Victorian Women and the Theatre of Trance
Victorian Women and the Theatre of Trance

Author: Amy Lehman

Publisher: McFarland

Published: 2014-01-10

Total Pages: 213

ISBN-13: 0786454717

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Spiritualists in the nineteenth century spoke of the "Borderland," a shadowy threshold where the living communed with the dead, and where those in the material realm could receive comfort or advice from another world. The skilled performances of mostly female actors and performers made the "Borderland" a theatre, of sorts, in which dramas of revelation and recognition were produced in the forms of seances, trances, and spiritualist lectures. This book examines some of the most fascinating American and British actresses of the Victorian era, whose performances fairly mesmerized their audiences of amused skeptics and ardent believers. It also focuses on the transformative possibilities of the spiritualist theatre, revealing how the performances allowed Victorian women to speak, act, and create outside the boundaries of their restricted social and psychological roles.

Actresses as Working Women
Actresses as Working Women

Author: Tracy C. Davis

Publisher: Routledge

Published: 2002-03-11

Total Pages: 361

ISBN-13: 1134934467

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Using historical evidence as well as personal accounts, Tracy C. Davis examines the reality of conditions for `ordinary' actresses, their working environments, employment patterns and the reasons why acting continued to be such a popular, though insecure, profession. Firmly grounded in Marxist and feminist theory she looks at representations of women on stage, and the meanings associated with and generated by them.

The Cambridge Companion to Victorian and Edwardian Theatre
The Cambridge Companion to Victorian and Edwardian Theatre

Author: Kerry Powell

Publisher: Cambridge University Press

Published: 2004-02-19

Total Pages: 517

ISBN-13: 1139826425

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This 2004 Companion is designed for readers interested in the creation, production and interpretation of Victorian and Edwardian theatre, both in its own time and on the contemporary stage. The volume opens with a brief overview and introduction surveying the theatre of the time followed by an essay contextualizing the theatre within the frame of Victorian and Edwardian culture as a whole. Succeeding chapters examine specific aspects of performance, production, and theatre, including the music, the actors, stagecraft and the audiences themselves; plays and playwriting and issues of class and gender are also explored. Chapters also deal with comedy, farce and melodrama, while other essays bring forward new topics and approaches that cross the boundaries of traditional investigation, including analysis of the economics of theatre and of the theatricality of personal identity.

Women as Hamlet
Women as Hamlet

Author: Tony Howard

Publisher: Cambridge University Press

Published: 2007-02-22

Total Pages: 315

ISBN-13: 0521864666

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A study of actresses playing the role of Hamlet on stage and screen.

Actresses on the Victorian Stage
Actresses on the Victorian Stage

Author: Gail Marshall

Publisher: Cambridge University Press

Published: 1998-05-07

Total Pages: 268

ISBN-13: 9780521620161

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Gail Marshall argues that the professional and personal history of the Victorian actress was largely defined by her negotiation with the sculptural metaphor, and that this was authorized and determined by the Ovidian myth of Pygmalion and Galatea. Drawing on evidence of theatrical fictions, visual representations and popular culture's assimilation of the sculptural image, as well as theatrical productions, she examines some of the manifestations of the sculptural metaphor on the legitimate English stage, and its implications for the actress in the later nineteenth century. Within the legitimate theatre, the 'Galatea-aesthetic' positioned actresses as predominantly visual and sexual commodities whose opportunities for interpretative engagement with their plays were minimal. This dominant aesthetic was effectively challenged only at the end of the century, with the advent of the 'New' drama, and the emergence of a body of autobiographical writings by actresses.

Auto/Biography and Identity
Auto/Biography and Identity

Author: Maggie B B. Gale

Publisher: Manchester University Press

Published: 2004

Total Pages: 280

ISBN-13: 9780719063329

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Arguing that women use autobiography and performance for expression and as a means of controlling their public and private selves, the contributors of these 11 essays examine the lives and work of a variety of artists ranging from actors as working women in the eighteenth century to monologists and performance artists today. Subjects include several performers, including Alma Ellerslie, Kitty Marion, Ina Rozant, Susan Glaspell, Adrienne Kennedy, Emma Robinson, Lena Ashwell, Tilly Wedekind, Clare Dowie, Janet Cardiff, Tracey Emin, and, in an interview, Bobby Baker, as well as essays on Latina theater and lesbians as performers constructing themselves and their community. Annotation : 2005 Book News, Inc., Portland, OR (booknews.com).

Women's Theatre Writing in Victorian Britain
Women's Theatre Writing in Victorian Britain

Author: K. Newey

Publisher: Springer

Published: 2005-11-01

Total Pages: 280

ISBN-13: 0230554903

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Women's Theatre Writing in Victorian Britain is the first book to make a comprehensive study of women playwrights in the British theatre from 1820 to 1918. It looks at how women playwrights negotiated their personal and professional identities as writers, and examines the female tradition of playwriting which dramatises the central experience of women's lives around the themes of home, the nation, and the position of women in marriage and the family. The book also includes an extensive Appendix of authors and plays, which will be a useful reference tool for students and scholars in nineteenth-century studies and theatre historians.

We Shall See the Sky Sparkling
We Shall See the Sky Sparkling

Author: Susana Aikin

Publisher: Kensington Books

Published: 2019-01-29

Total Pages: 386

ISBN-13: 149671766X

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Winner of the 2019 American Fiction Award for Best Historical Fiction Set in London and Russia at the turn of the century, Susana Aikin’s debut introduces a vibrant young woman determined to defy convention and shape an extraordinary future. Like other well-bred young women in Edwardian England, Lily Throop is expected to think of little beyond marriage and motherhood. Passionate about the stage, Lily has very different ambitions. To her father’s dismay, she secures an apprenticeship at London’s famous Imperial Theatre. Soon, her talent and beauty bring coveted roles and devoted admirers. Yet to most of society, the line between actress and harlot is whisper-thin. With her reputation threatened by her mentor’s vicious betrayal, Lily flees to St. Petersburg with an acting troupe—leaving her first love behind. Life in Russia is as exhilarating as it is difficult. The streets rumble with talk of revolution, and Lily is drawn into an affair with Sergei, a Count with fervent revolutionary ideals. Following Sergei when he is banished to Vladivostok, Lily struggles to find her role in an increasingly dangerous world. And as Russian tensions with Japan erupt into war, only fortitude and single-mindedness can steer her to freedom and safety at last. With its sweeping backdrop and evocative details, We Shall See the Sky Sparkling explores a fascinating period in history through the eyes of a strong-willed, singular heroine, in a moving story of love and resilience.

Victorian Women and Wayward Reading
Victorian Women and Wayward Reading

Author: Marisa Palacios Knox

Publisher: Cambridge University Press

Published: 2022-11-03

Total Pages: 0

ISBN-13: 9781108791601

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In the nineteenth century, no assumption about female reading generated more ambivalence than the supposedly feminine facility for identifying with fictional characters. The belief that women were more impressionable than men inspired a continuous stream of anxious rhetoric about "female quixotes": women who would imitate inappropriate characters or apply incongruous frames of reference from literature to their own lives. While the overt cultural discourse portrayed female literary identification as passive and delusional, Palacios Knox reveals increasing accounts of Victorian women wielding literary identification as a deliberate strategy. Wayward women readers challenged dominant assumptions about "feminine reading" and, by extension, femininity itself. Victorian Women and Wayward Reading contextualizes crises about female identification as reactions to decisive changes in the legal, political, educational, and professional status of women over the course of the nineteenth century: changes that wayward reading helped women first to imagine and then to enact.