Women in German Yearbook
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Published: 1989
Total Pages: 160
ISBN-13:
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Author:
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Published: 1989
Total Pages: 160
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DOWNLOAD EBOOKAuthor: Helen Fronius
Publisher: Routledge
Published: 2017-10-23
Total Pages: 393
ISBN-13: 1351565621
DOWNLOAD EBOOKGerman women writers of the eighteenth and nineteenth centuries have been the subject of feminist literary critical and historical studies for around thirty years. This volume, with contributions from an international group of scholars, takes stock of what feminist literary criticism has achieved in that time and reflects on future trends in the field. Offering both theoretical perspectives and individual case studies, the contributors grapple with the difficulties of appraising 'non-feminist' women writers and genres from a feminist perspective and present innovative approaches to research in early women's writing. This inclusive and cross- disciplinary collection of essays will enrich the study of German women's writing of the eighteenth and nineteenth centuries and contribute to contemporary debates in feminist literary criticism. Anna Richards is Lecturer in German at Birkbeck College, University of London. Helen Fronius is College Lecturer in German at Keble College, University of Oxford.
Author: Friederike Eigler
Publisher: Bloomsbury Publishing USA
Published: 1997-02-28
Total Pages: 691
ISBN-13: 1567507522
DOWNLOAD EBOOKToday, a multiplicity of feminist approaches has become an integral part of the fields of German literary and cultural studies. This comprehensive reference provides a much needed synthesis of the contribution women have made to German literature and culture. In entries for more than 500 topics, the volume surveys literary periods, epochs, and genres; critical approaches and theories; important authors and works; female stereotypes; laws and historical developments; literary concepts and themes; and organizations and archives relevant to women and women's studies. Each entry offers a concise identification of the term, a discussion of its significance, and a bibliography of works for further reading. Today, a multiplicity of feminist approaches has become an integral part of the fields of German literary and cultural studies. While biographical works on women writers exist, this is the first reference to synthesize the wealth of feminist scholarship in German studies. While existing reference works focus exclusively on women authors, this volume contains numerous topical entries and covers the role of women in German literature and culture from the Middle Ages to the present day. Included are alphabetically arranged entries on more than 500 topics. While some entries are provided for important women writers and other individuals, the bulk of the volume provides information on literary periods, epochs, and genres; critical approaches and theories; female stereotypes; laws and historical developments; literary concepts and themes; and organizations and archives relevant to women and women's studies. Each entry includes a brief identification of the subject, a discussion of feminist thought on the topic, and a brief bibliography. Entries are written by numerous contributors and reflect a range of critical/theoretical approaches.
Author: Michelle Mattson
Publisher: Camden House
Published: 2010
Total Pages: 224
ISBN-13: 1571134433
DOWNLOAD EBOOKAnalyzes Wolf's, Drewitz's, and Weil's views of individual responsibility in history, with reference to theories of memory and feminist ethics.
Author: Robert C. Reimer
Publisher: Rowman & Littlefield
Published: 2010
Total Pages: 524
ISBN-13: 0810876116
DOWNLOAD EBOOKGerman film is diverse and multi-faceted; its history includes five distinct German governments (Wilhelmine Germany, the Weimar Republic, the Third Reich, the Federal Republic of Germany, and the German Democratic Republic), two national industries (Germany and Austria), and a myriad of styles and production methods. Paradoxically, the political disruptions that have produced these distinct film eras, as well as the natural inclination of artists to rebel and create new styles, allow for the construction of a narrative of German film. While the disjuncture generates distinct points of separation, it also highlights continuities between the ruptures. Outlining the richness of German film, The A to Z of German Cinema covers mainstream, alternative, and experimental film from 1895 to the present through a chronology, introductory essay, appendix of the 100 most significant German films, a bibliography, and hundreds of cross-referenced dictionary entries on directors, actors, films, cinematographers, composers, producers, and major historical events that greatly affected the direction and development of German cinema. The book's broad canvas will lead students and scholars of cinema to appreciate the complex nature of German film.
Author: Maria Purves
Publisher: Cambridge Scholars Publishing
Published: 2014-03-17
Total Pages: 205
ISBN-13: 1443857939
DOWNLOAD EBOOKThis small collection of essays explores women’s relationship with the gothic: a relationship which has, since its eighteenth-century beginnings, always been complex. These essays demonstrate some of the scope and diversity of that relationship, and much of its intensity: the ingenuity and genius employed, the anguish experienced and the risks taken, in its evolution. Genuinely representative of gothic’s flexibility and presence in everything from novels to architecture, from surrealist art to hypertext fiction, this volume brings new primary sources and topics to the reader’s attention, and will be of interest to anyone who wants to expand and challenge their understanding of how and why women engage with the gothic.
Author: Mary Zirin
Publisher: Routledge
Published: 2015-03-26
Total Pages: 2898
ISBN-13: 1317451961
DOWNLOAD EBOOKThis is the first comprehensive, multidisciplinary, and multilingual bibliography on "Women and Gender in East Central Europe and the Balkans (Vol. 1)" and "The Lands of the Former Soviet Union (Vol. 2)" over the past millennium. The coverage encompasses the relevant territories of the Russian, Hapsburg, and Ottoman empires, Germany and Greece, and the Jewish and Roma diasporas. Topics range from legal status and marital customs to economic participation and gender roles, plus unparalleled documentation of women writers and artists, and autobiographical works of all kinds. The volumes include approximately 30,000 bibliographic entries on works published through the end of 2000, as well as web sites and unpublished dissertations. Many of the individual entries are annotated with brief descriptions of major works and the tables of contents for collections and anthologies. The entries are cross-referenced and each volume includes indexes.
Author: Andréa Staskowski
Publisher: Peter Lang
Published: 2004
Total Pages: 158
ISBN-13: 9780820431284
DOWNLOAD EBOOKThe autobiographical films of German women form a unique body of work. Merging documentary and fiction footage, the filmmakers present a self (de)formed, but not constructed, by social forces. By historicizing, rather than psychologizing, their experience, these filmmakers call prevailing models of subject construction into question. Conversations with Experience examines the social and theoretical context of the films' production and proposes feminist hermeneutics as a theory of textual analysis. Drawing on the insights of Christa Wolf, Mary Daly, and Adrienne Rich, feminist hermeneutics recalls ontology as the basis for a conversational approach to critical engagement.
Author: Robert C. Reimer
Publisher: Rowman & Littlefield
Published: 2019-07-15
Total Pages: 547
ISBN-13: 1538119404
DOWNLOAD EBOOKThe History of German film is diverse and multi-faceted. This volume can only suggest the richness of a film tradition that includes five distinct German governments [Wilhelmine Germany, the Weimar Republic, the Third Reich, the Federal Republic of Germany (West Germany), and the German Democratic Republic (East Germany), s well as a reunited Germany], two national industries (Germany and Austria), and a myriad of styles and production methods. Paradoxically, the political disruptions that have produced these distinct film eras, as well as and the natural inclination of artists to rebel and create new styles, allow for construction of a narrative of German film. Disjuncture generates distinct points of separation, and yet also highlights continuities between the ruptures. This second edition of Historical Dictionary of German Cinema contains a chronology, an introduction, appendixes and an extensive bibliography. The dictionary section has over 200 cross-referenced entries on directors, actors, films, cinematographers, composers, producers, and major historical events that greatly affected the direction and development of German cinema. This book is an excellent resource for students, researchers, and anyone wanting to know more about German cinema.