First published in 1925, 'The Witness for the Prosecution' is a short story and play by Agatha Christie, an English writer best known for her 66 detective novels and 14 short story collections, specifically those revolving around fictional detectives Hercule Poirot and Miss Marple. When affluent spinster, Emily French is found murdered, skepticism falls on Leonard Vole, the man to whom she impatiently bequeathed her riches before she died. Leonard assures the investigators that his wife, Romaine Heiliger, can provide them with an alibi. However, when questioned, Romaine notifies the police that Vole returned home late that night covered in blood. During the trial, Ms. French's housekeeper, Janet, gives damning proof against Vole, and, as Romaine's cross-examination begins, her motives come under scrutiny from the courtroom. The packed courtroom waited as Romaine mounted the stand to deliver the testimony that has made this the masterpiece of suspense and shock. The ultimate question is whether justice will prevail or not.
When a wealthy widow is found murdered, her married lover is accused of the crime. His only hope for acquittal is the testimony of his wife, proving his alibi. However, she has some secrets of her own to reveal.
Newly-Jacketed Edition Designed To Celebrate The 50Th Anniversary Of Christie S Faultlessly Plotted Witness For The Prosecution And Other Outstanding Plays. The Perfect Complement To The Latest Edition Of The Mousetrap And Selected Plays (50Th Aniversary Edition). Headlining This Book Is Witness For The Prosecution Christie S Highly Successful Stage Play Which Won The New York Drama Critics Circle Award For Best Foreign Play. A Stunning Courtroom Drama, It Tells The Story Of A Scheming Wife Testifying Against Her Husband In A Shocking Murder Trial. The Wild Beauty Of A Seaside House Perched High On The Devonshire River Tern Provides A Stunning Back-Drop In Towards Zero As A Psychopathic Murderer Homes In On The Unsuspecting Victims. Passion, Murder And Love Are The Deadly Ingredients In Verdict, Making It One Of Christie S More Unusual Thrillers And Prompting Her To Label It The Best Play I Have Written With The Exception Of Witness For The Prosecution . Go Back For Murder Tells The Story Of The Young And Feisty Carla Who, Orphaned At The Tender Age Of Five, Discovers Her Mother Was Imprisioned For Murdering Her Father And Determines To Prove Her Innocence.
One of Agatha Christie’s own ten favorite novels, Towards Zero puts Superintendent Battle and Inspector Leach on the case as they investigate the murder of an elderly widow. What is the connection among a failed suicide attempt, a wrongful accusation of theft against a schoolgirl, and the romantic life of a famous tennis player? To the casual observer, apparently nothing. But when a house party gathers at Gull’s Point, the seaside home of an elderly widow, earlier events come to a dramatic head. As Superintendent Battle discovers, it is all part of a carefully laid plan—for murder.
The Model Rules of Professional Conduct provides an up-to-date resource for information on legal ethics. Federal, state and local courts in all jurisdictions look to the Rules for guidance in solving lawyer malpractice cases, disciplinary actions, disqualification issues, sanctions questions and much more. In this volume, black-letter Rules of Professional Conduct are followed by numbered Comments that explain each Rule's purpose and provide suggestions for its practical application. The Rules will help you identify proper conduct in a variety of given situations, review those instances where discretionary action is possible, and define the nature of the relationship between you and your clients, colleagues and the courts.
