Dance Dance Revolution

Dance Dance Revolution

Author: Cathy Park Hong

Publisher: National Geographic Books

Published: 2008-10-28

Total Pages: 0

ISBN-13: 0393333116

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Adrienne Rich chose Cathy Park Hong's "audacious" (Los Angeles Times) second book as the winner of the 2006 Barnard Women Poets Prize. Named one of the Los Angeles Times's Best Science Fiction Books in 2007, Dance Dance Revolution is a genre-bending tour de force told from the perspective of the Guide, a former dissident and tour guide of an imagined desert city.


Women Rapping Revolution

Women Rapping Revolution

Author: Kellie D. Hay

Publisher: University of California Press

Published: 2020-06-09

Total Pages: 247

ISBN-13: 0520305329

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Detroit, MIchigan, has long been recognized as a center of musical innovation and social change. Rebekah Farrugia and Kellie D. Hay draw on seven years of fieldwork to illuminate the important role that women have played in mobilizing a grassroots response to political and social pressures at the heart of Detroit’s ongoing renewal and development project. Focusing on the Foundation, a women-centered hip hop collective, Women Rapping Revolution argues that the hip hop underground is a crucial site where Black women shape subjectivity and claim self-care as a principle of community organizing. Through interviews and sustained critical engagement with artists and activists, this study also articulates the substantial role of cultural production in social, racial, and economic justice efforts.


The Feminine Revolution

The Feminine Revolution

Author: Amy Stanton

Publisher: Seal Press

Published: 2018-11-06

Total Pages: 233

ISBN-13: 1580058132

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Feminine traits that were once disparaged as weaknesses -- such as sensitivity, intuition, and feeling emotional -- are reclaimed as powerful strengths that can be embraced as the keys to a happier life for everyone Challenging old and outdated perceptions that feminine traits are weaknesses, The Feminine Revolution revisits those characteristics to show how they are powerful assets that should be embraced rather than maligned. It argues that feminine traits have been mischaracterized as weak, fragile, diminutive, and embittered for too long, and offers a call to arms to redeem them as the superpowers and gifts that they are. The authors, Amy Stanton and Catherine Connors, begin with a brief history of when-and-why these traits were defined as weaknesses, sharing opinions from iconic females including Marianne Williamson and Cindy Crawford. Then they offer a set of feminine principles that challenge current perceptions of feminine traits, while providing women new mindsets to reclaim those traits with confidence. The principles include counterintuitive messages, including: Take things hard. Women feel things deeply, especially the hard stuff -- and that's a good thing. Enjoy glamour. Peacocks' bright coloring and garish feathers are part of their survival strategy -- similar tactics are part of our happiness strategy. Chit-chat. Women have been derogated for "gossip" for centuries. But what others call gossip, we call social connection. Emote. Never let anyone tell you to not be emotional. Express your enthusiasm, love, affection and warmth. Embrace your domestic side. Don't be ashamed to cultivate the beauty of your home and wrap your arms around friends and family. With an upbeat blend of self-help and fresh analysis, The Feminine Revolution reboots femininity for the modern woman and provides her with the tools to accept and embrace her own authentic nature.


Dancing with the Revolution

Dancing with the Revolution

Author: Elizabeth B. Schwall

Publisher: UNC Press Books

Published: 2021-04-06

Total Pages: 319

ISBN-13: 1469662981

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Elizabeth B. Schwall aligns culture and politics by focusing on an art form that became a darling of the Cuban revolution: dance. In this history of staged performance in ballet, modern dance, and folkloric dance, Schwall analyzes how and why dance artists interacted with republican and, later, revolutionary politics. Drawing on written and visual archives, including intriguing exchanges between dancers and bureaucrats, Schwall argues that Cuban dancers used their bodies and ephemeral, nonverbal choreography to support and critique political regimes and cultural biases. As esteemed artists, Cuban dancers exercised considerable power and influence. They often used their art to posit more radical notions of social justice than political leaders were able or willing to implement. After 1959, while generally promoting revolutionary projects like mass education and internationalist solidarity, they also took risks by challenging racial prejudice, gender norms, and censorship, all of which could affect dancers personally. On a broader level, Schwall shows that dance, too often overlooked in histories of Latin America and the Caribbean, provides fresh perspectives on what it means for people, and nations, to move through the world.


Women, Dance and Revolution

Women, Dance and Revolution

Author: Rosemary Martin

Publisher: I.B.Tauris

Published: 2016-01-26

Total Pages: 0

ISBN-13: 0857739603

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The countries of the southern and eastern Mediterranean - Morocco, Tunisia, Egypt, Palestine, Lebanon, Jordan and Syria - have undergone major turmoil in recent years, with civil war, occupation and uprising becoming a focus of international attention. Women, Dance and Revolution offers a highly original perspective on the political and cultural tensions through the experiences of contemporary dance practitioners from the region. It shows how these women - all established performers, choreographers and teachers - have been affected by and responded to the changes brought about by the troubles. As their personal dreams unfold into public aspirations for their society and country, the moving body becomes central in the debates over the future of the region. Through dance they engage in public protest and performance, endure violence and repression, and reveal new meanings of identity, gender and body politics. Their journeys of dance – both abroad and in their homelands - illuminate how, despite moments of disillusionment, objection and betrayal, being a woman and being a dancer can still mean many things and influence society in many ways in the Arab World


Women’s Dance Traditions of Uzbekistan

Women’s Dance Traditions of Uzbekistan

Author: Laurel Victoria Gray

Publisher: Bloomsbury Publishing

Published: 2024-03-21

Total Pages: 273

ISBN-13: 1350249483

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The first comprehensive work in English on the three major regional styles of Uzbek women's dance – Ferghana, Khiva and Bukhara – and their broader Silk Road cultural connections, from folklore roots to contemporary stage dance. The book surveys the remarkable development from the earliest manifestations in ancient civilizations to a sequestered existence under Islam; from patronage under Soviet power to a place of pride for Uzbek nationhood. It considers the role that immigration had to play on the development of the dances; how women boldly challenged societal gender roles to perform in public; how both material culture and the natural world manifest in the dance; and it illuminates the innovations of pioneering choreographers who drew from Central Asian folk traditions, gestures and aesthetics – not Russian ballet – to first shape modern Uzbek stage dance. Written by the first American dancer invited to study in Uzbekistan, this book offers insight into the once-hidden world of Uzbek women's dance.


Women, Dance and Revolution

Women, Dance and Revolution

Author: Rose Martin (Lecturer in dance)

Publisher:

Published: 2016

Total Pages: 188

ISBN-13: 9781350989863

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"The countries of the southern and eastern Mediterranean-- Morocco, Tunisia, Egypt, Palestine, Lebanon, Jordan and Syria--have undergone major turmoil in recent years, with civil war, occupation and uprising. Women, Dance and Revolution offers a highly original perspective on the political and cultural tensions through the experiences of contemporary dance practitioners from the region. It shows how these women--all established performers, choreographers and teachers--have responded to the changes brought about by the troubles. Through dance they engage in public protest and performance, endure violence and repression, and reveal new meanings of identity, gender and body politics. Their journeys of dance illuminate how, despite moments of disillusionment, objection and betrayal, being a woman and being a dancer can still mean many things and influence society in many ways in the Arab World."--Bloomsbury Publishing.