Georgetown has long been home to the most affluent and influential residents of the capital--but it has also played host to its fair share of high-end misdeeds and wickedly amusing scandals. Culprits range from Confederate spies to the prankster students who stole the clock hands of Georgetown University's Healy Hall, while crime scenes include murder on the C&O Canal and floating brothels on the Potomac. Navigating her way through Cold War-era intrigues and the true-ish story of an exorcism, author Canden Schwantes guides readers through the tawdry and downright devilish side of Georgetown.
Stephen Schwartz is among the rare American composer-lyricists whose Broadway musicals have inspired passionate followings, resulting in blockbuster hits like Wicked, Godspell, and Pippin. In the revised and updated second edition of Defying Gravity, biographer Carol de Giere reveals how Schwartz’s beloved musicals came to life, adding four new chapters that shed light on the continuing Wicked phenomenon and exciting projects that include stage adaptations of The Hunchback of Notre Dame with Alan Menken and The Prince of Egypt. A popular feature of the first edition remains intact for the second: the story of Schwartz’s commercially unsuccessful shows, how he coped, and how he gave himself another chance. The new edition also features an acclaimed series of “Creativity Notes” with insights about the creative process. Wicked enthusiasts are treated to a revealing, in-depth account of the show’s evolution that takes readers from developmental workshops, to the pre-Broadway tryout in San Francisco, through the arguments over changes for Broadway, and finally to productions around the world. Movie musical fans know that Disney’s pairing of Stephen Schwartz (for lyrics) with composer Alan Menken (for music) led to award-winning movie musicals “Pocahontas, The Hunchback of Notre Dame, and Enchanted. Menken’s revelatory “Foreword” that introduces the second edition of Defying Gravity explores their “wonderful chemistry” and creative challenges. The abundance of behind-the-scenes stories in this Stephen Schwartz biography came by way of the author’s unprecedented access to this legendary songwriter for interviews. She also drew from conversations with his family members, friends, and colleagues (librettists, composers, directors, producers, and actors) to render a rich portrait of this complex and gifted artist. She rounds out the book with photographs, Schwartz’s handwritten notes, and highlighted quotations. Performers and others involved in productions of Godspell, Pippin, Children of Eden, Working, Rags, and The Hunchback of Notre Dame, will discover the intentions of the shows’ creators. Singers, writers, fans, and anyone interested in the development of stage and film musicals will enjoy multiple insights from this backstage journey, from Godspell to Wicked, and beyond.
Marseille is a thoroughly ambiguous place. France's second city and its major sea-port, its impact on the national imagination is unparalleled. Yet it is also a frontier city, arguably capital of the Mediterranean, and with a traditionally suspect allegiance to the French nation. This apartness, and the city's long and rich history as home to migrants, workers and organized criminals, has cemented its association in the popular imagination with exoticism and illicit activity. In this history, Nicholas Hewitt explores Marseille's extraordinary cultural wealth from the Revolution to the present century, charting the development of its bad reputation, its 'rogue status' within France, and its international importance. The narratives devoted to this great port city range from the legend of its football team to The Count of Monte Cristo. Hewitt discovers Marseille through the eyes of writers, painters and sculptors, film-makers, music hall stars, architects and rappers; from the viewpoints of French, German, British and American visitors; and as a celebration of its humane cosmopolitanism, often in contrast with national French sentiment. Wicked City is a vivid and complex portrait of one of the Mediterranean's great cities, going beyond the popular stereotypes to uncover the true Marseille in its full richness.
The hilarious new YA from acclaimed author Tina Connolly. Camellia's adopted mother wants Cam to grow up to be just like her. Problem is, Mom's a seriously wicked witch. Cam's used to stopping the witch's crazy schemes for world domination. But when the witch summons a demon, he gets loose—and into Devon, the cute new boy at school. Suddenly Cam's got bigger problems than passing Algebra. Her friends are getting zombiefied. Their dragon is tired of hiding in the RV garage. For being a shy boy-band boy, Devon is sure kissing a bunch of girls. And a phoenix hidden in the school is going to explode on the night of the Halloween Dance. To stop the demon before he destroys Devon's soul, Cam might have to try a spell of her own. But if she's willing to work spells like the witch...will that mean she's wicked too? At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Join local historian Tim Crumrin as he reveals the blackguards, rogues and swindlers of Terre Haute's rough and rowdy past. For more than a century, Terre Haute earned its reputation as a sin city. One of the most notorious red-light districts in the Midwest, the West End, housed sixty brothels and nearly one thousand prostitutes at its height in the 1920s. Across this sordid scene strode the stylish and indomitable Edith Brown, the city's most famous madam. When Prohibition made the city bootlegger central, violence erupted as rival gangs vied for turf. Gamblers flooded in from all corners of the country, making Terre Haute's Wire Room second only to Las Vegas. Through it all, corrupt politicians like Mayor Donn Roberts profited handsomely from grift and deception.
