William Gilmore Simms (1807-1870), the antebellum South's foremost author and cultural critic, was the first advocate of regionalism in the creation of national literature. This collection of essays emphasizes his portrayal of America's westward migration.
William Gilmore Simms (1807-1870), the antebellum South's foremost author and cultural critic, was the first advocate of regionalism in the creation of national literature. This collection of essays emphasizes his portrayal of America's westward migration.
William Gilmore Simms (1806–1870) was the preeminent southern man of letters in the antebellum period, a prolific, talented writer in many genres and an eloquent intellectual spokesman of r his region. During his long career, he wrote plays, poetry, literary criticism, biography and history; but he is best remembered for his numerous novels and tales. Many Ann Wimsatt provides the first significant full-length evaluation of Simms’s achievement in his long fiction, selected poetry, essays, and short fiction. Wimsatt’s chief emphasis is on the thirty-odd novels that Simms published from the mid-1830s until after the Civil War. In bringing his impressive body of work to life, she makes use of biographical and historical information and also of twentieth-century literary theories of the romance, Simm’s principal genre. Through analyses of such seminal works as Guy Rivers, The Yemassee, The Cassique of Kiawah, and Woodcraft, Wimsatt illuminates Simm’s contributions to the romance tradition—contributions misunderstood by previous critics—and suggests how to view his novels within the light of recent literary criticism. She also demonstrates how Simms used the historical conditions of southern culture as well as events of his own life to flesh out literary patterns, and she analyzes his use of low-country, frontier and mountain settings. Although critics praised Simms early in his career as “the first American novelist of the day,” the panic of 1837 and the changes in the book market that it helped foster severely damaged his prospects for wealth and fame. The financial recession, Wimsatt finds, together with shifts in literary taste, contributed to the decline of Simms’s reputation. Simms attempted to adjust to the changing climate for fiction by incorporating two modes of nineteenth-century realism, the satiric portrayal of southern manners and southern backwoods humor, into the framework of his long romances; but his accomplishments in these areas have been undervalued or misunderstood by critics since is time. Wimsatt’s book is the first to survey Simms’s fiction and much of his other writing against the background of his life and literary career and the first to make extensive use of his immense correspondence. It is an important study of a neglected author who once served as the leafing symbol of literary activity in the South. It fills what has heretofore been a serious gap in southern literary studies.
One of nineteenth-century America's foremost men of letters, William Gilmore Simms (1806-1870) of Charleston, South Carolina, distinguished himself as a historian, poet, and novelist; yet his stalwart allegiance to the ideals of the Confederacy have kept him largely marginalized from the modern literary canon. In this engaging study, Masahiro Nakamura seeks to reinsert Simms in current American literary and cultural studies through a careful consideration of Simms's southern conservatism as a valuable literary counterpoint to the bourgeois individualist ideology of his northern contemporaries. For Nakamura, Simms's vision of social order runs contrary to the staunch individualism expressed in traditional American romances by authors such as James Fenimore Cooper and Nathaniel Hawthorne. In his thoughtful approaches to Simms's historical depictions of the making of American history and society, Nakamura finds consistent assertions of social order against the perils of literal and metaphoric wilderness, a conservative vision that he traces to the influence of Simms's southern genius loci. To understand how this southern conservatism also manifests itself in Simms's fiction, Nakamura contrasts Simms's historical romances with those of Hawthorne, as representative of the New England romance tradition, to differentiate the ways in which the two writers interpret the dynamic between the individual and society. Nakamura finds that Simms's protagonists struggle to establish their places within their culture while Hawthorne's characters are often at odds with their culture. The resulting comparison enriches our understanding of both writers.
Engaging approaches to the vast output of South Carolina's premier man of letters William Gilmore Simms was the best known and certainly the most accomplished writer of the mid-nineteenth-century South. His literary ascent began early, with his first book being published when he was nineteen years old and his reputation as a literary genius secured before he turned thirty. Over a career that spanned nearly forty-five years, he established himself as the American South's premier man of letters—an accomplished poet, novelist, short fiction writer, essayist, historian, dramatist, cultural journalist, biographer, and editor. In Reading William Gilmore Simms, Todd Hagstette has created an anthology of critical introductions to Simms's major publications, including those recently brought back into print by the University of South Carolina Press, offering the first ever primer compendium of the author's vast output. Simms was a Renaissance man of American letters, lauded in his time by both popular audiences and literary icons alike. Yet the author's extensive output, which includes nearly eighty published volumes, can be a barrier to his study. To create a gateway to reading and studying Simms, Hagstette has assembled thirty-eight essays by twenty-four scholars to review fifty-five Simms works. Addressing all the author's major works, the essays provide introductory information and scholarly analysis of the most crucial features of Simms's literary achievement. Arranged alphabetically by title for easy access, the book also features a topical index for more targeted inquiry into Simms's canon. Detailing the great variety and astonishing consistency of Simms's thought throughout his long career as well as examining his posthumous reconsideration, Reading William Gilmore Simms bridges the author's genius and readers' growing curiosity. The only work of its kind, this book provides an essential passport to the far-flung worlds of Simms's fecund imagination.
