Cal State engineering student Hardy tries not to repeat all the mistakes of his gay-supportive but womanizing father. Hardy is too young for a husband, but not too young to fall for bi Tom, or out Brad, or to move in with Sebastien, a French visiting economics professor who surprises Hardy by not taking him along to Paris for the summer—perhaps because Sebastien has a secret boyfriend? In Sebastien’s absence, Hardy works as a barista and turns to online hookup Dick, who is obviously not who he says he is, yet inspires in Hardy the fantasy of being husbands.
IThe law of three is everything: three vampires for a coterie, three demons for a pack, and three wizards for a coven. Those alone or in pairs are vulnerable to the rest. Luc, Anders, and Curtis—vampire, demon, and wizard—sidestepped tradition by binding themselves together. IWhen something starts brutally killing demons in Ottawa, the three find themselves once again moving among the powers who rule the city from the shadows—this time working with them to try to stop the killings before chaos and blood rule the streets. IHunting a killer who seems to leave no trace behind, the triad are forced to work with allies they don’t dare trust, powers they barely understand, and for the good of those they already know to be corrupt. IThey have the power of blood, soul, and magic. But they have to survive to keep it.
Alan Keyes takes a break from his police duties to scratch his acting itch in a local stage production. But when the leading man is murdered during the opening night performance, his partner Detective Heath Barrington is thrust into the limelight to find the killer. Alan soon learns the theater has a deadly past and ghostly forebodings, including a telegram that seems to have come from the beyond. Among the large cast of suspects is Oliver Crane, the director whose finances depend on the success of this play, Jazz Monroe, Milwaukee’s sweetheart with a secret, and the handsome actor Henry Hawthorne, who has designs on Alan. When Alan seems to return Henry’s attentions, Heath must put his jealousy and insecurities aside to determine what’s real, what’s illusion, and who’s acting and who’s telling the truth before death takes a bow. A Detective Heath Barrington Mystery
Kyle, a young newcomer to New Orleans, is haunted by the memory of his first lover, brutally murdered just outside the French Quarter. Marc, a young Quarter hustler, is haunted by an eccentric spirit that shares his dreams, and by the handsome but vicious lover who shares his bed. When the barrier between these men comes down, it will prove thinner than the veil between the living and the dead…or between justice and revenge.
Being the kid abducted by old Ms. Easton when he was four permanently set Cole’s status to freak. At seventeen, his exit plan is simple: make it through the last few weeks of high school with his grades up and his head down. When he pushes through the front door of the school and finds himself eighty kilometers away holding the door of a museum he was just thinking about, Cole faces facts: he’s either more deluded than old Ms. Easton, or he just teleported. Now every door is an accident waiting to happen—especially when Cole thinks about Malik, who, it turns out, has a glass door on his shower. When he starts seeing the same creepy people over his shoulder, no matter how far he’s gone, crushes become the least of his worries. They want him to stop, and they'll go to any length to make it happen. Cole is running out of luck, excuses, and places to hide. Time for a new exit plan.
For more than forty years, the stain of horrific allegations against their father has haunted the Esker sons. When three little boys were murdered in 1975, their dad was suspected of the crimes. The immense strain of the unsolved case shattered the family, sending the brothers reeling into destinies of death, flight, and, in the case of Don Esker, shame-filled silence. Years later, Don returns to the family home in North Homestead, Ohio, to help care for his dying father in his final months. His dad longs for the peace that will only come with clearing his name. If Don can find the killer, he can heal his family—and himself. His own redemption begins when he becomes romantically involved with Bruce, who joins the hunt and forces Don to confront the unthinkable answer they’ve uncovered.
When struggling actor Phillip Stalworth breaks up with his girlfriend, he returns home to the Deep South to care for his ailing mother and unexpectedly falls for a local carpenter. Working through his past with his complicated family, some old high school chums, and the desperate characters who grace his hometown, Phillip ultimately finds his own voice as his mother is finally regaining hers. Already an award-winning film, Counting for Thunder was inspired by writer Phillip Irwin Cooper’s personal experience and, like Augusten Burroughs, covers many of the universal themes of love, life, sex, and death with his own brand of gallows wit. Phillip’s three-year quest is a hero’s journey proving we truly can go home again to learn the lessons we should have mastered the first time around.
Surfer and private investigator Noah Braddock reluctantly accepts a case involving a missing undergraduate student with dubious ties to a white supremacist group and a cache of illegal weapons, a situation that threatens numerous lives. Reprint.
All Detective Heath Barrington and his partner Alan Keyes want is to get away for a weekend of romance, but they find murder instead when a missing tie leads them to the body of the peculiar Victor Blount, and Heath can't resist the urge to investigate. Who killed Blount, and why? Clues turn up around every corner, but what do they mean? The bloody "W," the green spool of thread grasped in the dead man’s hand, the newspaper left at the doorstep: they all lead down a strange and winding road of mystery and danger. As Heath and Alan work together to solve the case, they encounter various and eccentric suspects, old friends, and a hostile Chicago Detective, Marty Wilchinski, who doesn’t like Milwaukee police involved in a Chicago crime. Forced to act on their own, out of their jurisdiction, they race against time to find the killer before Wilchinski files the case closed.