The book will provide an innovative, rich sureby of images of European withcraft, form the sixteenth century to the present day. The entire exhibition will be reproduced in the ctaalogue with enlightening text alongside each image. Themes of the exhibition will be explained.
Winner of Silver Nautilus for Creativity & Innovation, given by Nautilus Book Award, 2023 Devised by choreographer Liz Lerman in 1990, Critical Response Process® (CRP) is an internationally recognized method for giving and getting feedback on creative works in progress. In this first in-depth study of CRP, Lerman and her long-term collaborator John Borstel describe in detail the four-step process, its origins and principles. The book also includes essays on CRP from a wide range of contributors. With insight, ingenuity, and the occasional challenge, these practitioners shed light on the applications and variations of CRP in the contexts of art, education, and community life. Critique Is Creative examines the challenges we face in an era of reckoning and how CRP can aid in change-making of various kinds. With contributions from: Bimbola Akinbola, Mark Callahan, Lawrence Edelson, Isaac Gómez, Rachel Miller Jacobs, Lekelia Jenkins, Elizabeth Johnson Levine, Carlos Lopez-Real, Cristóbal Martínez, Gesel Mason, Cassie Meador, Kevin Ormsby, CJay Philip, Kathryn Prince, Sean Riley, Charles C. Smith, Shula Strassfeld, Phil Stoesz, Gerda van Zelm, Jill Waterhouse, Rebekah West
A New York Times bestseller. “A wickedly chilling debut.” —School Library Journal “Complex and sweetly satisfying.” —Booklist “Prepare to be bewitched.” —Paula Stokes, author of Girl Against the Universe “A story about the redemptive power of love.” —Amber Smith, New York Times bestselling author of The Way I Used to Be “Eerie and enchanting.” —Jessica Spotswood, author of The Cahill Witch Chronicles Hocus Pocus and Practical Magic meets the Salem Witch trials in this haunting story about three sisters on a quest for revenge—and how love may be the only thing powerful enough to stop them. Welcome to the cursed town of Sparrow… Where, two centuries ago, three sisters were sentenced to death for witchery. Stones were tied to their ankles and they were drowned in the deep waters surrounding the town. Now, for a brief time each summer, the sisters return, stealing the bodies of three weak-hearted girls so that they may seek their revenge, luring boys into the harbor and pulling them under. Like many locals, seventeen-year-old Penny Talbot has accepted the fate of the town. But this year, on the eve of the sisters’ return, a boy named Bo Carter arrives; unaware of the danger he has just stumbled into. Mistrust and lies spread quickly through the salty, rain-soaked streets. The townspeople turn against one another. Penny and Bo suspect each other of hiding secrets. And death comes swiftly to those who cannot resist the call of the sisters. But only Penny sees what others cannot. And she will be forced to choose: save Bo, or save herself.
The unique career of choreographer Liz Lerman has taken her from theater stages to shipyards, and from synagogues to science labs. In this wide-ranging collection of essays and articles, she reflects on her life-long exploration of dance as a vehicle for human insight and understanding of the world around us. Lerman has been described by the Washington Post as “the source of an epochal revolution in the scope and purposes of dance art.” Here, she combines broad outlooks on culture and society with practical applications and accessible stories. Her expansive scope encompasses the craft, structure, and inspiration that bring theatrical works to life as well as the applications of art in fields as diverse as faith, aging, particle physics, and human rights law. Offering readers a gentle manifesto describing methods that bring a horizontal focus to bear on a hierarchical world, this is the perfect book for anyone curious about the possible role for art in politics, science, community, motherhood, and the media. The paperback edition includes an afterword with updates and additions to each section of the book. Ebook Edition Note: Two images have been redacted, on page 200, Dances at a Cocktail Party, and on page 201, the bottom photo of Small Dances about Big Ideas.
The complete fan-favourite Mazeworld saga in a larger, deluxe collector's edition 30 years after the British parliament suspended the death penalty, the gallows have returned and Adam Cadman finds himself being the first person to be hanged since 1964. But as his life drains away, Adam is transported to a strange, new dimension, populated by warriors and mystical beasts: the bizarre Mazeworld! * From one of 2000 AD's most visionary creative teams. Written by 2000 AD legend Alan Grant (Judge Dredd, Batman) * Featuring the breath-taking artwork of Arthur Ranson (The Beatles Story, Button Man, Judge Anderson) * Remastered artwork in a luxury new format - giving the stunning artwork the treatment it deserves!
