A young music prodigy goes missing from a hotel room that was the site of an infamous murder-suicide fifteen years earlier, renewing trauma for a bridesmaid who witnessed the first crime and rallying an eccentric cast of characters during a snowstorm that traps everyone on the grounds.
It's hard to find work as a doctor when using your real name will get you killed. So hard that when a reclusive billionaire offers Dr. Peter Brown, aka Pietro Brnwa, a job accompanying a sexy but self-destructive paleontologist on the world's worst field assignment, Brown has no real choice but to say yes. Even if it means that an army of murderers, mobsters, and international drug dealers -- not to mention the occasional lake monster -- are about to have a serious Pietro Brnwa problem. Facing new and old monsters alike, Dr. Brnwa's story continues in this darkly funny and lightning-paced follow up to Josh Bazell's bestselling debut.
Tracing the solitude of the American self, the difference between idolatrous and companionate affection, and the dream of an "America of love," Eric Murphy Selinger shows how such concerns can shape a poet's most intimate decisions about genre and form. His lucid, elegant prose illuminates not only well-known love poets, including Emily Dickinson and William Carlos Williams, but also more unexpected figures, notably Wallace Stevens and Mina Loy. Like the poets he discusses, Selinger refuses to view love reductively. Rather, he takes the impulse to debunk love as part of his subject, whether it crops up in Puritan theology or contemporary literary theory. As he details Whitman's courtship of his readers, weighs the restorations of romance in H. D. and Ezra Pound, and demonstrates the bonds between poets as disparate as Robert Creeley and Robert Lowell, Selinger establishes love poetry as an essential American genre.
Dr. Peter Brown is an intern at Manhattan's worst hospital, with a talent for medicine, a shift from hell, and a past he'd prefer to keep hidden. Whether it's a blocked circumflex artery or a plan to land a massive malpractice suit, he knows what evil lurks in the hearts of men. Pietro "Bearclaw" Brnwna is a hitman for the mob, with a genius for violence, a well-earned fear of sharks, and an overly close relationship with the Federal Witness Relocation Program. More likely to leave a trail of dead gangsters than a molecule of evidence, he's the last person you want to see in your hospital room. Nicholas LoBrutto, aka Eddy Squillante, is Dr. Brown's new patient, with three months to live and a very strange idea: that Peter Brown and Pietro Brnwa might-just might-be the same person . . . Now, with the mob, the government, and death itself descending on the hospital, Peter has to buy time and do whatever it takes to keep his patients, himself, and his last shot at redemption alive. To get through the next eight hours-and somehow beat the reaper. Spattered in adrenaline-fueled action and bone-saw-sharp dialogue, Beat the Reaper is a debut thriller so utterly original you won't be able to guess what happens next, and so shockingly entertaining you won't be able to put it down.
In #1 New York Times bestseller Kelley Armstrong's latest thriller, the hidden town of Rockton is about to face a challenge none of them saw coming: a baby. Every season in Rockton seems to bring a new challenge. At least that's what Detective Casey Duncan has felt since she decided to call this place home. Between all the secretive residents, the sometimes-hostile settlers outside, and the surrounding wilderness, there's always something to worry about. While on a much needed camping vacation with her boyfriend, Sheriff Eric Dalton, Casey hears a baby crying in the woods. The sound leads them to a tragic scene: a woman buried under the snow, murdered, a baby still alive in her arms. A town that doesn’t let anyone in under the age of eighteen, Rockton must take care of its youngest resident yet while solving another murder and finding out where the baby came from - and whether she's better off where she is. #1 New York Times bestselling author Kelley Armstrong again delivers an engaging, tense thriller set in perhaps the most interesting town in all of contemporary crime fiction.
Muslims have always used verses from the Qur'an to support opinions on law, theology, or life in general, but almost no attention has been paid to how the Qur'an presents its own precepts as conclusions proceeding from reasoned arguments. Whether it is a question of God's powers of creation, the rationale for his acts, or how people are to think clearly about their lives and fates, Muslims have so internalized Qur'anic patterns of reasoning that many will assert that the Qur'an appeals first of all to the human powers of intellect. This book provides a new key to both the Qur'an and Islamic intellectual history. Examining Qur'anic argument by form and not content helps readers to discover the significance of passages often ignored by the scholar who compares texts and the believer who focuses upon commandments, as it allows scholars of Qur'anic exegesis, Islamic theology, philosophy, and law to tie their findings in yet another way to the text that Muslims consider the speech of God.
In this volume, the Association for Core Texts and Courses has gathered essays of literary and philosophical accounts that explain who we are simply as persons. Further, essays are included that highlight the person as entwined with other persons and examine who we are in light of communal ties. The essays reflect both the Western experience of democracy and how community informs who we are more generally. Our historical position in a modern or post-modern, urbanized or disenchanted world is explored by yet other papers. And, finally, ACTC educators model the intellectual life for students and colleagues by showing how to read texts carefully and with sophistication —- as an example of who we can be.
In this volume, the Association for Core Texts and Courses has gathered essays of literary and philosophical accounts that explain who we are simply as persons. Further, essays are included that highlight the person as entwined with other persons and examine who we are in light of communal ties. The essays reflect both the Western experience of democracy and how community informs who we are more generally. Our historical position in a modern or post-modern, urbanized or disenchanted world is explored by yet other papers. And, finally, ACTC educators model the intellectual life for students and colleagues by showing how to read texts carefully and with sophistication —- as an example of who we can be.