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Author: Lowery Stokes Sims
Publisher:
Published: 2002-06-15
Total Pages: 322
ISBN-13:
DOWNLOAD EBOOKA lively portrait of the great Cuban artist explores Lam's influences--including his notable primitivist stage--as well as his important contributions to twentieth century art.
Author: Lowery Stokes Sims
Publisher:
Published: 2003
Total Pages: 281
ISBN-13:
DOWNLOAD EBOOKAuthor: Elizabeth T. Goizueta
Publisher:
Published: 2014
Total Pages: 0
ISBN-13: 9781892850232
DOWNLOAD EBOOKExamines Lam (1902-1982), born in Cuba to Chinese and African-Spanish parents, as a global figure in the context of major artistic movements of the 20th century.
Author: Alejandro Anreus
Publisher: John Wiley & Sons
Published: 2021-11-09
Total Pages: 612
ISBN-13: 1118475410
DOWNLOAD EBOOKIn-depth scholarship on the central artists, movements, and themes of Latin American art, from the Mexican revolution to the present A Companion to Modern and Contemporary Latin American and Latinx Art consists of over 30 never-before-published essays on the crucial historical and theoretical issues that have framed our understanding of art in Latin America. This book has a uniquely inclusive focus that includes both Spanish-speaking Caribbean and contemporary Latinx art in the United States. Influential critics of the 20th century are also covered, with an emphasis on their effect on the development of artistic movements. By providing in-depth explorations of central artists and issues, alongside cross-references to illustrations in major textbooks, this volume provides an excellent complement to wider surveys of Latin American and Latinx art. Readers will engage with the latest scholarship on each of five distinct historical periods, plus broader theoretical and historical trends that continue to influence how we understand Latinx, Indigenous, and Latin American art today. The book’s areas of focus include: The development of avant-garde art in the urban centers of Latin America from 1910-1945 The rise of abstraction during the Cold War and the internationalization of Latin American art from 1945-1959 The influence of the political upheavals of the 1960s on art and art theory in Latin America The rise of conceptual art as a response to dictatorship and social violence in the 1970s and 1980s The contemporary era of neoliberalism and globalization in Latin American and Latino Art, 1990-2010 With its comprehensive approach and informative structure, A Companion to Modern and Contemporary Latin American and Latinx Art is an excellent resource for advanced students in Latin American culture and art. It is also a valuable reference for aspiring scholars in the field.
Author: Claude Cernuschi
Publisher: Routledge
Published: 2019-05-31
Total Pages: 239
ISBN-13: 1351187856
DOWNLOAD EBOOKThis book reinterprets Wifredo Lam’s work with particular attention to its political implications, focusing on how these implications emerge from the artist’s critical engagement with 20th-century anthropology. Field work conducted in Cuba, including the witnessing of actual Afro-Cuban religious ritual ceremonies and information collected from informants, enhances the interpretive background against which we can construe the meanings of Lam's art. In the process, Claude Cernuschi argues that Lam hoped to fashion a new hybrid style to foster pride and dignity in the Afro-Cuban community, as well as counteract the acute racism of Cuban culture.
Author: Samantha A. Noël
Publisher: Duke University Press
Published: 2021-01-11
Total Pages: 202
ISBN-13: 1478012897
DOWNLOAD EBOOKIn Tropical Aesthetics of Black Modernism, Samantha A. Noël investigates how Black Caribbean and American artists of the early twentieth century responded to and challenged colonial and other white-dominant regimes through tropicalist representation. With depictions of tropical scenery and landscapes situated throughout the African diaspora, performances staged in tropical settings, and bodily expressions of tropicality during Carnival, artists such as Aaron Douglas, Wifredo Lam, Josephine Baker, and Maya Angelou developed what Noël calls “tropical aesthetics”—using art to name and reclaim spaces of Black sovereignty. As a unifying element in the Caribbean modern art movement and the Harlem Renaissance, tropical aesthetics became a way for visual artists and performers to express their sense of belonging to and rootedness in a place. Tropical aesthetics, Noël contends, became central to these artists’ identities and creative processes while enabling them to craft alternative Black diasporic histories. In outlining the centrality of tropical aesthetics in the artistic and cultural practices of Black modernist art, Noël recasts understandings of African diasporic art.