“The Israeli Century is one of the most important books of our generation, emphasizing how Israel is becoming the center of the Jewish People’s existence and is laying the solid foundations for its future.” —Isaac Herzog, President of Israel In this important breakthrough work, Yossi Shain takes us on a sweeping and surprising journey through the history of the Jewish people, from the destruction of the First Temple in the sixth century B.C.E. up to the modern era. Over the course of this long history, Jews have moved from a life of Diaspora, which ultimately led to destruction, to a prosperous existence in a thriving, independent nation state. The new power of Jewish sovereignty has echoed around the world and gives Israelis a new and significant role as influential global players. In the Israeli Century, the Jew is reborn, feeling a deep responsibility for his tradition and a natural connection to his homeland. A sense of having a home to return to allows him to travel the wider world and act with ease and confidence. In the Israeli Century, the Israeli Jew can fully express the strengths developed over many generations in the long period of wandering and exile. As a result, Shain argues, the burden of preserving the continuity of the Jewish people and defining its character is no longer the responsibility of Diaspora communities. Instead it now falls squarely on the shoulders of Israelis themselves. The challenges of Israeli sovereignty in turn require farsighted leaders with a clear-eyed understanding of the dangers that confront the Jewish future, as well as the incredible opportunities it offers.
Fiery suffragettes, unconventional first ladies, and rebellious socialites turning up their noses at ladylike behavior, these pioneering women of Washington, D.C., shattered the expectations of a tightly-corseted society. Escaped slave turned spy Mary Touvestre risked it all to scuttle Confederate plans to break the Union blockade. Trading petticoats for trousers to work at the Union hospitals, Dr. Mary E. Walker was both the only female Medal of Honor recipient and the possessor of a police record for impersonating a man. During Prohibition, First Lady Florence Harding hosted jazz soirees and served up cocktails in the White House gardens. From pioneering photographers and newspaperwomen to enterprising madams and soldiers in disguise, author Canden Schwantes introduces readers to the decidedly daring and wild women of the capital.
Zacharel, the leader of a powerful angelic army, lets nothing stand in his way of his anti-demon missions until he rescues Annabelle Miller from an institution for the criminally insane and from the demons who long to possess her.
'Irresistable.' Megan Abbott 'A gory, gorgeous feast of a book.' Kiran Millwood Hargrave 'This book is crazy. You have to read it.' Bon Appetit Dorothy Daniels has always had a voracious - and adventurous - appetite. From her idyllic farm-to-table childhood (homegrown tomatoes, thick slices of freshly baked bread) to the heights of her career as a food critic (white truffles washed down with Barolo straight from the bottle) Dorothy has never been shy about indulging her exquisite tastes - even when it lead to her plunging an ice pick into her lover's neck. There is something inside Dorothy that makes her different from everybody else. Something she's finally ready to confess. But beware: her story just might make you wonder how your lover would taste sautéed with shallots and mushrooms and deglazed with a little red wine. 'An unapologetic, rollicking satire of one woman's insatiable appetite.' Irish Times 'Thrilling and awful.' The Times 'One of the most uniquely fun and campily gory books in my recent memory.' New York Times 'Riotously funny and deliriously unhinged.' Refinery29 READERS ARE DEVOURING A CERTAIN HUNGER: 'Decadent, sleazy, visceral, disgusting. I can't believe this is a first novel.' 'If a female Hannibal starred in Orange is the New Black, it would give you a pretty good idea of what to expect from this novel. ... I could write pages about how much I loved this book but it would still not do it justice. Just read it!' 'This was everything I wanted from a book. Exciting, funny, gory, and most of all the absolutely exquisite writing.' 'I loved this book from beginning to end, it was dark, humorous and also made me a feel a little queasy in places!'
In an urbane and persuasive tract for our time, the distinguished Catholic theologian combines a comprehensive metaphysics with a sensitivity to contemporary existentialist thought. Father Murray traces the “problem of God” from its origins in the Old Testament, through its development in the Christian Fathers and the definitive statement by Aquinas, to its denial by modern materialism. Students and nonspecialist intellectuals may both benefit by the book, which illuminates the problem of development of doctrine that is now, even more than in the days of Newman, a fundamental issue between Roman Catholic and Protestant, theologians and nonspecialst intellectuals alike will find the subject of vital interest. As a challenge to the ecumenical dialogue, the question is raised whether, in the course of its development through different phases, the problem of God has come back to its original position. Father Murray is Ordinary professor of theology at Woodstock College, Woodstock, Maryland. St. Thomas More Lectures, 1. "A gem of a book—lucid, illuminating, brilliantly written. A fine contribution to the current Catholic theological renaissance."—Paul Weiss.
