A woman's version of Thoreau's Walden, this universal, timeless book explores the philosophical and psychological issues of self-identity--equally relevant to men and women today. Companion volume to the simultaneously released follow-up novel The Stations of Solitude.
Continuing the milestone 50th anniversary celebration of Star Trek—a brand-new novel of The Original Series featuring James T. Kirk, Spock, and the crew of the USS Enterprise! Investigating a series of violent raids by a mysterious predatory species, Captain James T. Kirk discovers that these events share a startling connection with the First Federation, a friendly but secretive civilization contacted early in the USS Enterprise’s five-year mission. Traveling to the First Federation in search of answers, the Enterprise suddenly comes under attack from these strange marauders. Seeking refuge, the starship finds its way to the true home of the First Federation, an astonishing collection of worlds hidden from the galaxy beyond. The inhabitants of this isolated realm are wary of outsiders, and some accuse Kirk and his crew for bringing the wrath of their ancient enemy down upon them. When an attempt to stave off disaster goes tragically wrong, Kirk is held fully accountable, and Commander Spock learns there are even deeper forces that threaten this civilization. If Kirk and Spock cannot convince the First Federation's leaders to overcome their fears, the resulting catastrophe could doom them all!
A stunning novel of hopes and dreams, guilt and love—a book that offers a resonant new definition of what it means to be American and "illuminates the lives behind the current debates about Latino immigration" (The New York Times Book Review). When fifteen-year-old Maribel Rivera sustains a terrible injury, the Riveras leave behind a comfortable life in Mexico and risk everything to come to the United States so that Maribel can have the care she needs. Once they arrive, it’s not long before Maribel attracts the attention of Mayor Toro, the son of one of their new neighbors, who sees a kindred spirit in this beautiful, damaged outsider. Their love story sets in motion events that will have profound repercussions for everyone involved. Here Henríquez seamlessly interweaves the story of these star-crossed lovers, and of the Rivera and Toro families, with the testimonials of men and women who have come to the United States from all over Latin America.
In the late autumn of 1889, the body of an unknown woman appeared on the banks of the Seine River in Paris. It was taken to the city morgue behind Notre Dame and put on display for a month, according to protocol. The eerie beauty of the young woman's expression attracted crowds but no claimant, and so, before the body was dispatched, a mold was taken of the face, yielding a mask which was to become one of the most celebrated cult objets/curios of the 20th century. Set during the final days of the Paris expo of 1889, Brooks Hansen's The Unknown Woman of the Seine sets out to solve the mystery of who the woman was behind the mask. In charge of that investigation is a former Gendarme and recent prisoner of war just returned from Tonkin, China. Henri Brassard is on his way to Paris, determined to reclaim his place in La Force when he crosses paths with a mysterious and unnamed young maiden and her gypsy wagon. Detecting villainy, and bent on proving himself to his former superiors, Brassard tracks her into the city and observes from the shadows as, with evident but inscrutable purpose, she wends her way into the orbit of several savory and unsavory characters--an Artist, an Impresario, a Madame, a Countess, and one Disciple even--each of whom sees in her some opportunity, a chance for profit or redemption; any one of whom may therefore be responsible for her sudden and unexplained disappearance. On that account, Brassard's chase will lead him on a grand tour of the city's lushest and seamiest venues, from its highest spires down into its darkest, dankest catacombs and past a gallery of equally diverse crimes--the moral, the political, the maniacal. By the end, he will, in fact, learn the stunning truth of the unknown woman's true identity, her past and present, but not before unearthing the equally disturbing truth about himself, who he has been, and who he must become.
These four Stefan Zweig stories, newly translated by the award-winning Anthea Bell, are among his most celebrated and compelling work. The titular tale is a devastating depiction of unrequited love, which inspired a classic Hollywood film, directed by Max Ophüls and starring Joane Fontaine. Elsewhere in the collection, a young man mistakes the girl he loves for her sister, two erstwhile lovers meet after an age spent apart, and a married woman repays a debt of gratitude to her childhood sweetheart. Expertly paced, laced with the acutely accurate psychological detail and empathy that are Zweig's trademarks, this is a powerful addition to Pushkin's growing collection of his work.
My reason for writing this story, I have met women who have married into the merchant navy with all it entails. I have met others who have lived inIranand in other countries. I have known families who have experienced the death of children. I have met others who lived with cystic fibrosis and other genetic incurable illnesses and disabilities. I have seen television programmes of children being treated inGreatOrmandStreetHospital. I know of lots of people who have adopted children for one reason or another. I have, however, never met anyone who experienced every one of these except my husband and I, and all of it in a ten-year span of life.
The Unknown History of Jewish Women—On Learning and Illiteracy: On Slavery and Liberty is a comprehensive study on the history of Jewish women, which discusses their absence from the Jewish Hebrew library of the "People of the Book" and interprets their social condition in relation to their imposed ignorance and exclusion from public literacy. The book begins with a chapter on communal education for Jewish boys, which was compulsory and free of charge for the first ten years in all traditional Jewish communities. The discussion continues with the striking absence of any communal Jewish education for girls until the late nineteenth and early twentieth century, and the implications of this fact for twentieth-century immigration to Israel (1949-1959) The following chapters discuss the social, cultural and legal contexts of this reality of female illiteracy in the Jewish community—a community that placed a supreme value on male education. The discussion focuses on the patriarchal order and the postulations, rules, norms, sanctions and mythologies that, in antiquity and the Middle Ages, laid the religious foundations of this discriminatory reality.