Author: Helen A. Harrison
Publisher: Sourcebooks, Inc.
Published: 2020-07-07
Total Pages: 239
ISBN-13: 1728214017
DOWNLOAD EBOOKMurder is a work of art... When the acclaimed Cuban painter Wifredo Lam turns up dead in his Greenwich Village studio, officers Juanita Diaz and Brian Fitzgerald of the NYPD, must investigate the crime. But what they find is much more gruesome than they ever could have imagined. Suspicion soon falls on a tight-knit circle of Surrealist refugees who fled Nazi-occupied Europe during World War II, and Diaz and Fitzgerald must traverse the city, from Chinatown's underworld to Spanish Harlem's gangland, to find the truth. Did one of the artists' bizarre parlor games turn deadly? Or is there something even more sinister afoot? "Smart, witty, filled with so much history of the period, beautifully written, and suspenseful."—Jonathan Santlofer, author of The Death Artist
Author: Tanya Barson
Publisher: Tate
Published: 2010-06
Total Pages: 228
ISBN-13:
DOWNLOAD EBOOKPublished on the occasion of the exhibition at Tate Liverpool, 29 January until 25 April 2010.
Author: Michele Greet
Publisher: Yale University Press
Published: 2018-01-01
Total Pages: 296
ISBN-13: 0300228422
DOWNLOAD EBOOKParis was the artistic capital of the world in the 1920s and '30s, providing a home and community for the French and international avant-garde. Latin American artists contributed to and reinterpreted nearly every major modernist movement that took place in the creative center of Paris between World War I and World War II, including Cubism (Diego Rivera), Surrealism (Antonio Berni and Roberto Matta), and Constructivism (Joaquin Torres-Garcia). Yet their participation in the Paris art scene has remained largely overlooked until now. This book examines their collective role, surveying the work of both household names and an extraordinary array of lesser-known artists. Michele Greet illuminates the significant ways in which Latin American expatriates helped establish modernism and, conversely, how a Parisian environment influenced the development of Latin American artistic identity.
Author: Reiland Rabaka
Publisher: Lexington Books
Published: 2015-05-20
Total Pages: 453
ISBN-13: 1498511368
DOWNLOAD EBOOKThe Negritude Movement provides readers with not only an intellectual history of the Negritude Movement but also its prehistory (W.E.B. Du Bois, the New Negro Movement, and the Harlem Renaissance) and its posthistory (Frantz Fanon and the evolution of Fanonism). By viewing Negritude as an “insurgent idea” (to invoke this book’s intentionally incendiary subtitle), as opposed to merely a form of poetics and aesthetics, The Negritude Movement explores Negritude as a “traveling theory” (à la Edward Said’s concept) that consistently crisscrossed the Atlantic Ocean in the twentieth century: from Harlem to Haiti, Haiti to Paris, Paris to Martinique, Martinique to Senegal, and on and on ad infinitum. The Negritude Movement maps the movements of proto-Negritude concepts from Du Bois’s discourse in The Souls of Black Folk through to post-Negritude concepts in Fanon’s Black Skin, White Masks and The Wretched of the Earth. Utilizing Negritude as a conceptual framework to, on the one hand, explore the Africana intellectual tradition in the twentieth century, and, on the other hand, demonstrate discursive continuity between Du Bois and Fanon, as well as the Harlem Renaissance and Negritude Movement, The Negritude Movement ultimately accents what Negritude contributed to arguably its greatest intellectual heir, Frantz Fanon, and the development of his distinct critical theory, Fanonism. Rabaka argues that if Fanon and Fanonism remain relevant in the twenty-first century, then, to a certain extent, Negritude remains relevant in the twenty-first century.
