Many debates in feminism centre round the issue of subordination of woman. Anthropologists and sociologists have tried to trace the origin of subordinate position of woman by giving various explanatory theories. The author examines the reductionist and constructionist theories and using a hermeneutic device of the Beejakshetra model explores the images of feminity to be found in the Mahabharata and in the rules of conduct in the Manusmriti. She shows how these models of feminity have shaped the life experiences and self-interpretation of woman down to present day. The last part attempts formulation of a feminist ethic of friendship and raises the discussion beyond protest and recrimination.
A baby abandoned. A queen dishonoured. And a cataclysmic war to wipe out the known world. The Mahabharata - the Great Bharat -- is a grand and timeless story, the oldest and longest epic in the world. A perennial bestseller in India, it has enthralled millions throughout the centuries and is as relevant, wise, and spellbinding today as ever. Sons of Gods is a new version of this ancient Indian classic. It transports the reader into a wonderful world of the almighty spirit: where a mantra spoken flippantly can change the course of history; where a curse uttered in anger can spell doom and destruction; where a truly awesome vow can grant the power of life over death. Its heroes have survived the millennia. Bhishma, who possesses the boon of invincibility, and can choose the time, method, and agent of his death. Amba, the wronged princess who changes sex to seek revenge. Arjuna, the mightiest archer of all, and dearest friend of Krishna, God's incarnation. Arjuna's arch-enemy Karna, the invincible but doomed son of the Sun-god. The fire-born queen Draupadi, who marries all five of the famous Pandava brothers, and whose word is their command. ..".love, betrayal, lust, envy, pride, devotion, and heroism never go out of style. Sons Of Gods is a literary soap opera with a soul that spans the full horizon." --- Jamie Mason, author of Three Graves Full and Monday's Lie More on: www.sonsofgods.blogspot.com
The Hindu tradition has held conflicting views on womanhood from its earliest texts—holding women aloft as goddesses to be worshipped on the one hand and remaining deeply suspicious about women's sexuality on the other. In Woman as Fire, Woman as Sage, Arti Dhand examines the religious premises upon which Hindu ideas of sexuality and women are constructed. The work focuses on the great Hindu epic, the Mahābhārata, a text that not only reflects the cogitations of a momentous period in Hindu history, but also was critical in shaping the future of Hinduism. Dhand proposes that the epic's understanding of womanhood cannot be isolated from the broader religious questions that were debated at the time, and that the formation of a sexual ideology is one element in crafting a coherent religious framework for Hinduism.
In the stories where the Mahabharata speaks of life, women occupy a central place. In living what life brings to them, the women of the Mahabharata show, that the truth in which one must live, is however, not a simple thing; nor can there be any one absolute statement about it. Each one of them, in her own way, is a teacher to mankind as to what truth and goodness in their many dimensions are. The twelve women of the Mahabharata whose life stories make up this book, range from Shakuntala, Savitri and Damayanti who are known only in sketches; from Sulabha, Suvarchala, Uttara Disha, Madhavi and Kapoti who are hardly known, and finally to Draupadi, known widely but frozen in popular culture and writing in two or three standard clichéd images. The women of the Mahabharata are incarnate in the women of today. To read the stories of their relation-ships is to read the stories of our relationships. They demand from the men of today the same reflection on their perceptions, attitudes, and pretensions too, as they did from the men in their lives, and equally often from other men full of pretensions, even if they were kings and sages. Badrinath s ability to combine respect and love and to write with impressive scholarship and grace will unforgettably transform our experience of reading the Mahabharata.
The second-longest poem in world literature, this is an epic tale, replete with legends, romances, theology, and metaphysical doctrine written in Sanskrit. One of the foundational elements of Hindu culture, this work in its entirety consists of 75,000 stanzas in eighteen books, and this volume marks the resumption of its first complete modern English translation.--From book jacket.
One of CrimeReads Most Anticipated Books of the Year! "This literary thriller paints as vivid a landscape as any book coming out this summer...Gee creates a lush, tantalizing world that readers will want to travel into deeper and deeper."—CrimeReads Celia Lily is rich, beautiful, and admired. She’s also missing. And the search for the glamorous socialite is about to expose all the dark, dirty secrets of Vanishing Falls… Deep within the lush Tasmanian rainforest is the remote town of Vanishing Falls, a place with a storied past. The town’s showpiece, built in the 1800s, is its Calendar House—currently occupied by Jack Lily, a prominent art collector and landowner; his wife, Celia; and their four daughters. The elaborate, eccentrically designed mansion houses one masterpiece and 52 rooms—and Celia Lily isn’t in any of them. She has vanished without a trace.… Joelle Smithton knows that a few folks in Vanishing Falls believe that she’s simple-minded. It’s true that Joelle’s brain works a little differently—a legacy of shocking childhood trauma. But Joelle sees far more than most people realize, and remembers details that others cast away. For instance, she knows that Celia’s husband, Jack, has connections to unsavory local characters whom he’s desperate to keep hidden. He’s not the only one in town with something to conceal. Even Joelle’s own husband, Brian, a butcher, is acting suspiciously. While the police flounder, unable to find Celia, Joelle is gradually parsing the truth from the gossip she hears and from the simple gestures and statements that can unwittingly reveal so much. Just as the water from the falls disappears into the ground, gushing away through subterranean creeks, the secrets in Vanishing Falls are pulsing through the town, about to converge. And when they do, Joelle must summon the courage to reveal what really happened to Celia, even if it means exposing her own past…
The Mahabharata preserves powerful journeys of women recognized as the feminine divine and the feminine heroic in the larger culture of India. Each journey upholds the unique aspects of women's life. This book analytically examines the narratives of eleven women from the Mahabharata in the historical context as well as in association with religious and cultural practices. Lavanya Vemsani brings together history, myth, religion, and practice to arrive at a comprehensive understanding of the history of Hindu women, as well as their significance within religious Indian culture. Additionally, Vemsani provides important perspective for understanding the enduring legacy of these women in popular culture and modern society.
The Sanskrit Mahabharata is one of the most important texts to emerge from the Indian cultural tradition. At almost 75,000 verses it is the longest poem in the world, and throughout Indian history it has been hugely influential in shaping gender and social norms. In the context of ancient India, it is the definitive cultural narrative in the construction of masculine, feminine and alternative gender roles. This book brings together many of the most respected scholars in the field of Mahabharata studies, as well as some of its most promising young scholars. By focusing specifically on gender constructions, some of the most innovative aspects of the Mahabharata are highlighted. Whilst taking account of feminist scholarship, the contributors see the Mahabharata as providing an opportunity to frame discussion of gender in literature not just in terms of the socio-historical roles of men and women. Instead they analyze the text in terms of the wider poetic and philosophical possibilities thrown up by the semiotics of gendering. Consequently, the book bridges a gap in text-critical methodology between the traditional philological approach and more recent trends in gender and literary theory. Gender and Narrative in the Mahabharata will be appreciated by readers interested in South Asian studies, Hinduism, religious studies and gender studies.
An accomplished Kshatriya princess who falls in love with and dares to choose the sutaputra over Arjun, Uruvi must come to terms with the social implications of her marriage and learn to use her love and intelligence to be accepted by Karna and his family. Though she becomes his mainstay, counselling and guiding him, his blind allegiance to Duryodhana is beyond her power to change. The story of Uruvi and Karna unfolds against the backdrop of the struggle between the Pandavas and the Kauravas. As events build up leading to the great war of the Mahabharata, Uruvi is a witness to the twists and turns of Karna's fate; and how it is inextricably linked to divine design.
