Women, Art, and Patronage from Henry III to Edward III

Women, Art, and Patronage from Henry III to Edward III

Author: Loveday Lewes Gee

Publisher: Boydell & Brewer

Published: 2002

Total Pages: 284

ISBN-13: 9780851158617

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Women as patrons of the arts: their social status, the sources of their wealth and their motives, together with an examination of the various artefacts which they commissioned.


Reassessing the Roles of Women as 'Makers' of Medieval Art and Architecture

Reassessing the Roles of Women as 'Makers' of Medieval Art and Architecture

Author:

Publisher: BRILL

Published: 2012-05-07

Total Pages: 1184

ISBN-13: 9004228322

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These volumes propose a renewed way of framing the debate around the history of medieval art and architecture to highlight the multiple roles played by women. Today’s standard division of artist from patron is not seen in medieval inscriptions—on paintings, metalwork, embroideries, or buildings—where the most common verb is 'made' (fecit). At times this denotes the individual whose hands produced the work, but it can equally refer to the person whose donation made the undertaking possible. Here twenty-four scholars examine secular and religious art from across medieval Europe to demonstrate that a range of studies is of interest not just for a particular time and place but because, from this range, overall conclusions can be drawn for the question of medieval art history as a whole. Contributors are Mickey Abel, Glaire D. Anderson, Jane L. Carroll, Nicola Coldstream, María Elena Díez Jorge, Jaroslav Folda, Alexandra Gajewski, Loveday Lewes Gee, Melissa R. Katz, Katrin Kogman-Appel, Pierre Alain Mariaux, Therese Martin, Eileen McKiernan González, Rachel Moss, Jenifer Ní Ghrádaigh, Felipe Pereda, Annie Renoux, Ana Maria S. A. Rodrigues, Jane Tibbetts Schulenburg, Stefanie Seeberg, Miriam Shadis, Ellen Shortell, Loretta Vandi, and Nancy L. Wicker.


Capetian Women

Capetian Women

Author: K. Nolan

Publisher: Springer

Published: 2016-04-30

Total Pages: 302

ISBN-13: 113709835X

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Never before have the women of the Capetian royal dynasty in France been the subject of a study in their own right. The new research in Capetian Women challenges old paradigms about the restricted roles of royal women, uncovering their influence in social, religious, cultural and even political spheres. The scholars in the volume consider medieval chroniclers' responses to the independent actions of royal women as well as modern historians' use of them as vehicles for constructing the past. The essays also delineate the creation of reginal identity through cultural practices such as religious patronage and the commissioning of manuscripts, tomb sculpture, and personal seals.


Henry III

Henry III

Author: Darren Baker

Publisher: The History Press

Published: 2017-09-01

Total Pages: 597

ISBN-13: 0750985224

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‘Henry III is generally classed among the weakest and most incompetent of England’s medieval kings. Darren Baker tells a different story.’- Michael Clanchy, author of England and Its Rulers, 1066–1307 ‘A personal and detailed narrative...bring[s] alive the glamour and personalities of thirteenth-century England.’- Huw Ridgeway, author of ‘Henry III’, Oxford Dictionary of National Biography ‘Enterprising, original and engaging’ - David Carpenter, author of The Reign of King Henry III Henry III (1207–72) reigned for 56 years, the longest-serving English monarch until the modern era. Although knighted by William Marshal, he was no warrior king like his uncle Richard the Lionheart. He preferred to feed the poor to making war and would rather spend time with his wife and children than dally with mistresses and lord over roundtables. He sought to replace the dull projection of power imported by his Norman predecessors with a more humane and open-hearted monarchy. But his ambition led him to embark on bold foreign policy initiatives to win back the lands and prestige lost by his father King John. This set him at odds with his increasingly insular barons and clergy, now emboldened by the protections of Magna Carta. In one of the great political duels of history, Henry struggled to retain the power and authority of the crown against radical reformers like Simon de Montfort. He emerged victorious, but at a cost both to the kingdom and his reputation among historians. Yet his long rule also saw extraordinary advancements in politics and the arts, from the rise of the parliamentary state and universities to the great cathedrals of the land, including Henry’s own enduring achievement, Westminster Abbey.


Fourteenth Century England XI

Fourteenth Century England XI

Author: David Green

Publisher: Boydell & Brewer

Published: 2019

Total Pages: 202

ISBN-13: 1783274522

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The fruits of new research on the politics, society and culture of England in the fourteenth century.


