Why Literature? Literature’s social dimension on the basis of Rita Felski’s modes of textual engagement

Why Literature? Literature’s social dimension on the basis of Rita Felski’s modes of textual engagement

Author:

Publisher: GRIN Verlag

Published: 2022-06-01

Total Pages: 22

ISBN-13: 3346653315

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Seminar paper from the year 2021 in the subject English Language and Literature Studies - Literature, grade: 1,3, University of Potsdam (Institut für Anglistik und Amerikanistik), course: Why Literature?, language: English, abstract: It is this paper’s aim and purpose to argue against a decline of literature from a metaphysical perspective, emphasizing the social dimension on the basis of Rita Felski’s modes of textual engagement. To attempt such reasoning, it will at first be introduced an own definition of literature. The main focus will be put on rather psychological and metaphysical approaches to literature from Rita Felski, Daniel Albright and Derek Attridge. Their approaches to literature will be discussed to be able to deduce an own definition of literature that is appropriate to answer this paper’s main question of what the potential of literature and also its value can be in the 21st century. To do this the Felski’s four modes of textual engagement recognition, enchantment, knowledge and shock will be taken a closer look at.


Why Literature? Literature¿s Social Dimension on the Basis of Rita Felski¿s Modes of Textual Engagement

Why Literature? Literature¿s Social Dimension on the Basis of Rita Felski¿s Modes of Textual Engagement

Author: Anonym

Publisher:

Published: 2022-05

Total Pages: 0

ISBN-13: 9783346653321

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Seminar paper from the year 2021 in the subject English Language and Literature Studies - Literature, grade: 1,3, University of Potsdam (Institut für Anglistik und Amerikanistik), course: Why Literature?, language: English, abstract: It is this paper's aim and purpose to argue against a decline of literature from a metaphysical perspective, emphasizing the social dimension on the basis of Rita Felski's modes of textual engagement. To attempt such reasoning, it will at first be introduced an own definition of literature. The main focus will be put on rather psychological and metaphysical approaches to literature from Rita Felski, Daniel Albright and Derek Attridge. Their approaches to literature will be discussed to be able to deduce an own definition of literature that is appropriate to answer this paper's main question of what the potential of literature and also its value can be in the 21st century. To do this the Felski's four modes of textual engagement recognition, enchantment, knowledge and shock will be taken a closer look at.


The Limits of Critique

The Limits of Critique

Author: Rita Felski

Publisher: University of Chicago Press

Published: 2015-10-20

Total Pages: 237

ISBN-13: 022629403X

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Why do critics feel impelled to unmask and demystify the works that they read? What is the rationale for their conviction that language is always withholding some important truth, that the critic's task is to unearth what is unsaid, naturalized, or repressed? These are the features of critique, a mode of thought that thoroughly dominates academic criticism. In this book, Rita Felski brilliantly exposes critique's more troubling qualities and proposes alternatives to it. Critique, she argues, is not just a method but also a sensibility--one best captured by Paul Ricoeur's phrase "the hermeneutics of suspicion." As the characteristic affect of critique, suspicion, Felski shows, helps us understand critique's seductions and limitations. The questions that Felski poses about critique have implications well beyond intramural debates among literary scholars. Literary studies, says Felski, is facing a legitimation crisis thanks to a sadly depleted language of value that leaves the field struggling to find reasons why students should care about Beowulf or Baudelaire. Why is literature worth bothering with? For Felski, the tendencies to make literary texts the object of suspicious reading or, conversely, impute to them qualities of critique, forecloses too many other possibilities. Felski offers an alternative model that she calls "postcritical reading." Rather than looking behind the text for its hidden causes, conditions, and motives, she suggests that literary scholars place themselves in front of a text, reflecting on what it calls forth and makes possible. Here Felski enlists the work of Bruno Latour to rethink reading as a co-production between actors, rather than an unraveling of manifest meaning, a form of making rather than unmaking. As a scholar with an abiding respect for theory who has long deployed elements of critique in her own work, Felski is able to provide an insider's account of critique's limits and alternatives that will resonate widely in the humanities.