William Gilmore Simms's Unfinished Civil War measures the effects of the Civil War and its aftermath on one of the Old South's foremost intellectuals. Simms's mid-nineteenth-century poems, novels, and essays and the personal and societal trauma and destruction Simms experienced are all portrayed here. Before the war Simms was the most articulate advocate of Southern nationalism. During the war he became a prophetic critic of Confederate policy and poet of cultural ethnogenesis. The defeat of the Confederacy in 1865 shattered Simms's understanding of the working of history and called into question his sense of a moral providence. This collection of essays by historians and literary scholars first explores William Gilmore Simms's antebellum treatment of the role of warfare in America's past and the South's future. The contributors then consider the impact of the secession crisis, the Civil War, and the Confederate defeat on Simms's and other white and black Southerners' perceptions of their much-changed world. Next Simms's life, published writings, and thoughts during the war and its aftermath are examined. Finally Simms's late poetry and fictions, especially explicit and implicit commentaries on the postwar South, are analyzed. His last oration, The Sense of the Beautiful, published shortly before his death in 1870, is the subject of several essays. William Gilmore Simms's Unfinished Civil War reconstructs from both published writings and private letters the conscious and unconscious effects of the Civil War upon the writer and Southern patriot. Drawing on the fields of history, literature, and even archaeology, this interdisciplinary volume demonstrates that the anticipation, course, and consequences of the war were central in shaping Simms's writings from the 1840s to 1870.
Encompasses ante-colonial America, the English colonies, the Revolutionary War, and the rampaging frontier and constitutes a unique national literary treasure. Guilds's Simms restores Simms to his proper place as a major figure in American letters and reintroduces the man and the author to the reading public.
During William Gilmore Simms's life (1806-1870), book reviews and critical essays became vital parts of American literary culture and intellectual discourse. Simms was an assiduous reviewer and essayist, proving by example the importance of those genres. William Gilmore Simms's Selected Reviews on Literature and Civilization publishes for the first time in book form sixty-two examples of the writer's hundreds of newspaper and periodical reviews and book notes as well as four important critical essays. Together, the reviews and essays reveal the regional, national, and international dimensions of Simms's intellectual interests. To frame the two distinct parts of Selected Reviews, James Everett Kibler, Jr., and David Moltke-Hansen have written a general introduction that considers the development of book reviewing and the authorship of essays in cultural and historical contexts. In part one, Kibler offers an introduction that examines Simms's reviewing habits and the aesthetic and critical values that informed the author's reviews. Kibler then publishes selected texts of reviews and provides historical and cultural backgrounds for each selection. Simms was an early proponent of the critical theories of Romantics such as William Wordsworth, Samuel Taylor Coleridge, and Edgar Allan Poe. Widely read in European history and literature, he reviewed works published in French, German, and classics in original Greek and Latin and in translation. Simms also was an early, ardent advocate of works of local color and of southern "backwoods" humorists of his day. Simms published notices of seven of Herman Melville's novels, the writings of Ralph Waldo Emerson, and favorably reviewed Henry David Thoreau's Walden; or, Life in the Woods. Simms published numerous review essays of twenty thousand or more words in literary journals and also republished two collections in book form. These volumes treated such subjects as Americanism in literature and the American Revolution in South Carolina. Yet, as part two of Selected Reviews demonstrates, Simms ranged much more widely in the intellectual milieu. Such cultural and political topics as the 1848 revolution in France, the history of the literary essay, the roles of women in the American Revolution, and the activities of the southern convention in Nashville in 1850 captured Simms's attention. Moltke-Hansen's introduction to part two examines Simms's roles in, and responses to, the Romantic critical revolution and the other revolutions then roiling Europe and America.
Long considered a leading literary figure of the Old South, William Gilmore Simms (1806-1870) wrote letters, novels, short fiction, drama, essays, and poetry in his prolific career. Born in Charleston to an old South Carolina family of modest means and raised by a grandmother with whom his father left him after his mother's death, Simms felt a simultaneous sense of loyalty to and alienation from his native region. He was a major intellectual figure on the East Coast before the Civil War but saw his New York publishers abandon him after secession, of which he was a vocal supporter. Simms's novels and poetry have been published in modern editions, and he has been the subject of numerous biographies and critical studies, but until now there has been no collection covering the broad spectrum of his writings. The Simms Reader presents a selection of his nonnovelistic work--letters, short fiction, essays, historical writings, poetry, and epigrams--chosen and introduced by the preeminent Simms scholar John Caldwell Guilds.
Jacob F. Rivers III has collected twenty-two classic hunting tales by twelve southern writers including Davey Crocket, Johnson J. Hooper, and Henry Clay Lewis. These stories spring not only from a genteel literary tradition but also from the tradition of the tall tale or stories of backwoods humor. Antebellum and post-Civil War tales reflect changes in the social and economic composition of the hunting class in the South. Some reveal themes of fear for the future of field sports, and others demonstrate an early conservation ethic among hunters and landowners. Early Southern Sports and Sportsmen brings to new readers a wealth of hunting and fishing lore heretofore hard to find by any but scholars in the field of southern literature. Rivers has gathered a host of well-read and well-heeled sportsmen who relish each and every detail of their encounters with their environment. Sports authors come from every spectrum of southern society, but their common vocabulary and shared enthusiasm bond them together. Rivers corrects unfortunate stereotypes of hunters as indifferent to aspects of nature other than environmental exploitation. Whether humorists or serious advocates, these authors reveal their sense of their place in the wild, and many advocate ecological good citizenship that disdains wanton slaughter and unethical practices. They condemn such acts as beneath the dignity and honor of true sportsmen. The collection includes accounts of hunting many types of game indigenous to the South from 1830 to 1910, from aristocratic foxhunts to yeoman deer drives. The structure is largely chronological, beginning with John James Audubon's essay on the American wild turkey from his Ornithological Biography (1832) and ending with stories from Alexander Hunter's The Huntsman in the South (1908). Whatever their era, the chief characteristics of these sporting accounts are the excitement the authors experience upon suddenly encountering game, the rigors and hardships they endure in its pursuit, their keen powers of observation of the woods and waters through which they travel, and the comedy often found in the strong friendships that frequently mark their adventures. But above all the tales resonate with a reverence for field sports as the means through which humans establish meaningful and lasting relationships with the mysteries and the magic of nature.