Historical Dictionary of Renaissance Art

Historical Dictionary of Renaissance Art

Author: Lilian H. Zirpolo

Publisher: Scarecrow Press

Published: 2007-10-25

Total Pages: 611

ISBN-13: 081086424X

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It was the era that produced some of the icons of civilization: Leonardo da Vinci's Mona Lisa and Last Supper and Michelangelo's Sistine Ceiling, Piet^, and David. As masterpieces by the likes of Caravaggio, Donato Bramante, Donatello, El Greco, Filippo Brunelleschi, Sandro Botticelli, Raphael, and Titian emerged, new heights of human potential were imagined. The Historical Dictionary of Renaissance Art covers the years 1250 to 1648, the period most disciplines place as the Renaissance Era. A complete portrait of this remarkable period is depicted in this book through a chronology, an introductory essay, a bibliography, and over 500 hundred cross-referenced dictionary entries on major Renaissance painters, sculptors, architects, and patrons, as well as relevant historical figures and events, the foremost artistic centers, schools and periods.


The A to Z of Renaissance Art

The A to Z of Renaissance Art

Author: Lilian H. Zirpolo

Publisher: Scarecrow Press

Published: 2009-09-16

Total Pages: 630

ISBN-13: 0810870436

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The Renaissance era was launched in Italy and gradually spread to the Netherlands, Germany, Spain, France, and other parts of Europe and the New World, with figures like Robert Campin, Jan van Eyck, Rogier van der Weyden, Albrecht DYrer, and Albrecht Altdorfer. It was the era that produced some of the icons of civilization, including Leonardo da Vinci's Mona Lisa and Last Supper and Michelangelo's Sistine Ceiling, Piet^, and David. Marked as one of the greatest moments in history, the outburst of creativity of the era resulted in the most influential artistic revolution ever to have taken place. The period produced a substantial number of notable masters, among them Caravaggio, Donato Bramante, Donatello, El Greco, Filippo Brunelleschi, Masaccio, Sandro Botticelli, Raphael, Titian, and Tintoretto. The result was an outstanding number of exceptional works of art and architecture that pushed human potential to new heights. The A to Z of Renaissance Art covers the years 1250 to 1648, the period most disciplines place as the Renaissance Era. A complete portrait of this remarkable period is depicted in this book through a chronology, an introductory essay, a bibliography, and over 500 hundred cross-referenced dictionary entries on major Renaissance painters, sculptors, architects, and patrons, as well as relevant historical figures and events, the foremost artistic centers, schools and periods, major themes and subjects, noteworthy commissions, technical processes, theoretical material, literary and philosophic sources for art, and art historical terminology.


Art, Identity and Devotion in Fourteenth-century England

Art, Identity and Devotion in Fourteenth-century England

Author: Kathryn Ann Smith

Publisher: University of Toronto Press

Published: 2003-01-01

Total Pages: 396

ISBN-13: 9780802086914

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Examines the De Lisle hours of Margaret de Beauchamp, the De Bois hours (Dubois hours) of Hawisia de Bois, and the Neville of Hornby hours of Isabel de Byron.


Motherhood, Religion, and Society in Medieval Europe, 400-1400

Motherhood, Religion, and Society in Medieval Europe, 400-1400

Author: Lesley Smith

Publisher: Routledge

Published: 2016-04-22

Total Pages: 388

ISBN-13: 1317093976

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Who can concentrate on thoughts of Scripture or philosophy and be able to endure babies crying ... ? Will he put up with the constant muddle and squalor which small children bring into the home? The wealthy can do so ... but philosophers lead a very different life ... So, according to Peter Abelard, did his wife Heloise state in characteristically stark terms the antithetical demands of family and scholarship. Heloise was not alone in making this assumption. Sources from Jerome onward never cease to remind us that the life of the mind stands at odds with life in the family. For all that we have moved in the past two generations beyond kings and battles, fiefs and barons, motherhood has remained a blind spot for medieval historians. Whatever the reasons, the result is that the historiography of the medieval period is largely motherless. The aim of this book is to insist that this picture is intolerably one-dimensional, and to begin to change it. The volume is focussed on the paradox of motherhood in the European Middle Ages: to be a mother is at once to hold great power, and by the same token to be acutely vulnerable. The essays look to analyse the powers and the dangers of motherhood within the warp and weft of social history, beginning with the premise that religious discourse or practice served as a medium in which mothers (and others) could assess their situation, defend claims, and make accusations. Within this frame, three main themes emerge: survival, agency, and institutionalization. The volume spans the length and breadth of the Middle Ages, from late Roman North Africa through ninth-century Byzantium to late medieval Somerset, drawing in a range of types of historian, including textual scholars, literary critics, students of religion and economic historians. The unity of the volume arises from the very diversity of approaches within it, all addressed to the central topic.


Women's Power in Late Medieval Romance

Women's Power in Late Medieval Romance

Author: Amy Noelle Vines

Publisher: Boydell & Brewer Ltd

Published: 2011

Total Pages: 186

ISBN-13: 1843842750

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A reading of how women's power is asserted and demonstrated in the popular medieval genre of romance.