The second book in the Wicked Academia series. Full synopsis coming soon. Vivian falls for a prince… and keeps trying to kill him. Marion discovers a plot that can topple kingdoms and unseat even a god’s power… if she claims it for herself. And Timothée delves into magic so dark, it’s been forbidden for thousands of years. One will become a monster. The other, a queen. The last, a god. Anything is possible at the Celestial Academy for Fallen Stars. Wicked Academia: Lost Stars is a new adult fantasy romance perfect for fans of A Court of Silver Flames, Blood and Ash, and Zodiac Academy. It has magic, adventure, swoon-worthy romance, and lots of steam! If you've graduated from Hogwarts, it's time to attend the Celestial Academy for Fallen Stars!
This anonymous poem in eddic style is shown in this edition to have probably originated in Skálholt in the mid seventeenth century. The main title probably meant 'Song of Óðinn's ravens', i.e. one of the reports said to have been brought to Óðinn from all over the world every evening.
From the ashes arises the sacred lore of the North, the ancient stories and proverbial wisdom of the satr religion. Mighty Gods and fierce Giants battle in the never-ending struggle between order and chaos, while men seek honor and glory in the eyes of their beloved deities. After many years of research and piecing together sources, now comes the first known holy text ever presented for the satr faith. Giving these ancestral accounts in their true, epic form, The satr Edda is designed as a religious work by and for the men and women of this path. In reconstructing this sacred epic, the idea is to create a living storytelling tradition that will honor the legacy of the ancient Teutonic peoples, while providing an in-depth source of satr wisdom for our modern world.
Maskim Hul is a complete grimoire of Tiamat-centered magick, pre-luciferian sorcery developed from authentic Mesopotamian clay tablets. Tiamat, Kingu and the 11 Chaos-Monsters created by Tiamat are explored, their functions, manifestations and how they survived and existed in the pantheon of Marduk, Ea and the other gods. The gods, demons and evil spirits of Mesopotamia are presented along with Cuneiform sigils and documentation of their use in sorcery. The extensive Invocations of the Gods, Hymns and the entire foundation of authentic Kassapu-practice of ancient Babylon is offered in a concise manner. The grimoire is founded and dedicated to the Seven Sebitti or Maskim, the "Seven Evil Gods" or rebels along with Lamashtu, Lilith are presented in a plethora of rituals and their names of calling. The Serpent Gods of fertility, Ishtar revealed as a form of Tiamat (from pantheon sources) and the rites of necromancy and the Black Flame (Melammu) is presented.
Imagine the forest. As darkness falls, the somber beeches disappear in misty twilight and shadows seem to gather under their branches. Far away, the blackbird's call tells of the coming of the night. The birds cease their singing, silence descends, soon the beasts of the night will make their appearance. Between tangled roots, hidden by nettles and brambles, the earth seems to ripple. A few humps of earth seem to emerge from the ground. They are the last traces of burial mounds, of mounds, which were tall and high 2500 years ago. Many of them have disappeared, hidden by tangled roots of beech and oak, ploughed flat by careless farmers, others again show caved-in tops where grave robbers have looted the central chamber. The locals shun these hills. There are tales that strange fires can be seen glowing on the mounds, and that on spooky nights, great armed warriors arise from their resting places. Then the doors to the deep are thrown open and unwary travelers have to beware of being invited into the halls of the dead and unborn. Here the kings of the deep feast and celebrate, time passes differently and strange treasures may be found. Who knows the nights when the gates are open? Who carries the primrose, the wish-flower, the strange blossom that opens the doors to the hollow hills?
With this book Immanuel Velikovsky first presented the revolutionary results of his 10-year-long interdisciplinary research to the public, founded modern catastrophism - based on eyewitness reports by our ancestors - shook the doctrine of uniformity of geology as well as Darwin's theory of evolution, put our view of the history of our solar system, of the Earth and of humanity on a completely new basis - and caused an uproar that is still going on today. Worlds in Collision - written in a brilliant, easily understandable and entertaining style and full to the brim with precise information - can be considered one of the most important and most challenging books in the history of science. Not without reason was this book found open on Einstein's desk after his death. For all those who have ever wondered about the evolution of the earth, the history of mankind, traditions, religions, mythology or just the world as it is today, Worlds in Collision is an absolute MUST-READ!
Book may have numerous typos, missing text, images, or index. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1891. Excerpt: ... CHAPTER XIV.' A GYPSY MAGIC SPELL. HOKKANI BASO LELLIN DUDIKABIN, OR THE GREAT SECRET CHILDREN'S RHYMES AND INCANTATIONS TEN LITTLE INDIAN BOYS AND TEN LITTLE ACORN GIRLS OF MARCELLUS BURDI- GALENSIS. HERE is a meaningless rhyme very common among children. It is repeated while "counting off" --or "out" --those who are taking part in a game, and allotting to each a place. There are many versions of it, but the following is exactly word for word what I learned when a boy in Philadelphia: -- Ekkeri (or ickery), akkery, u-kcry an, Fillisi', follasy, Nicholas John, Queebee - quabee -- Irishman (or, Irish Mary), Stingle 'em--stangle 'em--buck! With a very little alteration This chapter is reproduced, but with much addition, from one in my work entitled "The Gypsies," published in Boston, 1881, by Houghton and Mifflin. London: Trubner Sc Co. The addition will be the most interesting portion to the folk-lorist. in sounds, and not more than children make of these verses in different places, this may be read as follows: -- Ek-keri (yekori) akairi, you kair an, Fillissin, follasy, Nakelas jan Kivi, kavi--Irishman, Stini, stani--buck! This is, of course, nonsense, but it is Romany or gypsy nonsense, and it may be thus translated very accurately: -- First--here--you begin! Castle, gloves. You don't play! Go on! Kivi--a kettle. How are you? Stdni, buck. The common version of the rhyme begins with-- "One--ery--two--ery, ickery an." But one-ery is an exact translation of ek-keri; ek, or yek, meaning one in gypsy. (Ek-orus, or yek-korus, means once). And it is remarkable that in-- "Hickory dickory dock, The rat ran up the clock, The clock struck one, And down he run, Hickory dickory dock." We have hickory, or ek-keri, again followed by a significant one. It may be observed that while my firs...
