary Wortley Montagu in the eighteenth century to Jamaica Kincaid in the twenty-first, across such regions as India, Italy, Norway, Siberia, Austria, the Orient, the Caribbean, China and Mexico. Topics explored include blurred distinctions of fiction and non-fiction; travel writing and politics; subjectivity; displacement, and exile. Students and academics with interests in literary studies, history, geography, history of art, and modern languages will find this book an important reference.

Women Reviewing Women in Nineteenth-Century Britain
Women Reviewing Women in Nineteenth-Century Britain

Author: Joanne Wilkes

Publisher: Routledge

Published: 2016-02-17

Total Pages: 194

ISBN-13: 1134776950

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Focusing particularly on the critical reception of Jane Austen, Charlotte Brontë and George Eliot, Joanne Wilkes offers in-depth examinations of reviews by eight female critics: Maria Jane Jewsbury, Sara Coleridge, Hannah Lawrance, Jane Williams, Julia Kavanagh, Anne Mozley, Margaret Oliphant and Mary Augusta Ward. What they wrote about women writers, and what their writings tell us about the critics' own sense of themselves as women writers, reveal the distinctive character of nineteenth-century women's contributions to literary history. Wilkes explores the different choices these critics, writing when women had to grapple with limiting assumptions about female intellectual capacities, made about how to disseminate their own writing. While several publishing in periodicals wrote anonymously, others published books, articles and reviews under their own names. Wilkes teases out the distinctiveness of nineteenth-century women's often ignored contributions to the critical reception of canonical women authors, and also devotes space to the pioneering efforts of Lawrance, Kavanagh and Williams to draw attention to the long tradition of female literary activity up to the nineteenth century. She draws on commentary by male critics of the period as well, to provide context for this important contribution to the recuperation of women's critical discourse in nineteenth-century Britain.

Reading Poetry, Writing Genre
Reading Poetry, Writing Genre

Author: Silvio Bär

Publisher: Bloomsbury Publishing

Published: 2018-12-27

Total Pages: 271

ISBN-13: 1350039349

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This ground-breaking volume connects the situatedness of genre in English poetry with developments in classical scholarship, exploring how an emphasis on the interaction between English literary criticism and Classics changes, sharpens, or perhaps even obstructs views on genre in English poetry. “Genre” has classical roots: both in the etymology of the word and in the history of genre criticism, which begins with Aristotle. In a similar vein, recent developments in genre studies have suggested that literary genres are not given or fixed entities, but subjective and unstable (as well as historically situated), and that the reception of genre by both writers and scholars feeds back into the way genre is articulated in specific literary works. Classical scholarship, literary criticism, and genre form a triangle of key concepts for the volume, approached in different ways and with different productive results by contributors from across the disciplines of Classics and English literature. Covering topics from the establishment of genre in the Middle Ages to the invention of female epic and the epyllion, and bringing together the works of English poets from Milton to Tennyson to Josephine Balmer, the essays collected hereargue that the reception and criticism of classical texts play a crucial part in generic formation in English poetry.

The Development of the Mechanics’ Institute Movement in Britain and Beyond
The Development of the Mechanics’ Institute Movement in Britain and Beyond

Author: Martyn Walker

Publisher: Taylor & Francis

Published: 2016-08-12

Total Pages: 195

ISBN-13: 1317410920

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The Development of the Mechanics’ Institute Movement in Britain and Beyond questions the prevailing view that mechanics’ institutes made little contribution to adult working-class education from their foundation in the 1820s to 1890. The book traces the historical development of several mechanics’ institutes across Britain and reveals that many institutes supported both male and female working-class membership before state intervention at the end of the nineteenth century resulted in the development of further education for all. This book presents evidence to suggest that the movement remained active and continued to expand until the end of the nineteenth century. Drawing on historical accounts, Walker describes the developments which shaped the movement and emphasises the institutes’ provision for scientific and technical education. He also considers the impact that the British movement had on the overseas development of mechanics’ institutes – particularly in Canada, America, Australia and New Zealand. The book concludes with a discussion of the legacy of the movement and its contribution to twentieth-century adult education. The Development of the Mechanics’ Institute Movement advances the argument that the movement made a substantial contribution to adult education for the working classes and provided a firm foundation for further education in Britain and beyond. It will appeal to academics, researchers and postgraduate students in the areas of education, history and sociology, as well as the philosophy of education, technical and vocational education, and post-compulsory education.