"The Life of Christina of Markyate", a twelfth-century English recluse and later abbess of Markyate near St Albans, is a remarkable example of late medieval hagiography. Originally written at the time of or soon after Christina's death in the twelfth century, the Life is unusual both in its relative lack of miracles, and in the unknown author's decision to write Christina's life factually rather than gathering together stock elements from previously written saint's lives, as was the custom. First published in 1959, this edition contains the original Latin text with a facing-page English translation. It is accompanied by a comprehensive Introduction that discusses the codicological problems of the text, and provides other contextual and background material. 'One of the great virtues of this Life is its vivid revelations of Christina's personal circumstances, which must have been based on her own reminiscences. Although doubts have been cast on her veracity ... they do not affect the main lines of the extraordinary story she told the author.' From the General Editors' Note
Bay Winchester is having a tough week. As the local editor of Hemlock Cove's only newspaper, she just happens to be present when a body is found in an area corn maze. To make matters worse, the police believe the murder may have something to do with the occult. This wouldn't be a problem for a normal reporter, but since Bay is descended from a well-known line of actual witches, the town is understandably on edge. Between the suspicious townspeople, the befuddled police presence, and that random hot biker guy who may or may not have something to do with the murder -- Bay has her hands full. When you add the typical family problems, multiplying ghosts -- and one monster of a zit that she's sure came from her aunt's curse -- Bay is just struggling to make it through the week. Of course, when the killer sets his sights on Bay, things could get a whole lot worse.
Bay Winchester and Landon Michaels are looking for a romantic outing, revisiting the past now that they know they met as children. That trip leads them to the camp they visited back in the day ... and to a new adventure.It's a happy excursion down memory lane until they happen upon the old pool and discover a hand poking out of an ancient cover. That means their day off becomes an official investigation.Once identification comes through, Bay starts digging ... and hard ... to find out why a young woman writing a book would go missing in Hemlock Cove. The information she finds is disturbing ... and the answers to the present case may come from the past, and a long-forgotten missing person's case.There's a lot going on. Mrs. Little is trying to buy the property and wants the crime kept secret, which means Aunt Tillie is on a rampage to make sure her mortal enemy doesn't win ... even if the prize is something she doesn't really want.The Winchester witches are in turmoil. The local police chief is officially dating Bay's mother, one of their own is keeping a huge secret, and they have a wedding coming up so that means dress fittings and place setting decisions galore.Bay is on deck and has to figure it all out. She's going to need help to do it. Even then, with her team in place, she might not come out on the winning side.There's a killer hiding in the shadows and death is coming. It's going to take everyone working together to uncover the truth.Can they pull it off?
*Spell-poems take us into a realm where words can influence the universe.* *Spells* brings together contemporary voices exploring the territory where justice, selfhood and the imagination meet the transformative power of the occult. These poems unmake the world around them so that it might be remade anew. Contributors include: Kaveh Akbar, Rachael Allen, Nuar Alsadir, Khairani Barokka, Emily Berry, A.K. Blakemore, Jen Calleja, Anthony Vahni Capildeo, CAConrad, Livia Franchini, Alexis Pauline Gumbs, Will Harris, Lucy Ives, Rebecca May Johnson, Bhanu Kapil, Amy Key, Daisy Lafarge, Ursula K. Le Guin, Canisia Lubrin, Karen McCarthy Woolf, Lucy Mercer, Hoa Nguyen, Nat Raha, Nisha Ramayya, Ariana Reines, Tai Shani & Jane Yeh
'Intriguing' – Sunday Times 'A rousing read' – Irish Times 'A bright light of Francophone feminism' – New York Times Renowned journalist Mona Chollet recasts the witch as a powerful role model: an emblem of strength, free to exist beyond the narrow limits society imposes on women. Taking three archetypes from historic witch hunts – independent women, women who avoid having children and women who embrace ageing – Chollet examines how women today have the same charges levelled against them. She calls for justice in healthcare, challenging the gender imbalance in science and questioning why female bodies must still controlled by men. Rich with popular culture, literary references and media insights, In Defence of Witches is a vital addition to the cultural conversation around women, witches and the misogyny that has shaped the world they live in. With a foreword by Carmen Maria Machado and translated from French by Sophie R. Lewis.