The Wiradjuri are the people of the three bila (rivers) and their nguram-bang (Country) is the second largest in Australia. Come with Uncle Larry Brandy on an enlightening journey through his Country's rivers, woodlands, grasslands and rocky outcrops, as well as the murri-yang (sky world).This is a unique book combining language, culture, Indigenous history and storytelling, written by a Wiradjuri author.
Childhood stories of family, country and belonging What is it like to grow up Aboriginal in Australia? This anthology, compiled by award-winning author Anita Heiss, showcases many diverse voices, experiences and stories in order to answer that question. Accounts from well-known authors and high-profile identities sit alongside those from newly discovered writers of all ages. All of the contributors speak from the heart – sometimes calling for empathy, oftentimes challenging stereotypes, always demanding respect. This groundbreaking collection will enlighten, inspire and educate about the lives of Aboriginal people in Australia today. Contributors include: Tony Birch, Deborah Cheetham, Adam Goodes, Terri Janke, Patrick Johnson, Ambelin Kwaymullina, Jack Latimore, Celeste Liddle, Amy McQuire, Kerry Reed-Gilbert, Miranda Tapsell, Jared Thomas, Aileen Walsh, Alexis West, Tara June Winch, and many, many more. Winner, Small Publisher Adult Book of the Year at the 2019 Australian Book Industry Awards ‘Growing Up Aboriginal in Australia is a mosaic, its more than 50 tiles – short personal essays with unique patterns, shapes, colours and textures – coming together to form a powerful portrait of resilience.’ —The Saturday Paper ‘... provides a diverse snapshot of Indigenous Australia from a much needed Aboriginal perspective.’ —The Saturday Age
Collects essays on the Indigenous peoples of Australia and Northern Europe, exploring the similarities and differences between the Indigenous experiences in the Nordic countries and Australia.
Struggle Country revitalises the field of rural history, bringing a nuanced approach to studies of the bush that distinguishes between farmers and country town dwellers and their different experiences and beliefs.
'In May 1824, what can only be described as a period of all-out, total gudyarra ('war' in the Wiradyuri language) had begun west of the Blue Mountains. Relations between Wiradyuri people and the colonists in the country around Bathurst had completely broken down, and the number of raids and killings occurring across isolated stock stations in the district had intensified.' In Gudyarra, Stephen Gapps - award-winning author of The Sydney Wars - unearths what led to this furious and bloody war, beginning with the occupation of Wiradyuri lands by Europeans following Governor Macquarie's push to expand the colony west over the Blue Mountains to generate wealth from sheep and cattle. Gudyarra traces the co-ordinated resistance warfare by the Wiradyuri under the leadership of Windradyne, and others such as Blucher and Jingler, that occurred in a vast area across the central west of New South Wales. Detailing the drastic counterattacks by the colonists and the punitive expeditions led by armed parties of colonists and convicts that often ended in massacres of Wiradyuri women and children, Gapps provides an important new historical account of the fierce Wiradyuri resistance. 'This isn't just a war for Wiradjuri country, this is a war for Australia: the country we are still to be. Our nation begins here.' -- Stan Grant 'The untold story of the Wiradyuri War of resistance against a World Empire' -- Uncle Bill Allen Junior, Wiradyuri Elder 'In Gudyarra, Stephen Gapps plots in meticulous detail the brutal war between the British and the Wiradyuri for possession of the Western Plains of New South Wales. A masterly account of both sides of the conflict, Gudyarra offers new understandings of the complexity of frontier history and the need for all Australians to reconcile with the past.' -- Lyndall Ryan 'This is an important book, indeed essential reading for anyone wanting to understand the new direction in the history of the frontier wars.' -- Henry Reynolds
History of Wiradjuri; Windradyne at Bathurst; effects of government policies and missions, reserves, expulsions and returns, removal of children, family resettlement; Wiradjuri resistance to assimilation, maintenance of identity; Aborigines Progressive Association, Link-up; Warangesda, Wellington Valley, Brungle, Edgerton, Gooloogong, Erambie, Condoblin, Narrandera, Sandhills, Euabalong, Griffith, Frogs Hollow, Wattle Hill, Bomaderry and Cootamundra Girls homes; family histories.