Uses of Literature

Uses of Literature

Author: Rita Felski

Publisher: John Wiley & Sons

Published: 2011-09-23

Total Pages: 161

ISBN-13: 1444359630

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Uses of Literature bridges the gap between literary theory and common-sense beliefs about why we read literature. Explores the diverse motives and mysteries of why we read Offers four different ways of thinking about why we read literature - for recognition, enchantment, knowledge, and shock Argues for a new “phenomenology” in literary studies that incorporates the historical and social dimensions of reading Includes examples of literature from a wide range of national literary traditions


Critique and Postcritique

Critique and Postcritique

Author: Elizabeth S. Anker

Publisher: Duke University Press

Published: 2017-03-18

Total Pages: 310

ISBN-13: 0822373041

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Now that literary critique's intellectual and political pay-off is no longer quite so self-evident, critics are vigorously debating the functions and futures of critique. The contributors to Critique and Postcritique join this conversation, evaluating critique's structural, methodological, and political potentials and limitations. Following the interventions made by Bruno Latour, Eve Kosofsky Sedgwick, Sharon Marcus and Stephen Best, and others, the contributors assess the merits of the postcritical turn while exploring a range of alternate methods and critical orientations. Among other topics, the contributors challenge the distinction between surface and deep reading; outline how critique-based theory has shaped the development of the novel; examine Donna Haraway's feminist epistemology and objectivity; advocate for a "hopeful" critical disposition; highlight the difference between reading as method and critique as genre; and question critique's efficacy at attending to the affective dimensions of experience. In these and other essays this volume outlines the state of contemporary literary criticism while pointing to new ways of conducting scholarship that are better suited to the intellectual and political challenges of the present. Contributors: Elizabeth S. Anker, Christopher Castiglia, Russ Castronovo, Simon During, Rita Felski, Jennifer L. Fleissner, Eric Hayot, Heather Love, John Michael, Toril Moi, Ellen Rooney, C. Namwali Serpell


The Art of Reading

The Art of Reading

Author: Damon Young

Publisher: Scribe Publications

Published: 2017-08-10

Total Pages: 144

ISBN-13: 1925548090

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A beautiful celebratory tribute to the powers of one of our most undervalued skills — an ideal gift for the avid reader. ‘What you are doing right now is, cosmically speaking, against the odds.’ As young children, we are taught to read, but soon go on to forget just how miraculous a process it is, this turning of scratches and dots into understanding, unease and inspiration. Perhaps we need to stop and remember, stop and learn again how to read better. Damon Young shows us how to do exactly this, walking alongside some of the greatest readers who light a path for us — Borges, Plato, Woolf. Young reads passionately, selectively, surprisingly — from superhero noir to speculative realism, from Heidegger to Heinlein — and shows his reader how cultivating their inner critic can expand their own lives as well as the lives of those on the pages of the books they love.


Further Reading

Further Reading

Author: Matthew Rubery

Publisher: Oxford University Press, USA

Published: 2022-03-24

Total Pages: 432

ISBN-13: 9780192865533

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This volume brings together contributions by scholars working in the fields of literature, history, neuroscience, and disability studies to explore what we do when we read. Presenting case studies that range from ancient Rome to the e-book, the volume considers how reading techniques are evolving in the digital era and what constitutes reading.


The Gender of Modernity

The Gender of Modernity

Author: Rita FELSKI

Publisher: Harvard University Press

Published: 2009-06-30

Total Pages: 257

ISBN-13: 0674036794

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In an exploration of the complex relations between women and the modern, this work challenges conventional male-centred theories of modernity. It examines the gendered meanings of such notions as nostalgia, consumption, feminine writing, the popular sublime, evolution, revolution and perversion.


The Emergence of the Digital Humanities

The Emergence of the Digital Humanities

Author: Steven E. Jones

Publisher: Routledge

Published: 2013-08-15

Total Pages: 366

ISBN-13: 113620234X

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The past decade has seen a profound shift in our collective understanding of the digital network. What was once understood to be a transcendent virtual reality is now experienced as a ubiquitous grid of data that we move through and interact with every day, raising new questions about the social, locative, embodied, and object-oriented nature of our experience in the networked world. In The Emergence of the Digital Humanities, Steven E. Jones examines this shift in our relationship to digital technology and the ways that it has affected humanities scholarship and the academy more broadly. Based on the premise that the network is now everywhere rather than merely "out there," Jones links together seemingly disparate cultural events—the essential features of popular social media, the rise of motion-control gaming and mobile platforms, the controversy over the "gamification" of everyday life, the spatial turn, fabrication and 3D printing, and electronic publishing—and argues that cultural responses to changes in technology provide an essential context for understanding the emergence of the digital humanities as a new field of study in this millennium. The Open Access version of this book, available at https://doi.org/10.4324/9780203093085, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.


The Principles and Practice of Narrative Medicine

The Principles and Practice of Narrative Medicine

Author: Rita Charon

Publisher: Oxford University Press

Published: 2017

Total Pages: 361

ISBN-13: 0199360197

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The Principles and Practice of Narrative Medicine articulates the ideas, methods, and practices of narrative medicine. Written by the originators of the field, this book provides the authoritative starting place for any clinicians or scholars committed to learning of and eventually teaching or practicing narrative medicine.