Hear Ye, Hear Ye! Travel to the age of the Renaissance and learn why Henry VIII is one of the most famous kings in English history. Mainly remembered for his six marriages and his self-appointment as the "Supreme Head of the Church of England," Henry VIII was also attractive, educated, and athletic. When Henry Tudor ascended to the English thrown at the age of 17, his reign looked promising. But by the time of his death in 1547, King Henry VIII was characterized as an extremely egotistical, harsh, and insecure king. Though Henry VIII's legacy isn't free from scandal, his monarchy thrived due to the achievements of his daughter Queen Elizabeth I.
Set during the same years of Henry VIII's life as The Tudors, this book charts his rise as a magnificent and ruthless monarch Immortalized as a domineering king, notorious philanderer, and the unlikely benefactor of a new church, Henry VIII became a legend during his own reign. Who, though, was the young royal who would grow up to become England's most infamous ruler? Robert Hutchinson's Young Henry examines Henry Tudor's childhood beginnings and subsequent rise to power in the most intimate retelling of his early life to date. While Henry's elder brother Arthur was scrupulously groomed for the crown by their autocratic father, the ten-year-old "spare heir" enjoyed a more carefree childhood, given prestige and power without the looming pressures of the throne. Everything changed for the young prince, though, when his brother died. Henry was nine weeks shy of his eighteenth birthday when he inherited both his brother's widow and the crown. As King, Henry preferred magnificence and merriment to his royal responsibilities, sweeping away the musty cobwebs of his father's court with feasting, dancing, and sport. Frustrated, too, by the seeming inability of his wife, Katherine of Aragon, to produce an heir, Henry turned his attention to a prospective second queen whose name would endure as long as his: Anne Boleyn. With the king still lacking a successor by the age of 35, however, the time for youthful frolic had come to an end. Divorcing his wife and the Catholic Church, executing his lover and his violent will, Henry charged forward on a scandalous path of terrifying self-indulgence from which there was no turning back. Young Henry is an illuminating portrait of this tyrannical yet groundbreaking king—before he transformed his country, and the face of the monarchy, irrevocably.
Famous figures who shaped events in their time make history come alive for readers in our own. In clear, fast-moving narrative, these books tell the life history of their exceptional subjects.
Beginning with the victory of Henry Tudor over Richard III at Bosworth Field in 1485, and ending with the death of the childless Elizabeth I in 1603 following a 45-year reign, the Tudor dynasty marks a period in British history where England was transformed from a minor medieval kingdom to a preeminent European power on the verge of empire.
It is perhaps a matter rather for regret than for surprise that so few attempts have been made to describe, as a whole, the life and character of Henry VIII. No ruler has left a deeper impress on the history of his country, or done work which has been the subject of more keen and lasting contention. Courts of law are still debating the intention of statutes, the tenor of which he dictated; and the moral, political, and religious, are as much in dispute as the legal, results of his reign. He is still the Great Erastian, the protagonist of laity against clergy. His policy is inextricably interwoven with the high and eternal dilemma of Church and State; and it is well-nigh impossible for one who feels keenly on these questions to treat the reign of Henry VIII. in a reasonably judicial spirit. No period illustrates more vividly the contradiction between morals and politics. In our desire to reprobate the immorality of Henry's methods, we are led to deny their success; or, in our appreciation of the greatness of the ends he achieved, we seek to excuse the means he took to achieve them. As with his policy, so with his character. There was nothing commonplace about him; his good and his bad qualities alike were exceptional. It is easy, by suppressing the one or the other, to paint him a hero or a villain. He lends himself readily to polemic; but to depict his character in all its varied aspects, extenuating nothing nor setting down aught in malice, is a task of no little difficulty...
The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. Edited and introduced by John Margeson, King Henry VIII appears here for the first time in a New Cambridge Shakespeare edition. In his introduction Margeson explores the political and religious background to the play, its pageant-like structure and visual effects, and its varied ironies. He also discusses its stage history, from the famous occasion in 1613 when the Globe theatre burned down during a performance of King Henry VIII to important theatrical productions of the late twentieth century. A balanced account is provided of the authorship controversy that arose in the nineteenth century, when John Fletcher's name was first put forward as a likely collaborator.
The acclaimed Pelican Shakespeare series edited by A. R. Braunmuller and Stephen Orgel The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With definitive texts and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,800 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
For fans of Wolf Hall, Alison Weir’s New York Times bestselling biography of Henry VIII brilliantly brings to life the king, the court, and the fascinating men and women who vied for its pleasures and rewards. BONUS: This edition contains an excerpt from Alison Weir’s Mary Boleyn. Henry VIII, renowned for his command of power, celebrated for his intellect, presided over the most stylish—and dangerous—court in Renaissance Europe. Scheming cardinals vied for power with newly rich landowners and merchants, brilliant painters and architects introduced a new splendor into art and design, and each of Henry's six queens brought her own influence to bear upon the life of the court. In her new book, Alison Weir, author of the finest royal chronicles of our time, brings to vibrant life the turbulent, complex figure of Henry VIII and the glittering court he made his own. In an age when a monarch's domestic and political lives were inextricably intertwined, a king as powerful and brilliant as Henry VIII exercised enormous sway over the laws, the customs, and the culture of his kingdom. Yet as Weir shows in this swift, vivid narrative, Henry's ministers, nobles, and wives were formidable figures in their own right, whose influence both enhanced and undermined the authority of the throne. On a grand stage rich in pageantry, intrigue, passion, and luxury, Weir records the many complex human dramas that swirled around Henry, while deftly weaving in an account of the intimate rituals and desires of England's ruling class—their sexual practices, feasts and sports, tastes in books and music, houses and gardens. Stimulating and tumultuous, the court of Henry VIII attracted the finest minds and greatest beauties in Renaissance England—poets Wyatt and Surrey, the great portraitist Hans Holbein, "feasting ladies" like Elizabeth Blount and Elizabeth FitzWalter, the newly rich Boleyn family and the ancient aristocratic clans like the Howards and the Percies, along with the entourages and connections that came and went with each successive wife. The interactions between these individuals, and the terrible ends that befell so many of them, make Henry VIII: The King and His Court an absolutely spellbinding read. Meticulous in historic detail, narrated with high style and grand drama, Alison Weir brilliantly brings to life the king, the court, and the fascinating men and women who vied for its pleasures and rewards. NOTE: This edition does not contain illustrations.