Winner of the 2020 Miles Franklin Literary Award and 2021 Kate Challis RAKA Award! "A beautifully written novel that puts language at the heart of remembering the past and understanding the present."—Kate Morton “A groundbreaking novel for black and white Australia.”—Richard Flanagan, Man Booker Prize winning author of The Narrow Road to the Deep North A young Australian woman searches for her grandfather's dictionary, the key to halting a mining company from destroying her family's home and ancestral land in this exquisitely written, heartbreaking, yet hopeful novel of culture, language, tradition, suffering, and empowerment in the tradition of Louise Erdrich, Sandra Cisneros, and Amy Harmon. Knowing that he will soon die, Albert “Poppy” Gondiwindi has one final task he must fulfill. A member of the indigenous Wiradjuri tribe, he has spent his adult life in Prosperous House and the town of Massacre Plains, a small enclave on the banks of the Murrumby River. Before he takes his last breath, Poppy is determined to pass on the language of his people, the traditions of his ancestors, and everything that was ever remembered by those who came before him. The land itself aids him; he finds the words on the wind. After his passing, Poppy’s granddaughter, August, returns home from Europe, where she has lived the past ten years, to attend his burial. Her overwhelming grief is compounded by the pain, anger, and sadness of memory—of growing up in poverty before her mother’s incarceration, of the racism she and her people endured, of the mysterious disappearance of her sister when they were children; an event that has haunted her and changed her life. Her homecoming is bittersweet as she confronts the love of her kin and news that Prosperous is to be repossessed by a mining company. Determined to make amends and honor Poppy and her family, she vows to save their land—a quest guided by the voice of her grandfather that leads into the past, the stories of her people, the secrets of the river. Told in three masterfully woven narratives, The Yield is a celebration of language and an exploration of what makes a place "home." A story of a people and a culture dispossessed, it is also a joyful reminder of what once was and what endures—a powerful reclaiming of Indigenous language, storytelling, and identity, that offers hope for the future.
The acclaimed national bestseller - moving, passionate, deeply felt and powerful. In July 2015, as the debate over Adam Goodes being booed at AFL games raged and got ever more heated and ugly, Stan Grant wrote a short but powerful piece for The Guardian that went viral, not only in Australia but right around the world, shared over 100,000 times on social media. His was a personal, passionate and powerful response to racism in Australia and the sorrow, shame, anger and hardship of being an indigenous man. ''We are the detritus of the brutality of the Australian frontier'', he wrote, ''We remained a reminder of what was lost, what was taken, what was destroyed to scaffold the building of this nation''s prosperity.'' Stan Grant was lucky enough to find an escape route, making his way through education to become one of our leading journalists. He also spent many years outside Australia, working in Asia, the Middle East, Europe and Africa, a time that liberated him and gave him a unique perspective on Australia. This is his very personal meditation on what it means to be Australian, what it means to be indigenous, and what racism really means in this country. Talking to My Country is that rare and special book that talks to every Australian about their country - what it is, and what it could be. It is not just about race, or about indigenous people but all of us, our shared identity. Direct, honest and forthright, Stan is talking to us all. He might not have all the answers but he wants us to keep on asking the question: how can we be better? Winner of the 2016 Walkley Book Award and the 2016 National Trust Heritage Award, and shortlisted for the 2016 NIB Waverley Library Award and the 2016 Queensland Literary Award. ''Grant will be an important voice in shaping this nation'' The Saturday paper ''It is a story so essential and salutary to this place that it should be given out free at the ballot box'' Sydney Morning Herald ''Grant is a natural storyteller - at his best when recounting his experiences and observations of Indigenous Australian life with devastating simplicity and acuity. This highly readable book ... has the potential to spark empathy and generate important discussion, and deserves to be read widely.'' Bookseller + Publisher ''...an urgent and flowing narrative in a book that should be on the required reading list in every school'' The Australian
The Lives of Stories traces three stories of Aboriginal–settler friendships that intersect with the ways in which Australians remember founding national stories, build narratives for cultural revival, and work on reconciliation and self-determination. These three stories, which are still being told with creativity and commitment by storytellers today, are the story of James Morrill’s adoption by Birri-Gubba people and re-adoption 17 years later into the new colony of Queensland, the story of Bennelong and his relationship with Governor Phillip and the Sydney colonists, and the story of friendship between Wiradjuri leader Windradyne and the Suttor family. Each is an intimate story about people involved in relationships of goodwill, care, adoptive kinship and mutual learning across cultures, and the strains of maintaining or relinquishing these bonds as they took part in the larger events that signified the colonisation of Aboriginal lands by the British. Each is a story in which cross-cultural understanding and misunderstanding are deeply embedded, and in which the act of storytelling itself has always been an engagement in cross-cultural relations. The Lives of Stories reflects on the nature of story as part of our cultural inheritance, and seeks to engage the reader in becoming more conscious of our own effect as history-makers as we retell old stories with new meanings in the present, and pass them on to new generations.
