An unputdownablc factual account of the zenana world of the rajas and sultans of India, concentrating on the firangi bahus and begums of this veiled world of myths and folklores. The book gives us the stories of twenty different European women who broke society's rules to marry the 'heathen' Indian princes. Who were these women? Were they gold-diggers, or hopeless romantics hoping to enact their own Cinderella fairy-tale? Did they live happily ever after? Set against the backdrop of India's independence struggle, the book has a delicious and potent mix of flavours - the end of the British Raj and the downfall of the pompous and extravagant Indian aristocracy.
As she builds her own life anew, an Italian writer embarks on an all-consuming search for the true story of the mysterious princess H. H. Amrit Kaur of Mandi. On a sweltering day in 2007, having just lost her brother to illness, Livia Manera Sambuy finds herself at a museum in Mumbai, enthralled by a 1924 photograph of a stunningly elegant Indian princess. What she reads in the picture’s caption will change her life forever. This alluring Punjabi royal had supposedly sold her jewels in occupied wartime Paris to save Jewish lives, only to be arrested by the Gestapo and sent to a concentration camp, where she died within a year. Could it be true? And if so, how could such a sensational story have gone unreported? Almost against her will, Manera becomes drawn into the mystery of Amrit Kaur. Delving into the history of the British Raj, its durbars and society balls and jubilees, she shows us the precipitous decline of India’s royal caste through the lives of extraordinary figures such as Amrit’s father, the larger-than-life Maharaja Jagatjit Singh of Kapurthala; the Jewish banker Albert Kahn; and the Russian explorer Nicholas Roerich—all while pursuing the elusive Amrit Kaur’s story. When she meets with the princess’s eighty-year-old daughter, Manera’s search takes on a new dimension, as she strives to reintroduce an orphan to a mother who disappeared in 1933, leaving behind two children, her raja husband, and a legacy of activism in India’s nascent women’s civil rights movement. In Search of Amrit Kaur is an engrossing detective story, a kaleidoscopic history lesson, and a moving portrait of a woman seeking personal freedom against the backdrop of a world in upheaval.
Examines the political worldview of courtly and royal women in India during the late colonial and post-Independence period. This book offers a history of the zenana, which served as the 'women's courts' or 'female quarters of the palace', where women lived behind pardah in seclusion.
In 1876 Sophia Duleep Singh was born into Indian royalty. Her father, Maharajah Duleep Singh, was heir to the Kingdom of the Sikhs, one of the greatest empires of the Indian subcontinent, a realm that stretched from the lush Kashmir Valley to the craggy foothills of the Khyber Pass and included the mighty cities of Lahore and Peshawar. It was a territory irresistible to the British, who plundered everything, including the fabled Koh-I-Noor diamond. Exiled to England, the dispossessed Maharajah transformed his estate at Elveden in Suffolk into a Moghul palace, its grounds stocked with leopards, monkeys and exotic birds. Sophia, god-daughter of Queen Victoria, was raised a genteel aristocratic Englishwoman: presented at court, afforded grace and favor lodgings at Hampton Court Palace and photographed wearing the latest fashions for the society pages. But when, in secret defiance of the British government, she travelled to India, she returned a revolutionary. Sophia transcended her heritage to devote herself to battling injustice and inequality, a far cry from the life to which she was born. Her causes were the struggle for Indian Independence, the fate of the lascars, the welfare of Indian soldiers in the First World War – and, above all, the fight for female suffrage. She was bold and fearless, attacking politicians, putting herself in the front line and swapping her silks for a nurse's uniform to tend wounded soldiers evacuated from the battlefields. Meticulously researched and passionately written, this enthralling story of the rise of women and the fall of empire introduces an extraordinary individual and her part in the defining moments of recent British and Indian history.
Spanning Europe, Asia and the Pacific, Encounters with Emotions investigates experiences of face-to-face transcultural encounters from the seventeenth century to the present and the emotional dynamics that helped to shape them. Each of the case studies collected here investigates fascinating historiographical questions that arise from the study of emotion, from the strategies people have used to interpret and understand each other’s emotions to the roles that emotions have played in obstructing communication across cultural divides. Together, they explore the cultural aspects of nature as well as the bodily dimensions of nurture and trace the historical trajectories that shape our understandings of current cultural boundaries and effects of globalization.
This book explores the overlooked history of racial mixing in Britain during the course of the twentieth century, a period in which there was considerable and influential public debate on the meanings and implications of intimately crossing racial boundaries. Based on research that formed the foundations of the British television series Mixed Britannia, the authors draw on a range of firsthand accounts and archival material to compare ‘official’ accounts of racial mixing and mixedness with those told by mixed race people, couples and families themselves. Mixed Race Britain in The Twentieth Century shows that alongside the more familiarly recognised experiences of social bigotry and racial prejudice there can also be glimpsed constant threads of tolerance, acceptance, inclusion and ‘ordinariness’. It presents a more complex and multifaceted history of mixed race Britain than is typically assumed, one that adds to the growing picture of the longstanding diversity and difference that is, and always has been, an ordinary and everyday feature of British life.
Investigating the aesthetics of the zenana – the female quarters of the Indic home or palace – this study discusses the history of architecture, fashion, jewellery and cuisine in princely Indian states during the late nineteenth and twentieth centuries.
The standard image of the Raj is of an aloof, pampered and prejudiced British elite lording it over an oppressed and hostile Indian subject population. Like most caricatures, this obscures as much truth as it reveals. The British had not always been so aloof. The earlier, more cosmopolitan period of East India Company rule saw abundant ‘interracial’ sex and occasional marriage, alongside greater cultural openness and exchange. The result was a large and growing ‘mixed-race’ community, known by the early twentieth century as Anglo-Indians. Notwithstanding its faults, Empire could never have been maintained without the active, sometimes enthusiastic, support of many colonial subjects. These included Indian elites, professionals, civil servants, businesspeople and minority groups of all kinds, who flourished under the patronage of the imperial state, and could be used in a ‘divide and rule’ strategy to prolong colonial rule. Independence was profoundly unsettling to those destined to become minorities in the new nation, and the Anglo-Indians were no exception. This refreshing account looks at the dramatic end of British rule in India through Anglo-Indian eyes, a perspective that is neither colonial apologia nor nationalist polemic. Its history resonates strikingly with the complex identity debates of the twenty-first century.
