Women in Italy, 1350-1650
Women in Italy, 1350-1650

Author: Mary Rogers

Publisher:

Published: 2005

Total Pages: 390

ISBN-13:

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Between c.1350 and c.1650, Italian urban societies saw much debate on women's nature, roles, education, and behavior. Using a broad range of material, most newly translated, this book illuminates the ideals and realities informing the lives of women within the context of civic and courtly culture in Renaissance Italy. The text is divided into three sections: contemporary views on the nature of women, and ethical and aesthetic ideals seen as suitable to them; life cycles from birth to death, punctuated by the rites of passage of betrothal, marriage and widowhood; women's roles in the convent, the court, the workplace, and in cultural life.

Wives, Widows, Mistresses, and Nuns in Early Modern Italy
Wives, Widows, Mistresses, and Nuns in Early Modern Italy

Author: Katherine A. McIver

Publisher: Routledge

Published: 2016-12-05

Total Pages: 270

ISBN-13: 1351872478

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Through a visually oriented investigation of historical (in)visibility in early modern Italy, the essays in this volume recover those women - wives, widows, mistresses, the illegitimate - who have been erased from history in modern literature, rendered invisible or obscured by history or scholarship, as well as those who were overshadowed by male relatives, political accident, or spatial location. A multi-faceted invisibility of the individual and of the object is the thread that unites the chapters in this volume. Though some women chose to be invisible, for example the cloistered nun, these essays show that in fact, their voices are heard or seen through their commissions and their patronage of the arts, which afforded them some visibility. Invisibility is also examined in terms of commissions which are no longer extant or are inaccessible. What is revealed throughout the essays is a new way of looking at works of art, a new way to visualize the past by addressing representational invisibility, the marginalized or absent subject or object and historical (in)visibility to discover who does the 'looking,' and how this shapes how something or someone is visible or invisible. The result is a more nuanced understanding of the place of women and gender in early modern Italy.

Women of the Renaissance
Women of the Renaissance

Author: Margaret L. King

Publisher: University of Chicago Press

Published: 2008-04-10

Total Pages: 351

ISBN-13: 0226436160

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In this informative and lively volume, Margaret L. King synthesizes a large body of literature on the condition of western European women in the Renaissance centuries (1350-1650), crafting a much-needed and unified overview of women's experience in Renaissance society. Utilizing the perspectives of social, church, and intellectual history, King looks at women of all classes, in both usual and unusual settings. She first describes the familial roles filled by most women of the day—as mothers, daughters, wives, widows, and workers. She turns then to that significant fraction of women in, and acted upon, by the church: nuns, uncloistered holy women, saints, heretics, reformers,and witches, devoting special attention to the social and economic independence monastic life afforded them. The lives of exceptional women, those warriors, queens, patronesses, scholars, and visionaries who found some other place in society for their energies and strivings, are explored, with consideration given to the works and writings of those first protesting female subordination: the French Christine de Pizan, the Italian Modesta da Pozzo, the English Mary Astell. Of interest to students of European history and women's studies, King's volume will also appeal to general readers seeking an informative, engaging entrance into the Renaissance period.

The Competition
The Competition

Author: Donna Russo Morin

Publisher: Next Chapter

Published: 2023-02-28

Total Pages: 320

ISBN-13:

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In a studiolo behind a church, six women gather to perform an act that is restorative, powerful, and illegal. They paint. Under the tutelage of Leonardo da Vinci, the six show talent and drive equal to that of any man, but in Renaissance Florence they must hide their skills, or risk the scorn of the city. A commission to paint a fresco in Santo Spirito is announced and Florence’s countless artists each seek the fame and glory this lucrative job will provide. Viviana, a noblewoman freed from a terrible marriage and now free to pursue her artistic passions in secret, sees a potential life-altering opportunity for herself and her fellow female artists. The women first speak to Lorenzo de’ Medici himself, and finally, submit a bid for the right to paint it. But the church will not stand for women painting, especially not in a house of worship. The city is not ready to consider women in positions of power, and in Florence, artists wield tremendous power. Even the women themselves are hesitant; the attention they bring upon themselves will disrupt their families, and put them in danger. All the while, Viviana grows closer to Sansone, her soldier lover, who is bringing her joy that she never knew with her deceased husband. Power and passion collide in Donna Russo Morin's 'The Competition', a sumptuous historical novel of shattering limitations, one brushstroke at a time.