Autumn 1945 saw the start of the Nuremberg trials, in which high ranking representatives of the Nazi government were called to account for their war crimes. In a curious yet fascinating twist, witnesses for the prosecution and the defense were housed together in a villa on the outskirts of town. In this so-called Witness House, perpetrators and victims confronted each other in a microcosm that reflected the events of the high court. Presiding over the affair was the beautiful Countess Ingeborg Kálnoky (a woman so blond and enticing that she was described as a Jean Harlowe look-alike) who took great pride in her ability to keep the household civil and the communal dinners pleasant. A comedy of manners arose among the guests as the urge to continue battle was checked by a sudden and uncomfortable return to civilized life. The trial atmosphere extends to the small group in the villa. Agitated victims confront and avoid perpetrators and sympathizers, and high-ranking officers in the German armed forces struggle to keep their composure. This highly explosive mixture is seasoned with vivid, often humorous, anecdotes of those who had basked in the glory of the inner circles of power. Christiane Kohl focuses on the guilty, the sympathizers, the undecided, and those who always manage to make themselves fit in. The Witness House reveals the social structures that allowed a cruel and unjust regime to flourish and serves as a symbol of the blurred boundaries between accuser and accused that would come to form the basis of postwar Germany.
We, the Jury is the dramatic story of seven jurors, who convicted Scott Peterson of murdering his wife, Laci, and their unborn son, Conner, despite a series of internal battles that brought the first major murder trial of the 21st century to the brink of a mistrial. The Peterson jurors argued and disagreed but eventually bonded to seal the fate of the icy killer who dumped his victims into the bullet-gray waters of San Francisco Bay. The seven jurors of We, the Jury were seven average Americans who never imagined the horrors they would face or the phantoms that would haunt them after they convicted the enigmatic murderer and recommended that he be put to death. This is the story of how the American jury system worked after being battered by critics for the way it functioned in the trials of O.J. Simpson and Michael Jackson. Unlike the jurors in those trials, who second-guessed themselves, the Peterson jurors do not question their decisions. It wasn’t one thing that condemned Scott Peterson, it was everything.
NEW YORK TIMES BESTSELLER • A renowned journalist and legal commentator exposes the unchecked power of the prosecutor as a driving force in America’s mass incarceration crisis—and charts a way out. “An important, thoughtful, and thorough examination of criminal justice in America that speaks directly to how we reduce mass incarceration.”—Bryan Stevenson, author of Just Mercy “This harrowing, often enraging book is a hopeful one, as well, profiling innovative new approaches and the frontline advocates who champion them.”—Matthew Desmond, author of Evicted FINALIST FOR THE LOS ANGELES TIMES BOOK PRIZE • SHORTLISTED FOR THE J. ANTHONY LUKAS BOOK PRIZE • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • The New York Public Library • Library Journal • Publishers Weekly • Kirkus Reviews The American criminal justice system is supposed to be a contest between two equal adversaries, the prosecution and the defense, with judges ensuring a fair fight. That image of the law does not match the reality in the courtroom, however. Much of the time, it is prosecutors more than judges who control the outcome of a case, from choosing the charge to setting bail to determining the plea bargain. They often decide who goes free and who goes to prison, even who lives and who dies. In Charged, Emily Bazelon reveals how this kind of unchecked power is the underreported cause of enormous injustice—and the missing piece in the mass incarceration puzzle. Charged follows the story of two young people caught up in the criminal justice system: Kevin, a twenty-year-old in Brooklyn who picked up his friend’s gun as the cops burst in and was charged with a serious violent felony, and Noura, a teenage girl in Memphis indicted for the murder of her mother. Bazelon tracks both cases—from arrest and charging to trial and sentencing—and, with her trademark blend of deeply reported narrative, legal analysis, and investigative journalism, illustrates just how criminal prosecutions can go wrong and, more important, why they don’t have to. Bazelon also details the second chances they prosecutors can extend, if they choose, to Kevin and Noura and so many others. She follows a wave of reform-minded D.A.s who have been elected in some of our biggest cities, as well as in rural areas in every region of the country, put in office to do nothing less than reinvent how their job is done. If they succeed, they can point the country toward a different and profoundly better future.
An Agatha Christie short story from the collection The Golden Ball and Other Stories. A young Englishman visiting Cornwall finds himself delving into the legend of a Belgian nun who is living as a refugee in the village. Possessed of supernatural powers, she is said to have caused her entire convent to explode when it was occupied by invading German soldiers during World War I. Sister Angelique was the only survivor. Could such a tall tale possibly be true?
