A revisionist account of the most famous trial and execution in Western civilization — one with great resonance for modern society In the spring of 399 BCE, the elderly philosopher Socrates stood trial in his native Athens. The court was packed, and after being found guilty by his peers, Socrates died by drinking a cup of poison hemlock, his execution a defining moment in ancient civilization. Yet time has transmuted the facts into a fable. Aware of these myths, Robin Waterfield has examined the actual Greek sources, presenting a new Socrates, not an atheist or guru of a weird sect, but a deeply moral thinker, whose convictions stood in stark relief to those of his former disciple, Alcibiades, the hawkish and self-serving military leader. Refusing to surrender his beliefs even in the face of death, Socrates, as Waterfield reveals, was determined to save a morally decayed country that was tearing itself apart. Why Socrates Died is then not only a powerful revisionist book, but a work whose insights translate clearly from ancient Athens to the present day.
A revisionist account of the most famous trial and execution in Western civilization—one with great resonance for American society today. Socrates’ trial and death together form an iconic moment in Western civilization. In 399 BCE, the great philosopher stood before an Athenian jury on serious charges: impiety and “subverting the young men of the city.” The picture we have of it—created by his immediate followers, Plato and Xenophon, and perpetuated in countless works of literature and art ever since—is of a noble man putting his lips to the poisonous cup of hemlock, sentenced to death in a fit of folly by an ancient Athenian democracy already fighting for its own life. But an icon, an image, is not reality, and time has transmuted so many of the facts into historical fable. Aware of these myths, Robin Waterfield has examined the actual Greek sources and presents here a new Socrates, in which he separates the legend from the man himself. As Waterfield recounts the story, the charges of impiety and corrupting the youth of Athens were already enough for a death sentence, but the prosecutors accused him of more. They asserted that Socrates was not just an atheist and the guru of a weird sect but also an elitist who surrounded himself with politically undesirable characters and had mentored those responsible for defeat in the Peloponnesian War. Their claims were not without substance, for Plato and Xenophon, among Socrates’ closest companions, had idolized him as students, while Alcibiades, the hawkish and notoriously self-serving general, had brought Athens to the brink of military disaster. In fact, as Waterfield perceptively shows through an engrossing historical narrative, there was a great deal of truth, from an Athenian perspective, in these charges. The trial was, in part, a response to troubled times—Athens was reeling from a catastrophic war and undergoing turbulent social changes—and Socrates’ companions were unfortunately direct representatives of these troubles. Their words and actions, judiciously sifted and placed in proper context, not only serve to portray Socrates as a flesh-and-blood historical figure but also provide a good lens through which to explore both the trial and the general history of the period. Ultimately, the study of these events and principal figures allows us to finally strip away the veneer that has for so long denied us glimpses of the real Socrates. Why Socrates Died is an illuminating, authoritative account of not only one of the defining periods of Western civilization but also of one of its most defining figures.
Socrates's death in 399 BCE has figured largely in our world, shaping how we think about heroism and celebrity, religion and family life, state control and individual freedom--many of the key coordinates of Western culture. Wilson analyzes the enormous and enduring power the trial and death of Socrates has exerted over the Western imagination.
"The European philosophical tradition. . .consists of a series of footnotes to Plato." -- Alfred North Whitehead The dialogues of Plato stand alongside the Bible and Homer's Iliad and Odyssey as foundational texts of Western civilization. The works of Plato collected under the title The Trial and Death of Socrates have been particularly influential. This is because they provide both an excellent point of entry into Plato's vast philosophy and a vivid portrait of Plato's mentor, Socrates - one of the most uncompromising intellectuals in the pantheon of human history. It is predominantly through Plato's account in these works of the words and actions of Socrates during his trial and execution for impiety that the latter's nobility and profound integrity have become known to succeeding generations.
In unraveling the long-hidden issues of the most famous free speech case of all time, noted author I.F. Stone ranges far and wide over Roman as well as Greek history to present an engaging and rewarding introduction to classical antiquity and its relevance to society today. The New York Times called this national best-seller an "intellectual thriller."
Ancient Greece was a place of tremendous political experiment and innovation, and it was here too that the first serious political thinkers emerged. Using carefully selected case-studies, in this book Professor Cartledge investigates the dynamic interaction between ancient Greek political thought and practice from early historic times to the early Roman Empire. Of concern throughout are three major issues: first, the relationship of political thought and practice; second, the relevance of class and status to explaining political behaviour and thinking; third, democracy - its invention, development and expansion, and extinction, prior to its recent resuscitation and even apotheosis. In addition, monarchy in various forms and at different periods and the peculiar political structures of Sparta are treated in detail over a chronological range extending from Homer to Plutarch. The book provides an introduction to the topic for all students and non-specialists who appreciate the continued relevance of ancient Greece to political theory and practice today.
"A duchess's beauty matched only by her cunning; her husband's dangerous affair with a handsome scholar; a foreigner in a playground of swordplay and secrets; and a mathematical genius on the brink of revolution. Suddenly long-buried lies threaten to come to light and betrayal and treachery run rampant in this story of sparkling wit and political intrigue."--Amazon.com.
What do Socrates, Hypatia, Giordano Bruno, Thomas More, and Jan Patocka have in common? First, they were all faced one day with the most difficult of choices: stay faithful to your ideas and die or renounce them and stay alive. Second, they all chose to die. Their spectacular deaths have become not only an integral part of their biographies, but are also inseparable from their work. A "death for ideas" is a piece of philosophical work in its own right; Socrates may have never written a line, but his death is one of the greatest philosophical best-sellers of all time. Dying for Ideas explores the limit-situation in which philosophers find themselves when the only means of persuasion they can use is their own dying bodies and the public spectacle of their death. The book tells the story of the philosopher's encounter with death as seen from several angles: the tradition of philosophy as an art of living; the body as the site of self-transcending; death as a classical philosophical topic; taming death and self-fashioning; finally, the philosophers' scapegoating and their live performance of a martyr's death, followed by apotheosis and disappearance into myth. While rooted in the history of philosophy, Dying for Ideas is an exercise in breaking disciplinary boundaries. This is a book about Socrates and Heidegger, but also about Gandhi's "fasting unto death" and self-immolation; about Girard and Passolini, and self-fashioning and the art of the essay.
