William Blackwood and His Sons
Author: Mrs. Oliphant (Margaret)
Publisher:
Published: 1897
Total Pages: 514
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Mrs. Oliphant (Margaret)
Publisher:
Published: 1897
Total Pages: 514
ISBN-13:
DOWNLOAD EBOOKAuthor: Mrs. Oliphant
Publisher:
Published: 1897
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Clement King Shorter
Publisher: Cambridge University Press
Published: 2013-09-19
Total Pages: 487
ISBN-13: 1108065228
DOWNLOAD EBOOKFirst published in 1908, this two-volume collection documents through correspondence the remarkable careers of Charlotte, Emily and Anne Brontë.
Author: Margaret Oliphant Wilson Oliphant
Publisher:
Published: 1897
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Clement King Shorter
Publisher:
Published: 1908
Total Pages: 962
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1901
Total Pages: 404
ISBN-13:
DOWNLOAD EBOOKAuthor: Valerie Sanders
Publisher: Taylor & Francis
Published: 2024-05-17
Total Pages: 633
ISBN-13: 1040129234
DOWNLOAD EBOOKMargaret Oliphant (1828-97) had a prolific literary career that spanned almost fifty years. She wrote some 98 novels, fifty or more short stories, twenty-five works of non-fiction, including biographies and historic guides to European cities, and more than three hundred periodical articles. This is the most ambitious critical edition of her work.
Author: James Henry Bowhill
Publisher:
Published: 1898
Total Pages: 220
ISBN-13:
DOWNLOAD EBOOKAuthor: Mrs. Oliphant (Margaret)
Publisher:
Published: 1899
Total Pages: 422
ISBN-13:
DOWNLOAD EBOOKAuthor: Joanne Wilkes
Publisher: Routledge
Published: 2016-02-17
Total Pages: 194
ISBN-13: 1134776950
DOWNLOAD EBOOKFocusing particularly on the critical reception of Jane Austen, Charlotte Brontë and George Eliot, Joanne Wilkes offers in-depth examinations of reviews by eight female critics: Maria Jane Jewsbury, Sara Coleridge, Hannah Lawrance, Jane Williams, Julia Kavanagh, Anne Mozley, Margaret Oliphant and Mary Augusta Ward. What they wrote about women writers, and what their writings tell us about the critics' own sense of themselves as women writers, reveal the distinctive character of nineteenth-century women's contributions to literary history. Wilkes explores the different choices these critics, writing when women had to grapple with limiting assumptions about female intellectual capacities, made about how to disseminate their own writing. While several publishing in periodicals wrote anonymously, others published books, articles and reviews under their own names. Wilkes teases out the distinctiveness of nineteenth-century women's often ignored contributions to the critical reception of canonical women authors, and also devotes space to the pioneering efforts of Lawrance, Kavanagh and Williams to draw attention to the long tradition of female literary activity up to the nineteenth century. She draws on commentary by male critics of the period as well, to provide context for this important contribution to the recuperation of women's critical discourse in nineteenth-century Britain.