Meet mythology’s fifty fiercest females in this modern retelling of the world’s greatest legends. From feminist fairies to bloodsucking temptresses, half-human harpies and protective Vodou goddesses, these are women who go beyond long-haired, smiling stereotypes. Their stories are so powerful, so entrancing, that they have survived for millennia. Lovingly retold and updated, Kate Hodges places each heroine, rebel and provocateur firmly at the centre of their own narrative. Players include: Bewitching, banished Circe, an introvert famed and feared for her transfigurative powers. The righteous Furies, defiantly unrepentant about their dedication to justice. Fun-loving Ame-no-Uzume who makes quarrelling friends laugh and terrifies monsters by flashing at them. The fateful Morai sisters who spin a complex web of birth, life and death. Find your tribe, fire your imagination and be empowered by this essential anthology of notorious, demonised and overlooked women.
Feminist reading of women’s representation and activism in Israeli cinema. Warriors, Witches, Whores: Women in Israeli Cinema is a feminist study of Israel’s film industry and the changes that have occurred since the 1990s. Working in feminist film theory, the book adopts a cultural studies approach, considering the creation of a female-centered and thematically feminist film culture in light of structural and ideological shifts in Israeli society. Author Rachel S. Harris situates these changes in dialogue with the cinematic history that preceded them and the ongoing social inequalities that perpetuate women’s marginalization within Israeli society. While no one can deny Israel’s Western women’s advancements, feminist filmmakers frequently turn to Israel’s less impressive underbelly as sources for their inspiration. Their films have focused on sexism, the negative impact of militarism on women’s experience, rape culture, prostitution, and sexual abuse. These films also tend to include subjects from society’s geographical periphery and social margins, such as female foreign workers, women, and refugees. Warriors, Witches, Whoresis divided into three major sections and each considers a different form of feminist engagement. The first part explores films that situate women in traditionally male spheres of militarism, considering the impact of interjecting women within hegemonic spaces or reconceptualizing them in feminist ways. The second part recovers the narratives of women’s experience that were previously marginalized or silenced, thereby creating a distinct female space that offers new kinds of storytelling and cinematic aesthetics that reflect feminist expressions of identity. The third part offers examples of feminist activism that reach beyond the boundaries of the film to comment on social issues. This section demonstrates how feminists use film (and work within the film industry) in order to position women in society. While there are thematic overlaps between the chapters, each section marks structural differences in the modes of feminist response. Warriors, Witches, Whores considers the ways social and political power have affected the representation of women and looks to how feminist filmmakers have fought against these inequities behind the camera and in the stories they tell. Students and scholars of film, gender, or cultural studies will appreciate this approachable monograph.
Take Back Your Power and Unleash It on the World Filled with transformative stories of powerful women from legend and history, this book explores themes that witches, heretics, and warriors confront in a patriarchal world. Join the fight against the status quo by learning how to invoke your own defiant female ancestors and the lessons they represent. Each chapter examines a topic like standing tall in your beliefs, finding your voice, embracing your sexuality, and loving your body. This book will inspire you through the stories of Circe, Anne Boleyn, Marie Laveau, Mary Magdalene, Jeanne D'Arc, Salome, Boudicca, Moving Robe Woman, and Harriet Tubman. Phoenix LeFae also shares hands-on practices— including rituals, crafts, and meditations—designed to support you as you connect to your inner rebel. Learn how to create shrines, connect to your community, work with essential oils, and more as you find and embrace your own personal power.
This book begins with a challenge. Take a five-year-old girl growing up in Scotland in 2019. Where might you find Scottish women to inspire her? The further back in history you go, the more of a struggle it becomes. Warriors and Witches and Damn Rebel Bitches aims to right this wrong. Here are women selected for their wit, wisdom and wickedness, plus the inspiration a modern woman - whether young, old or in between - might take from their experience.
It is time of turmoil as kingdoms battle for land and control. In the midst of fighting, two rival orders of witches try to spread their philosophy of peace. Alric, weary of being a warrior, tries to find a way to leave the army. The punishment for desertion is death, but only if he is caught. Ululla, a witch of the Whiterose order, has a journey of her own with two very different companions. As she travels it becomes apparent that there are forces besides kingdoms and witches at work to gain control of the world.
Written by a Wiccan police officer and martial artist, "Wiccan Warrior" combines personal insights and real-life anecdotes with ritual, magick, energy work, meditation, self-examination, and self-discipline to show how to access the Warrior archetype within.
Doppelgangers are monsters, hardwired for murder. They are not supposed to have doubts, but this one does. He wishes he could be different. More human, maybe. But even that can't stop him from killing people so he can take their places and live their lives. He has to do it; it's who he is. But when the doppelganger murders a small-town teenager, assumes his shape, and takes over his life, he's shocked by the world he steps into. Engulfed in a whirlwind of peer pressure, messy family dynamics, and a provocative relationship with a beautiful girl, he quickly learns that there's more than one way to be human, and many ways to be a monster. Told in the tortured voice of a most extraordinary teen, this contemporary gothic romance brews a captivating combination of violence, desire, and atonement. Here is the story of a monster yearning for a human life.
In this earthy, practical and wise volume, Telesco offers sound advice on magick and spirituality as they coincide with everyday life. With the lessons and insights she has gained over the last eighteen years, she explores a variety of issues that are key to every witch's growth, while also demystifying many modern myths about witches.
When a witch is born, a doppelganger is created. Forthe witch to master her powers, the twin must be killed. Or so itwas believed for centuries . . . Once Mirei discovered that mergingwith a doppelganger gave a witch more power than killing them, thewitches at Starfall have been in an uproar (Doppelganger; 4/06). Herheresy goes against centuries of teaching-and the accepted practice ofmurdering their doubles.On a quest to collect the survivingdoppelgangers, Mirei is unsurprised to discover that there are stillwitches at Starfall who side against her and her unorthodox ways. Butworse, her fellow hunter and closest friend, Eclipse, has beencaptured by these same witches-and has no choice but to swear a bloodoath to kill Mirei. If he fails his blood oath, he will die. With thewitches divided, and Starfall itself in the middle of a civil war,Mirei will have to choose between saving her friend and figuring out away to unite Starfall before it's too late.
This celebrated study of witchcraft in Europe traces the worship of the pre-Christian and prehistoric Horned God from paleolithic times to the medieval period. Murray, the first to turn a scholarly eye on the mysteries of witchcraft, enables us to see its existence in the Middle Ages not as an isolated and terrifying phenomenon, but as the survival of a religion nearly as old as humankind itself, whose devotees held passionately to a view of life threatened by an alien creed. The findings she sets forth, once thought of as provocative and implausible, are now regarded as irrefutable by folklorists and scholars in related fields. Exploring the rites and ceremonies associated with witchcraft, Murray establishes the concept of the "dying god"--the priest-king who was ritually killed to ensure the country and its people a continuity of fertility and strength. In this light, she considers such figures as Thomas a Becket, Joan of Arc, and Gilles de Rais as spiritual leaders whose deaths were ritually imposed. Truly a classic work of anthropology, and written in a clear, accessible style that anyone can enjoy, The God of the Witches forces us to reevaluate our thoughts about an ancient and vital religion.
