A comprehensive and progressive book about women in the AIDS epidemic. With informative discussion of safer sex and sexuality, HIV testing, treatment and drug trials, public policy and activism. Looking specifically to lesbians, heterosexuals, bisexuals, prostitutes, intravenous drug users, teenagers, mothers, pregnant women, and women in prisons, this book is essential reading for everyone concerned about women's health and the AIDS crisis.
"Finally, a comprehensive and progressive book about women in the AIDS epidemic. With informative discussion of safer sex and sexuality, HIV testing, treatment and drug trials, public policy, and activism, Women, AIDS & Activism is the only thorough and up-to-date analysis of AIDS issues for women. Looking at issues specific to lesbians, heterosexuals, bisexuals, prostitutes, intravenous drug users, teenagers, mothers, pregnant women, and women in prisons, this book is essential reading for everyone concerned about women's health and the AIDS crisis." --From back cover
Womanist AIDS Activism in the United States: “It’s Who We Are” is an in-depth exploration of AIDS advocacy work among Black women. Based on interviews gathered from thirty-six Black women AIDS activists from across the nation, Angelique Harris and Omar Mushtaq examine the ways in which race, gender, sexuality, and spirituality influence the motivations and approaches behind the efforts of the women in the study. The authors use womanism—an epistemological framework that centers the world views of women of color—to better situate this activism within a larger sociocultural and historical context. They find that identity, spirituality, emotions, and experiences with AIDS knowledge all influence the ways in which these activists approached their community activism work. The authors analyze womanism in detail and propose ways in which this framework can be applied more broadly in examinations of community engagement among women of color, and specifically Black women.
Winner of the 2022 Lambda Literary LGBTQ Nonfiction Award and the 2022 NLGJA Excellence in Book Writing Award. Finalist for the PEN/John Kenneth Galbriath Award for Nonfiction, the Gotham Book Prize, and the ALA Stonewall Israel Fishman Nonfiction Award. A 2021 New York Times Book Review Notable Book and a New York Times Book Review Editors' Choice. Longlisted for the 2021 Brooklyn Public Library Literary Prize. One of NPR, New York, and The Guardian's Best Books of 2021, one of Buzzfeed's Best LGBTQ+ Books of 2021, one of Electric Literature's Favorite Nonfiction Books of 2021, one of NBC's 10 Most Notable LGBTQ Books of 2021, and one of Gay Times' Best LGBTQ Books of 2021. "This is not reverent, definitive history. This is a tactician’s bible." --Parul Sehgal, The New York Times Twenty years in the making, Sarah Schulman's Let the Record Show is the most comprehensive political history ever assembled of ACT UP and American AIDS activism In just six years, ACT UP, New York, a broad and unlikely coalition of activists from all races, genders, sexualities, and backgrounds, changed the world. Armed with rancor, desperation, intelligence, and creativity, it took on the AIDS crisis with an indefatigable, ingenious, and multifaceted attack on the corporations, institutions, governments, and individuals who stood in the way of AIDS treatment for all. They stormed the FDA and NIH in Washington, DC, and started needle exchange programs in New York; they took over Grand Central Terminal and fought to change the legal definition of AIDS to include women; they transformed the American insurance industry, weaponized art and advertising to push their agenda, and battled—and beat—The New York Times, the Catholic Church, and the pharmaceutical industry. Their activism, in its complex and intersectional power, transformed the lives of people with AIDS and the bigoted society that had abandoned them. Based on more than two hundred interviews with ACT UP members and rich with lessons for today’s activists, Let the Record Show is a revelatory exploration—and long-overdue reassessment—of the coalition’s inner workings, conflicts, achievements, and ultimate fracture. Schulman, one of the most revered queer writers and thinkers of her generation, explores the how and the why, examining, with her characteristic rigor and bite, how a group of desperate outcasts changed America forever, and in the process created a livable future for generations of people across the world.
AIDS has claimed the lives of more than 400,000 people in the United States, becoming the focus of intense social activism. Brett Stockdill reveals that people living with HIV/AIDS are often multiply oppressed - women of color, for example - and explores how interlocking oppressions fragment activism and thus impede AIDS prevention and intervention. Demonstrating that a unified approach to issues of race, class, gender, and sexuality can most effectively combat the AIDS epidemic, he highlights the critical link between social analysis and public policy.
In the face of life-threatening news, how does our view of life change—and what do we do it transform it? Remaking a Life uses the HIV/AIDS epidemic as a lens to understand how women generate radical improvements in their social well being in the face of social stigma and economic disadvantage. Drawing on interviews with nationally recognized AIDS activists as well as over one hundred Chicago-based women living with HIV/AIDS, Celeste Watkins-Hayes takes readers on an uplifting journey through women’s transformative projects, a multidimensional process in which women shift their approach to their physical, social, economic, and political survival, thereby changing their viewpoint of “dying from” AIDS to “living with” it. With an eye towards improving the lives of women, Remaking a Life provides techniques to encourage private, nonprofit, and government agencies to successfully collaborate, and shares policy ideas with the hope of alleviating the injuries of inequality faced by those living with HIV/AIDS everyday.
AIDS and the Distribution of Crises engages with the AIDS pandemic as a network of varied historical, overlapping, and ongoing crises born of global capitalism and colonial, racialized, gendered, and sexual violence. Drawing on their investments in activism, media, anticolonialism, feminism, and queer and trans of color critiques, the scholars, activists, and artists in this volume outline how the neoliberal logic of “crisis” structures how AIDS is aesthetically, institutionally, and politically reproduced and experienced. Among other topics, the authors examine the writing of the history of AIDS; settler colonial narratives and laws impacting risk in Indigenous communities; the early internet regulation of both content and online AIDS activism; the Black gendered and sexual politics of pleasure, desire, and (in)visibility; and how persistent attention to white men has shaped AIDS as intrinsic to multiple, unremarkable crises among people of color and in the Global South. Contributors. Cecilia Aldarondo, Pablo Alvarez, Marlon M. Bailey, Emily Bass, Darius Bost, Ian Bradley-Perrin, Jih-Fei Cheng, Bishnupriya Ghosh, Roger Hallas, Pato Hebert, Jim Hubbard, Andrew J. Jolivette, Julia S. Jordan-Zachery, Alexandra Juhasz, Dredge Byung'chu Kang-Nguyễn, Theodore (Ted) Kerr, Catherine Yuk-ping Lo, Cait McKinney, Viviane Namaste, Elton Naswood, Cindy Patton, Margaret Rhee, Juana María Rodríguez, Sarah Schulman, Nishant Shahani, C. Riley Snorton, Eric A. Stanley, Jessica Whitbread, Quito Ziegler
In Her Hands examines the various strategies women have utilized to fight for recognition as individuals vulnerable to and living with HIV/AIDS across multiple settings since the 1980s. Taking a new chronological and thematic approach to the study of the US epidemic, it explores five arenas of women’s AIDS activism: transmission and recognition, reproductive justice, safer sex campaigns for queer women, the carceral state, and HIV prevention and treatment. In so doing, it moves the historical understanding of women’s experiences of AIDS beyond their exclusion from the initial medical response and the role women played as the supporters of gay men. Asking how and on what terms women succeeded in securing state support, In Her Hands argues that women protesting the neglect of their health-care needs always risked encountering punitive intervention on behalf of the symbolic needs of fetuses and children – as well as wider society – deemed to need protecting from them.