Old Women and Art in the Early Modern Italian Domestic Interior
Old Women and Art in the Early Modern Italian Domestic Interior

Author: Erin J. Campbell

Publisher: Routledge

Published: 2016-03-09

Total Pages: 266

ISBN-13: 131708604X

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Though portraits of old women mediate cultural preoccupations just as effectively as those of younger women, the scant published research on images of older women belies their significance within early modern Italy. This study examines the remarkable flowering, largely overlooked in portraiture scholarship to date, of portraits of old women in Northern Italy and especially Bologna during the second half of the sixteenth century, when, as a result of religious reform, the lives of women and the family came under increasing scrutiny. Old Women and Art in the Early Modern Italian Domestic Interior draws on a wide range of primary visual sources, including portraits, religious images, architectural views, prints and drawings, as well as extant palazzi and case, furnishings, and domestic objects created by the leading artists in Bologna, including Lavinia Fontana, Bartolomeo Passerotti, Denys Calvaert, and the Carracci. The study also draws on an array of historical sources - including sixteenth-century theories of portraiture, prescriptive writings on women and the family, philosophical and practical treatises on the home economy, sumptuary legislation, books of secrets, prescriptive writings on old age, and household inventories - to provide new historical perspectives on the domestic life of the propertied classes in Bologna during the period. Author Erin Campbell contends that these images of unidentified women are not only crucial to our understanding of the cultural operations of art within the early modern world, but also, by working from the margins to revise the center, provide an opportunity to present new conceptual frameworks and question our assumptions about old age, portraiture, and the domestic interior.

A Cultural History of Dress and Fashion in the Renaissance
A Cultural History of Dress and Fashion in the Renaissance

Author: Elizabeth Currie

Publisher: Bloomsbury Publishing

Published: 2018-11-01

Total Pages: 484

ISBN-13: 1350114138

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Spurred by an increasingly international and competitive market, the Renaissance saw the development of many new fabrics and the use of highly prized ingredients imported from the New World. In response to a thirst for the new, fashion's pace of change accelerated, the production of garments provided employment for an increasingly significant proportion of the working population, and entrepreneurial artisans began to transform even the most functional garments into fashionable ones. Anxieties concerning vanity and the power of clothing to mask identities heightened fears of fashion's corrupting influence, and heralded the great age of sumptuary legislation intended to police status and gender through dress. Drawing on sources from surviving garments to artworks to moralising pamphlets, this richly illustrated volume presents essays on textiles, production and distribution, the body, belief, gender and sexuality, status, ethnicity, and visual and literary representations to illustrate the diversity and cultural significance of dress and fashion in the period.

Ippolita Maria Sforza
Ippolita Maria Sforza

Author: Jeryldene M. Wood

Publisher: McFarland

Published: 2020-06-04

Total Pages: 294

ISBN-13: 1476639167

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In April 1455, ten-year-old Ippolita Maria Sforza, a daughter of the Duke and Duchess of Milan, was betrothed to the seven-year-old crown prince of the Kingdom of Naples as a symbol of peace and reconciliation between the two rival states. This first full-scale biography of Ippolita Maria follows her life as it unfolds at the rival courts of Milan and Naples amid a cast of characters whose political intrigues too often provoked assassinations, insurrections, and wars. She was conscious of her duty to preserve peace despite the strains created by her husband's arrogance, her father-in-law's duplicity, and her Milanese brothers' contentiousness. The duchess's intelligence and charm calmed the habitual discord between her families, and in time, her diplomatic savvy and her great friendship with Lorenzo de' Medici of Florence made her a key player in the volatile politics of the peninsula for almost 20 years. Drawing on her letters and contemporary chronicles, memoirs, and texts, this biography offers a rare look into the private life of a Renaissance woman who attempted to preserve a sense of self while coping with a tempestuous marriage, dutifully giving birth to three children, and supervising a large household under trying political circumstances.