Tracing the changing notions of female and male in rural Sicily, Linda Reeder examines the lives of rural Sicilian women and the changes that took place as a result of male migration to the United States.
The thrilling conclusion to Ferals, a fantasy trilogy that’s part Batman, part The Graveyard Book, and all high-stakes adventure. Caw has defeated the dreaded Spinning Man and vanquished the Mother of Flies. But a new feral has appeared—one who intends to uphold the Spinning Man’s dark legacy. Known as the White Widow, this spider feral is determined to destroy Caw and bring Blackstone back into an era of crime and fear. Now everyone Caw holds dear is in danger. And this time Caw may not be able to protect them.
Set against the backdrop of an eerie island town in the dead of winter, The Wife and the Widow is a mystery/thriller told from two perspectives: Kate, a widow whose grief is compounded by what she learns about her dead husband’s secret life; and Abby, an island local whose world is turned upside down when she’s forced to confront the evidence that her husband is a murderer. But nothing on this island is quite as it seems, and only when these women come together can they discover the whole story about the men in their lives. Brilliant and beguiling, The Wife and the Widow takes you to a cliff edge and asks the question: how well do we really know the people we love?
Some bus drivers never meet a "white widow"--a wild card, a woman traveling alone who can change the course of a driver's life, and not always for the best. In this subtle, poignant novel, based on the true experiences of the anchor of PBS's News Hour with Jim Lehrer, Jack T. Oliver, who drives the Houston to Corpus Christi run for the Great Western Trailways bus line, is about to meet his.
When in 2013 he first published a report on the active presence of Al-Qaeda in South Africa, all hell broke loose for investigative reporter De Wet Potgieter. He was forced to retract before a second, substantiating article could be published. Then the massacre at Westgate Mall hit Nairobi, which made the involvement of the so-called White Widow - operating on a legitimate but illegally acquired South African passport - front-page news. Suddenly the world's media was beating a path to Potgieter's door. Now, for the first time, he tells the full unsettling story of Al-Qaeda's presence in this country. Not only is the veil lifted from this mysterious British woman, but the identity of another is disclosed: an Afrikaans-speaking counter-terrorist operative known as the Black Widow.The book shows how, taking advantage of corrupt state machinery, Al-Qaeda factions launch attacks in other countries. It discloses the location of a terrorist training camp in the Karoo and reveals disturbing details of the support they receive from various local extremist groups. Based on investigations spanning two years, Black Widow White Widow paints a frightening picture of the all too real possibility of future attacks from, or on, South African soil.
Many early-nineteenth-century slaveholders considered themselves "masters" not only over slaves, but also over the institutions of marriage and family. According to many historians, the privilege of mastery was reserved for white males. But as many as one in ten slaveholders--sometimes more--was a widow, and as Kirsten E. Wood demonstrates, slaveholding widows between the American Revolution and the Civil War developed their own version of mastery. Because their husbands' wills and dower law often gave women authority over entire households, widowhood expanded both their domestic mandate and their public profile. They wielded direct power not only over slaves and children but also over white men--particularly sons, overseers, and debtors. After the Revolution, southern white men frequently regarded powerful widows as direct threats to their manhood and thus to the social order. By the antebellum decades, however, these women found support among male slaveholders who resisted the popular claim that all white men were by nature equal, regardless of wealth. Slaveholding widows enjoyed material, legal, and cultural resources to which most other southerners could only aspire. The ways in which they did--and did not--translate those resources into social, political, and economic power shed new light on the evolution of slaveholding society.
A broad and eloquent study on the relatively overlooked population of single women in the slaveholding South Single, White, Slaveholding Women in the Nineteenth-Century American South investigates the lives of unmarried white women—from the pre- to the post-Civil War South—within a society that placed high value on women's marriage and motherhood. Marie S. Molloy examines female singleness to incorporate non-marriage, widowhood, separation, and divorce. These single women were not subject to the laws and customs of coverture, in which females were covered or subject to the governance of fathers, brothers, and husbands, and therefore lived with greater autonomy than married women. Molloy contends that the Civil War proved a catalyst for accelerating personal, social, economic, and legal changes for these women. Being a single woman during this time often meant living a nuanced life, operating within a tight framework of traditional gender conventions while manipulating them to greater advantage. Singleness was often a route to autonomy and independence that over time expanded and reshaped traditional ideals of southern womanhood. Molloy delves into these themes and their effects through the lens of the various facets of the female life: femininity, family, work, friendship, law, and property. By examining letters and diaries of more than three hundred white, native-born, southern women, Molloy creates a broad and eloquent study on the relatively overlooked population of single women in both the urban and plantation slaveholding South. She concludes that these women were, in various ways, pioneers and participants of a slow, but definite process of change in the antebellum era.
With her signature warmth, hilarity, and tendency to overshare, Leslie Gray Streeter gives us real talk about love, loss, grief, and healing in your own way that "will make you laugh and cry, sometimes on the same page" (James Patterson). Leslie Gray Streeter is not cut out for widowhood. She's not ready for hushed rooms and pitying looks. She is not ready to stand graveside, dabbing her eyes in a classy black hat. If she had her way she'd wear her favorite curve-hugging leopard print dress to Scott's funeral; he loved her in that dress! But, here she is, having lost her soulmate to a sudden heart attack, totally unsure of how to navigate her new widow lifestyle. ("New widow lifestyle." Sounds like something you'd find products for on daytime TV, like comfy track suits and compression socks. Wait, is a widow even allowed to make jokes?) Looking at widowhood through the prism of race, mixed marriage, and aging, Black Widow redefines the stages of grief, from coffin shopping to day-drinking, to being a grown-ass woman crying for your mommy, to breaking up and making up with God, to facing the fact that life goes on even after the death of the person you were supposed to live it with. While she stumbles toward an uncertain future as a single mother raising a baby with her own widowed mother (plot twist!), Leslie looks back on her love story with Scott, recounting their journey through racism, religious differences, and persistent confusion about what kugel is. Will she find the strength to finish the most important thing that she and Scott started? Tender, true, and endearingly hilarious, Black Widow is a story about the power of love, and how the only guide book for recovery is the one you write yourself.
Ferals is the first book in a dark, action-packed trilogy that’s part The Graveyard Book, part Batman, and all high-octane adventure. Blackstone was once a thriving metropolis. But that was before the Dark Summer—a wave of violence and crime that swept through the city eight years ago, orchestrated by the fearsome Spinning Man. Now the Spinning Man is on the move again, and a boy named Caw is about to be caught in his web. Caw has never questioned his ability to communicate with crows. But as the threat of a new Dark Summer looms, Caw discovers the underground world of Blackstone’s ferals—those with the power to control animals. Caw is one of them. And to save his city, he must quickly master abilities he never knew he had . . . and prepare to defeat a darkness he never could have imagined.
'Perpetua shouted out with joy as the sword pierced her, for she wanted to taste some of the pain and she even guided the hesitant hand of the trainee gladiator towards her own throat' Lives of Roman Christian Women is a unique collection of letters and documents from the third to the fifth centuries, celebrating Christian women from across the Roman Empire. During a crucial period in which Christianity transformed from a persecuted faith to the official religion of the Empire, these writings reveal the women who chose to dedicate their lives to Christ, by embracing martyrdom or by adopting a life of poverty and prayer, renouncing not only wealth but also their duties as wives and mothers.