Exploring this theme, Robinson examines Plato's Ion, Philo Judaeus and Augustine on the Septuagint, Paul on inspired interpreters, Joseph Smith on the Book of Mormon, and Schleiermacher, Marx, and Heidegger on translation. He traces the imaginative and historical linkages between twentieth-century conceptions of ideology and ancient conceptions of spirit-channeling, and the performative inversion of power relations by which the "channel" (or translator) comes to wield the source author as his or her tool.
Exploring this theme, Robinson examines Plato's Ion, Philo Judaeus and Augustine on the Septuagint, Paul on inspired interpreters, Joseph Smith on the Book of Mormon, and Schleiermacher, Marx, and Heidegger on translation. He traces the imaginative and historical linkages between twentieth-century conceptions of ideology and ancient conceptions of spirit-channeling, and the performative inversion of power relations by which the "channel" (or translator) comes to wield the source author as his or her tool.
Despite landmark works in translation studies such as George Steiner's After Babel and Eugene Nida's The Theory and Practice of Translation, most of what passes as con-temporary "theory" on the subject has been content to remain largely within the realm of the anecdotal. Not so Douglas Robinson's ambitious book, which, despite its author's protests to the contrary, makes a bid to displace (the deconstructive term is apposite here) a gamut of earlier cogitations on the subject, reaching all the way back to Cicero, Augustine, and Jerome. Robinson himself sums up the aim of his project in this way: "I want to displace the entire rhetoric and ideology of mainstream translation theory, which ... is medieval and ecclesiastical in origin, authoritarian in intent, and denaturing and mystificatory in effect." -- from http://www.jstor.org (Sep. 12, 2014).
NATIONAL BESTSELLER • Seven-year-old Chula lives a carefree life in her gated community in Bogotá, but the threat of kidnappings, car bombs, and assassinations hover just outside her walls, where the godlike drug lord Pablo Escobar reigns, capturing the attention of the nation. “Simultaneously propulsive and poetic, reminiscent of Isabel Allende...Listen to this new author’s voice—she has something powerful to say.” —Entertainment Weekly When her mother hires Petrona, a live-in-maid from the city’s guerrilla-occupied neighborhood, Chula makes it her mission to understand Petrona’s mysterious ways. Petrona is a young woman crumbling under the burden of providing for her family as the rip tide of first love pulls her in the opposite direction. As both girls’ families scramble to maintain stability amidst the rapidly escalating conflict, Petrona and Chula find themselves entangled in a web of secrecy. Inspired by the author's own life, Fruit of the Drunken Tree is a powerful testament to the impossible choices women are often forced to make in the face of violence and the unexpected connections that can blossom out of desperation.
A New York Times bestseller and USA Today bestselling book! From award-winning actor Neil Patrick Harris comes the magical first book in a new series with plenty of tricks up its sleeve. When street magician Carter runs away, he never expects to find friends and magic in a sleepy New England town. But like any good trick, things change instantly as greedy B.B. Bosso and his crew of crooked carnies arrive to steal anything and everything they can get their sticky fingers on. After a fateful encounter with the local purveyor of illusion, Dante Vernon, Carter teams up with five other like-minded illusionists. Together, using both teamwork and magic, they'll set out to save the town of Mineral Wells from Bosso's villainous clutches. These six Magic Misfits will soon discover adventure, friendship, and their own self-worth in this delightful new series. (Psst. Hey, you! Yes, you! Congratulations on reading this far. As a reward, I'll let you in on a little secret... This book isn't just a book. It's a treasure trove of secrets and ciphers and codes and even tricks. Keep your eyes peeled and you'll discover more than just a story--you'll learn how to make your own magic!)
New York Times Book Review Editors' Choice From acclaimed Argentine author Pedro Mairal and Man Booker International-winning translator Jennifer Croft, the unforgettable story of two would-be lovers over the course of a single day. Lucas Pereyra, an unemployed writer in his forties, embarks on a day trip from Buenos Aires to Montevideo to pick up fifteen thousand dollars in cash. An advance due to him on his upcoming novel, the small fortune might mean the solution to his problems, most importantly the tension he has with his wife. While she spends her days at work and her nights out on the town-with a lover, perhaps, he doesn't know for sure-Lucas is stuck at home all day staring at the blank page, caring for his son Maiko and fantasizing about the one thing that keeps him going: the woman from Uruguay whom he met at a conference and has been longing to see ever since. But that woman, Magalí Guerra Zabala, is a free spirit with her own relationship troubles, and the day they spend together in this beautiful city on the beach winds up being nothing like Lucas predicted. The constantly surprising, moving story of this dramatically transformative day in their lives, The Woman from Uruguay is both a gripping narrative and a tender, thought-provoking exploration of the nature of relationships. An international bestseller published in fourteen countries, it is the masterpiece of one of the most original voices in Latin American literature today.
With the intrigue of a psychological thriller, Camus's masterpiece gives us the story of an ordinary man unwittingly drawn into a senseless murder on an Algerian beach. Behind the intrigue, Camus explores what he termed "the nakedness of man faced with the absurd" and describes the condition of reckless alienation and spiritual exhaustion that characterized so much of twentieth-century life. First published in 1946; now in translation by Matthew Ward.
2001 CHOICE Outstanding Academic Title Translators have long claimed that their job is to "step aside and let the source author speak through them." In Who Translates? Douglas Robinson uses this adage to set up a series of "postrationalist" perspectives on translation, all based on the recognition that translation has always been thought of in terms of the translator's surrender to forces beyond his or her rational control. Exploring this theme, Robinson examines Plato's Ion, Philo Judaeus and Augustine on the Septuagint, Paul on inspired interpreters, Joseph Smith on the Book of Mormon, and Schleiermacher, Marx, and Heidegger on translation. He traces the imaginative and historical linkages between twentieth-century conceptions of ideology and ancient conceptions of spirit-channeling, and the performative inversion of power relations by which the "channel" (or translator) comes to wield the source author as his or her tool. And he argues throughout for a postrationalist conception of translation based not on the translator's rational control of words and meanings but rather on a flowing through the translator of voices and textualities.
