On Halloween 1987, The Outcasts (Darby, Boots, Sci-Fi and Pretty Boy) join up with three popular kids to hunt down a supernatural relic in a haunted monastery. As they unlock clues to its location, they find unexpected first loves, surprising heroes and a cutthroat secret society out to claim the relic for its own dark purposes. This is part four in a four-part series. www.winonaforeverbooks.com
Using none of the traditional routes, Winona Ryder established herself as the single most exciting actress of her generation. From her Hollywood movie debut at the age of thirteen to starring alongside Sigourney Weaver in Alien Resurrection, this affectionate biography traces the events and circumstances that shaped her career and propelled her from teen star to cultural icon. This specially prepared digital edition has been completely revised by restoring passages cut out of the original 1998 manuscript together with the addition of new material.
Brought about by the staff of Chunklet Magazine, a paragon of satire for the holy cows of underground music and culture. Since the early 90s, Chunklet has mercilessly lampooned the music industry and is one of the most beloved reads for the hippest bands and music aficionados. The highly graphic style combines the work of political cartoonist Ted Rall with many talented young artists from the Cartoon network.
On Halloween 1987, The Outcasts (Darby, Boots, Sci-Fi and Pretty Boy) join up with three popular kids to hunt down a supernatural relic in a haunted monastery. As they unlock clues to its location, they find unexpected first loves, surprising heroes and a cutthroat secret society out to claim the relic for its own dark purposes. This is part one of a four-part series. Winona Forever is a suspenseful mystery-thriller (Grade 5-Adult) for anyone who loves the 1980s but doesn't have a time machine to get there.
Kun takes a witty look at an Atlanta tailor whose modest goals are thwarted by his ex-wife, a childhood prank gone awry and a talentless live-in girlfriend who dreams of being a country singer.
ONE OF NPR'S BEST BOOKS OF 2020 LONGLISTED FOR THE 2021 JOYCE CAROL OATES PRIZE A lush, glittering short story collection exploring female obsession and desire by an award-winning author Roxane Gay calls "a consummate storyteller." From Kentucky to the California desert, these forty-two short stories -- ranging from the 80's and 90's to present day -- expose the hearts of girls and women in moments of obsessive desire and fantasy, wildness and bad behavior, brokenness and fearlessness, and more. On a hot July night, teenage girls sneak out of the house to meet their boyfriends by the train tracks. Members of a cult form an unsettling chorus as they proclaim their adoration for the same man. A woman luxuriates in a fantasy getaway to escape her past. A love story begins over cabbages in a grocery store, and a laundress's life is consumed by her obsession with a baseball star. After the death of a sister, two high school friends kiss all night and binge-watch Winona Ryder movies. Leesa Cross-Smith's sensuous stories -- some long, some gone in a flash, some told over text and emails -- drench readers in nostalgia for summer nights and sultry days. They recall the intense friendships of teenage girls and the innate bonds between mothers, the first heady rush of desire, and the pure exhilaration of womanhood, all while holding up the wild souls of women so they can catch the light.
Johnny Depp. Marilyn Monroe. Marlon Brando. Leonardo DiCaprio. Woody Allen. Shanron Stone. What do all of these actors have in common? They're outrageous, receive huge salaries, have enormous egos, and have way too much spare time. Their out-of-control lifestyles prove that, as one Hollywood observer noted, "Hollywood is a trip through a sewer in a glass-bottomed boat." You'll learn which director was furious when he was misquoted as saying, "Actors are cattle." He claimed he had really said, "Actors should be treated as cattle." You'll discover that Bruce Wilis ordered the final scenes in Striking Distance to be re-shot at a cost of over $750,000 because the original shots exposed his toupee. You'll find that Melanie Griffith explained her ignorance of the Nazi holocaust by saying, "I don't know why I didn't know. Maybe I missed school that day...I'm not stupid." Whether you're a fan of Hugh Grant, Dennis Hopper, or Whoopi Goldberg, you'll learn about all of the embarrassing moments in your favorite star's life. From actors like Ben Affleck and Cameron Diaz to screen legends like Frank Sinatra and Judy Garland, Movie Stars Do the Dumbest Things is proof that actors are more childish and impulsive than you've ever imagined.
In the midst of acne, social anxiety and training bras are the teen idols that make adolescent life a little more bearable. Whether their cutouts are plastered on bedroom walls or hidden behind locker doors, there is no denying the impact of these stars on young women. This collection of new essays explores with tenderness and humor the teen crushes of the past 60 years--from Elvis to John Lennon to Whitney Houston--who have influenced the choices of women, romantically or otherwise, well into adulthood.
This book looks at the origins and growth of television through the pages of TV Guide and covers the complete run of this American icon from the first guides in 1953 to the last issue in guide format on October 9, 2005. It includes full color reproductions of every cover ever printed, and is both a collector's guide with pricing included, and a retrospective view of the medium.
A multigenre investigation of the personal and cultural annals of memory, identity, and spectatorship, both on and off the screen. In exchange for studying what each fraudulent cell looks like under a merciless commercial and commodified lens, viewers enable late-capitalism to run more smoothly by calling in with their votes, as is the case with Reality TV. From the inside, secrecy appears eradicated, as though secrets or coded transparencies comprise the totality of injustice, rather than just one part. Justice is reduced to a vantage point. We see and we see and we see ad infinitum. —from Picture Cycle With her debut collection Beauty Talk & Monsters (2007), Masha Tupitsyn established a new genre of hybrid writing that melded film criticism, philosophy, and autobiography. Picture Cycle continues Tupitsyn's multigenre investigation of the personal and cultural annals of memory, identity, and spectatorship, both on and off the screen. Composed over a ten-year period, Picture Cycle is a pioneering collection whose sharp and knowing vignette-like essays form a critical autobiography of the daily images in our lives. Deftly covering a range of theoretical and cinematic frameworks, Tupitsyn traces here the quickly vanishing line between onscreen and offscreen, predigital and postdigital. The result is a unique intellectual study of the uncanny formation of our life's biographies through images.
