WILLIAM WARD ARA JAMES WARD RA

WILLIAM WARD ARA JAMES WARD RA

Author: Julia 1864-1916 Frankau

Publisher: Wentworth Press

Published: 2016-08-26

Total Pages: 482

ISBN-13: 9781362914303

DOWNLOAD EBOOK

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


The Life and Work of James Ward, R.A., 1769-1859

The Life and Work of James Ward, R.A., 1769-1859

Author: Oliver Beckett

Publisher:

Published: 1995

Total Pages: 280

ISBN-13:

DOWNLOAD EBOOK

Virtually ignored for a century, the painting of James Ward are at last being re-evaluated, and we are again discovering the charm and skill of one of Britain's foremost animal painters. From a harsh boyhood spent among the crowded tenements and Thames-side wharves of George III's London, Ward became first an engraver of the highest rank and then a painter and Royal Academician with a thriving practice among the aristocracy. Although tending to specialize in horses, prize livestock and other animals, Ward was a notable landscape and portrait painter, and his draughtsmanship was superb. Perhaps best know for his large romantic version of Gordale Scar, in the Tate Gallery, his work also included a vast allegorical painting of the Triumph of Waterloo, ill-received by the public, and since lost. This well-researched biography brings Ward's whole oeuvre into the context of his long life and brings a new dimension to our view of this neglected yet highly talented artist.-- Publisher description.


A Century of British Painters

A Century of British Painters

Author: Richard Redgrave

Publisher: Cornell University Press

Published: 1981

Total Pages: 628

ISBN-13: 9780801492174

DOWNLOAD EBOOK

In the 1860s, the brothers Richard and Samuel Redgrave sat down to write the book that was, in effect, the first popular account of British painting. With remarkable industry, they examined and sifted through the earlier studies and documentary sources while also contributing a great deal of firsthand knowledge. Many of the artists of the time were personal friends or acquaintances, and Richard Redgrave was a member of the Royal Academy.


Sale

Sale

Author: American Art Association, Anderson Galleries (Firm)

Publisher:

Published: 1922

Total Pages: 1662

ISBN-13:

DOWNLOAD EBOOK


Undertaker of the Mind

Undertaker of the Mind

Author: Jonathan Andrews

Publisher: Univ of California Press

Published: 2001-11-27

Total Pages: 396

ISBN-13: 9780520927858

DOWNLOAD EBOOK

As visiting physician to Bethlem Hospital, the archetypal "Bedlam" and Britain's first and (for hundreds of years) only public institution for the insane, Dr. John Monro (1715–1791) was a celebrity in his own day. Jonathan Andrews and Andrew Scull call him a "connoisseur of insanity, this high priest of the trade in lunacy." Although the basics of his life and career are well known, this study is the first to explore in depth Monro's colorful and contentious milieu. Mad-doctoring grew into a recognized, if not entirely respectable, profession during the eighteenth century, and besides being affiliated with public hospitals, Monro and other mad-doctors became entrepreneurs and owners of private madhouses and were consulted by the rich and famous. Monro's close social connections with members of the aristocracy and gentry, as well as with medical professionals, politicians, and divines, guaranteed him a significant place in the social, political, cultural, and intellectual worlds of his time. Andrews and Scull draw on an astonishing array of visual materials and verbal sources that include the diaries, family papers, and correspondence of some of England's wealthiest and best-connected citizens. The book is also distinctive in the coverage it affords to individual case histories of Monro's patients, including such prominent contemporary figures as the Earls Ferrers and Orford, the religious "enthusiast" Alexander Cruden, and the "mad" King George III, as well as his crazy would-be assassin, Margaret Nicholson. What the authors make clear is that Monro, a serious physician neither reactionary nor enlightened in his methods, was the outright epitome of the mad-trade as it existed then, esteemed in some quarters and ridiculed in others. The fifty illustrations, expertly annotated and integrated with the text, will be a revelation to many readers.