Widor's ancestry, musical education, and heritage (1844-63) -- The first creative period (1864-79) -- The years of mastery (1880-94) -- The twilight of Widor's compositional career (1895-1909) -- Mr. Widor, member of the Institute of France (1910-37) -- Appendixes. 1. Published literary works. 2. List of musical works. 3. A cross-section of musicians during Widor's life. 4. Chronology
"Widor's Toccata is the most famous organ piece composed in the past three hundred years-since Bach's ubiquitous Toccata in D Minor. Linked inseparably with the organ through his ten seminal organ symphonies and legendary sixty-four years as organist at Saint-Sulpice, Widor drew crowds of doting admirers from all walks of life around himself and Cavaillâe-Coll's great organ of one hundred stops. It is apparent throughout these "Autobiographical Recollections" that Widor was well-connected, moving with ease among the intelligentsia, presidents, politicians, royalty, nobility, patrons, and artists. A keen observer and a man of sophistication and extraordinary erudition, Widor was an all-embracing musician and notable historical figure who led an active life beyond his famous organ gallery. As permanent secretary of the Academy of Fine-Arts, he was the cultural ambassador of France for more than twenty years. Few musicians of any era have had a broader experience, wider sphere of influence, and greater number of significant and varied accomplishments. Preceded by a comprehensive Preface, these "Autobiographical Recollections," narrated in the last months of Widor's life, are translated into English for the first time, meticulously edited, and profusely annotated. The persons, political details, and historical events that Widor spoke of with great fluency are identified in notes that give the reader a full understanding of the narrative. Several appendixes and a trove of hitherto unpublished photos illuminate the text. John R. Near is Professor Emeritus of Music, Principia College, and author of Widor: A Life beyond the Toccata and Widor on Organ Performance Practice and Technique"--
The Symphonie pour orgue et orchestre, opus 42[bis] has had spectacular moments in its history. In1880, the future king of England, Edward VII, requested that Widor compose a grand work for organand orchestra to be performed in London?s Royal Albert Hall. The American premiere in 1919, withthe Philadelphia Orchestra conducted by Leopold Stokowski and the great Wanamaker organ,attracted an audience of about 12,000 people. Using movements from his second and sixth symphonies for solo organ as the basis for this work,Widor created a masterpiece that launched a renaissance in the organ/orchestra combination. Thispremiere edition is based on Widor?s autograph manuscript as well as copies that he had made andwhich carry emendations and corrections in his own hand. The introduction includes details about theorigin of the Symphonie, manuscript sources, revisions, early performances, and performanceguidelines. Published in full score with separate organ part (and orchestral parts available byrequest), the edition reintroduces this legendary tour de force to the repertory for organ and orchestra.
This comprehensive biography describes the life of this fascinating yet unjustly neglected French organist, composer, conductor, teacher, and writer amid the intellectual and political ferment of the Third Republic.
This study draws portraits of the French romantic organist-composers including Aristide Cavaille-Coll, Cesar Franck, Charles-Marie Widor, Louis Vierne, Marcel Dupre, Jean Langlais and Olivier Messiaen. The author details the lives, times, styles, and techniques of these composers.
