In a bleak and desolate future, when our world has been encased in ice from pole to pole, an amoral adventurer and an orphaned girl form an unlikely alliance, and together fight tooth and nail to stay alive! Out of print for twenty years, this brutal and suspenseful tale of survival in a frozen future by Chuck Dixon and Jorge Zaffino is one of the most influential comics works of the Eighties. Zaffino's stunning work on this story is considered his masterpiece and presented here in black and white for the first time. Included in this deluxe edition of WinterWorld is the never-before-published sequel WinterSea also by Dixon and Zaffino.
In late 2004, Vivian Chong’s life was changed forever when a rare skin disease, TEN (Toxic Epidermal Necrolysis), left her with scar tissue that would eventually blind her. As she was losing her sight, she put down as many drawings on paper as she could to document the experience. In Dancing After TEN, Chong teams up with cartoonist Georgia Webber ― whose graphic autobiography, Dumb, chronicled her own disability ― to trace her journey out of the darkness and into the spotlight. Chong now expresses her art through singing, stand-up, drumming, running, and dancing. This graphic novel is an inspirational tale and a powerful work of graphic medicine.
Nashoba is a trucker – call him Nash. But he’s also an ancient. Born of the Moon and imbued with the might of his celestial father. He is prone to fits of turning into a werewolf when that moon waxes full. Wolfman or not, he’s the being you always want by your side, holding the line against a world that’s stranger than you know, shepherding souls to freedom, and fighting against those ancients who would see the world come to harm, through negligence or evil. Nash’s best friend, Ray, is also a trucker, and a shaman, wielding magic and the power of the CB radio in equal measure. Picking up the hitchhiking Hernando on the road to Tuscon, Nash was pulled into the orbit of a human trafficking ring run by the mysterious Corneja Gang. Nash gave Hernando every opportunity to make the right choice, and turn from his dark path…but was forced to give in to the wolf when Hernando refused. Afterwards, Nash went to visit his old friend, Toko, and his horse-rearing granddaughter, Billie – but the shadow of the Corneja Boys, and their ancient enforcer, Ruben the Tarantula, fell across their farm. Barely defeating The Bogeyman, a walking hornet’s nest zombie, Nash and Billie escaped the Corneja Gang’s siege of the property – at the cost of Toko’s life. Now, their journey continues…
Ken Follett's extraordinary historical epic, the Century Trilogy, reaches its sweeping, passionate conclusion. In Fall of Giants and Winter of the World, Ken Follett followed the fortunes of five international families—American, German, Russian, English, and Welsh—as they made their way through the twentieth century. Now they come to one of the most tumultuous eras of all: the 1960s through the 1980s, from civil rights, assassinations, mass political movements, and Vietnam to the Berlin Wall, the Cuban Missile Crisis, presidential impeachment, revolution—and rock and roll. East German teacher Rebecca Hoffmann discovers she’s been spied on by the Stasi for years and commits an impulsive act that will affect her family for the rest of their lives. . . . George Jakes, the child of a mixed-race couple, bypasses a corporate law career to join Robert F. Kennedy's Justice Department and finds himself in the middle of not only the seminal events of the civil rights battle but a much more personal battle of his own. . . . Cameron Dewar, the grandson of a senator, jumps at the chance to do some official and unofficial espionage for a cause he believes in, only to discover that the world is a much more dangerous place than he'd imagined. . . . Dimka Dvorkin, a young aide to Nikita Khrushchev, becomes an agent both for good and for ill as the United States and the Soviet Union race to the brink of nuclear war, while his twin sister, Tanya, carves out a role that will take her from Moscow to Cuba to Prague to Warsaw—and into history.
In 2002, Levin and his twin sons, Dan and Noah, took their terminally ill cat to the Ardmore Animal Hospital outside Philadelphia to have the beloved pet put to sleep. What would begin as a terrible day suddenly got brighter as the ugliest dog they had ever seen--one who was missing an ear and had half his face covered in scar tissue--ran up to them and captured their hearts.
An account of the decade-long conflict between humankind and hordes of the predatory undead is told from the perspective of dozens of survivors who describe in their own words the epic human battle for survival, in a novel that is the basis for the June 2013 film starring Brad Pitt. Reissue. Movie Tie-In.
Prolific in a variety of genres, John Updike is one of North America's premier men of letters, regularly producing novels, poetry, short fiction, and volumes of assorted prose. Without question, he is one of the most widely read contemporary American authors. Updike's elegant fiction on the tensions and tragedies of contemporary middle-class life have earned him numerous awards, including the 1981 Pulitzer Prize for his novel Rabbit is Rich. Updike is also a serious craftsman of the short story, with 10 collections and 200 short stories to his credit. His stature as a writer of short fiction warrants close examination, particularly in light of the author's active contribution to the genre's current revitalization through formal experimentation and stylistic excellence. In John Updike: A Study of the Short Fiction, Robert M. Luscher focuses exclusively on Updike's short fiction. In this comprehensive treatment of all of Updike's short fiction, Luscher explores each of Updike's story collections separately and in approximate chronological order. Luscher adopts this traditional approach, because each collection has a dominant thematic focus and examines characters in a particular phase of development. Updike's short fiction captures the changing historical background, the shifting social mores, and the personal responses to the altered socio-cultural circumstances that have heightened spiritual uncertainty, social unrest, sexual freedom, and domestic tension. Each successive collection shows Updike experimenting with different techniques as his focus on American domestic life adjusts to accommodate new emphases. Luscher reveals how the particular form and techniques Updike employs areadapted to the materials. As Updike's emphasis on different phases of experience shifts, so does the manner in which he handles his subjects. Luscher's examination is amplified by Updike's own commentary on the art of fiction. He foregrounds Updike's remarks on writing and attitudes about his material, rather than the autobiographical content of his stories. Robert M. Luscher's well organized presentation, cogent use of existing scholarship, and persuasive insights are sure to make this a ground-breaking study of John Updike's short fiction.
