William Wordsworth's Disfiguring Sublime and Poetry of Living Memory
Author: Julie Lynnette Smith-Hubbard
Publisher:
Published: 2002
Total Pages: 498
ISBN-13:
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Author: Julie Lynnette Smith-Hubbard
Publisher:
Published: 2002
Total Pages: 498
ISBN-13:
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Publisher:
Published: 2001
Total Pages: 776
ISBN-13:
DOWNLOAD EBOOKAuthor: Harold Bloom
Publisher: Infobase Publishing
Published: 2009
Total Pages: 353
ISBN-13: 1438127642
DOWNLOAD EBOOKPresents a biography of English poet William Wordsworth along with critical views of his work.
Author:
Publisher:
Published: 2002
Total Pages: 642
ISBN-13:
DOWNLOAD EBOOKAuthor: Stephen Gill
Publisher: Oxford University Press
Published: 2020-04-08
Total Pages: 547
ISBN-13: 0192551280
DOWNLOAD EBOOKIn this second edition of William Wordsworth: A Life, Stephen Gill draws on knowledge of the poet's creative practices and his reputation and influence in his life-time and beyond. Refusing to treat the poet's later years as of little interest, this biography presents a narrative of the whole of Wordsworth's long life--1770 to 1850--tracing the development from the adventurous youth who alone of the great Romantic poets saw life in revolutionary France to the old man who became Queen Victoria's Poet Laureate. The various phases of Wordsworth's life are explored with a not uncritical sympathy; the narrative brings out the courage he and his wife and family were called upon to show as they crafted the life they wanted to lead. While the emphasis is on Wordsworth the writer, the personal relationships that nourished his creativity are fully treated, as are the historical circumstances that affected the production of his poetry. Wordsworth, it is widely believed, valued poetic spontaneity. He did, but he also took pains over every detail of the process of publication. The foundation of this second edition of the biography remains, as it was of the first, a conviction that Wordsworth's poetry, which has given pleasure and comfort to generations of readers in the past, will continue to do so in the years to come.
Author: William Wordsworth
Publisher:
Published: 1969
Total Pages: 504
ISBN-13:
DOWNLOAD EBOOKAuthor: William Wordsworth
Publisher: Tredition Classics
Published: 2013-08
Total Pages: 140
ISBN-13: 9783849566937
DOWNLOAD EBOOKThis book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.
Author: Susan L. Feagin
Publisher: Cornell University Press
Published: 2018-10-18
Total Pages: 272
ISBN-13: 1501721461
DOWNLOAD EBOOKFeelings and other affective responses to a work of fiction are an important part appreciation and the capacity to inspire such responses is part of what is valuable about literary works of art. Susan L. Feagin's philosophical exploration of appreciation, focusing specifically on its emotional or affective components, asks us to consider aesthetic appreciation as getting the value out of the work. Appreciation involves exercising abilities. Feagin develops a psychological model for understanding how one becomes emotionally engaged with something one knows is fictional. She stresses the importance of the role of imagination in producing affective responses. Imagination is harnessed by the writer's choice of phrase or depiction of detail. Feagin cites the work of Angela Carter, Molly Keane, Heinrich Böll, Gabriel Garçia Marquez, and draws an extended example from Henry James. She notes that not all responses to a work are relevant or appropriate and discusses a variety of ways responses may be assessed. Even though assessing responses can stifle imagination, and hence threaten spontaneity and the responses themselves, the value of having affective responses to fiction depends upon our being able to make such assessments. Whatever else we may gain, appreciating a work, getting the value out of it, is one means of extending the capacities of our own imaginations.
Author: Thomas Pfau
Publisher: JHU Press
Published: 2005-10-20
Total Pages: 604
ISBN-13: 9780801881978
DOWNLOAD EBOOK"Pfau focuses on three specific paradigms of emotive experience: paranoia, trauma, and melancholy. Along the trajectory of Romantic thought paranoia characterizes the disintegration of traditional models of causation and representation during the French Revolution; trauma, the radical political, cultural, and economic restructuring of Central Europe in the Napoleonic era; and melancholy, the dominant post-traumatic condition of stalled, post-Napoleonic history both in England and on the continent."--BOOK JACKET.
Author: Tommy Pico
Publisher: Tin House Books
Published: 2017-05-09
Total Pages: 102
ISBN-13: 1941040640
DOWNLOAD EBOOKA book-length poem about how an American Indian writer can’t bring himself to write about nature, but is forced to reckon with colonial-white stereotypes, manifest destiny, and his own identity as an young, queer, urban-dwelling poet. A Best Book of the Year at BuzzFeed, Interview, and more. Nature Poem follows Teebs—a young, queer, American Indian (or NDN) poet—who can’t bring himself to write a nature poem. For the reservation-born, urban-dwelling hipster, the exercise feels stereotypical, reductive, and boring. He hates nature. He prefers city lights to the night sky. He’d slap a tree across the face. He’d rather write a mountain of hashtag punchlines about death and give head in a pizza-parlor bathroom; he’d rather write odes to Aretha Franklin and Hole. While he’s adamant—bratty, even—about his distaste for the word “natural,” over the course of the book we see him confronting the assimilationist, historical, colonial-white ideas that collude NDN people with nature. The closer his people were identified with the “natural world,” he figures, the easier it was to mow them down like the underbrush. But Teebs gradually learns how to interpret constellations through his own lens, along with human nature, sexuality, language, music, and Twitter. Even while he reckons with manifest destiny and genocide and centuries of disenfranchisement, he learns how to have faith in his own voice.