Until comparatively recent times, both the Inupiat Inuit and the Koyukon Athapaskans spent the winter in wooden semisubterranean houses. For the archaeologist who excavates one of these structures, the shared traditions pose a difficult question: Who lived in this house? Three such house excavations in the Koyukuk River valley provide the basis for this fascinating study of ethnic identity and ethnoarchaeology along the Inupiat-Koyukon cultural interface.
From the acclaimed author and columnist: a laugh-out-loud journey into the world of real estate—the true story of one woman’s “imperfect life lived among imperfect houses” and her quest for the four perfect walls to call home. After an itinerant suburban childhood and countless moves as a grown-up—from New York City to Lincoln, Nebraska; from the Midwest to the West Coast and back—Meghan Daum was living in Los Angeles, single and in her mid-thirties, and devoting obscene amounts of time not to her writing career or her dating life but to the pursuit of property: scouring Craigslist, visiting open houses, fantasizing about finding the right place for the right price. Finally, near the height of the real estate bubble, she succumbed, depleting her life’s savings to buy a 900-square-foot bungalow, with a garage that “bore a close resemblance to the ruins of Pompeii” and plumbing that “dated back to the Coolidge administration.” From her mother’s decorating manias to her own “hidden room” dreams, Daum explores the perils and pleasures of believing that only a house can make you whole. With delicious wit and a keen eye for the absurd, she has given us a pitch-perfect, irresistible tale of playing a lifelong game of house.
Ever thought about all the people who lived in your house before you? Julie Myserson did, and set out to learn as much as she could about their often fascinating lives. house, an ordinary home, and ordinary people have lived in it for over a century. But start to explore what they did, who they were, what they believed in, what they desired and they soon become as remarkable, as complicated, as fascinating as anyone. Victorian terraced family house, of average size, in a typical Victorian suburb (Clapham) and she loves it. She wanted to find out how much those who preceded her loved living there, so she spent hours and hours in the archives at the Family Record Office, the Public Record Office at Kew, local council archives and libraries across the country. Like an archaeologist, she found herself blowing the dust off files that no-one had touched since the last sheet of paper in them was typed. detective hunt as, bit by bit, she started to piece together the story of her house, built in 1877, as told by its former occupants in their own words and deeds. And so she met the bigamist, the Tottenham Hotspur fanatic, the Royal Servent, the Jamaican family and all the rest of the eccentric and entertaining former occupents of 34 Lillieshall Road. The book uncovers a lost 130-year history of happiness and grief, change and prudence, poverty and affluence, social upheaval and technological advance. our front door lock, yet we rarely confront the shadows that inhabit our homes. But once you do -- and Julie Myerson shows you how -- you will never bear to part from their company again. This is your home's story too.
In her critically acclaimed, ingenious memoir, Sarah Messer explores America’s fascination with history, family, and Great Houses. Her Massachusetts childhood home had sheltered the Hatch family for 325 years when her parents bought it in 1965. The will of the house’s original owner, Walter Hatch—which stipulated Red House was to be passed down, "never to be sold or mortgaged from my children and grandchildren forever"—still hung in the living room. In Red House, Messer explores the strange and enriching consequences of growing up with another family’s birthright. Answering the riddle of when shelter becomes first a home and then an identity, Messer has created a classic exploration of heritage, community, and the role architecture plays in our national identity.
Master of the cut and paste art technique, Giles Laroche takes readers on a storytelling journey around the world that celebrates the diversity of homes and the people who are shaped by them. Step into unique homes from around the world and discover the many fascinating ways in which people live and have lived. If you lived in the mountains of southern Spain, your bedroom might be carved out of a mountain. If you lived in a village in South Africa, the outside of your house might tell the story of your family. And if you lived in a floating green house in the Netherlands, you could rotate your house to watch both the sunrise and sunset. With intricate bas-relief collages, Giles Laroche uncovers the reason why each home was constructed the way in which it was, then lets us imagine what it would be like to live in homes so different from our own. Showing the tremendous variety of dwellings worldwide—log cabins, houses on stilts, cave dwellings, boathouses, and yurts—this book addresses why each house is build the way that it is. Reasons—such as blending into the landscape, confusing invaders, being able to travel with one's home, using whatever materials are at hand—are as varied as the homes themselves. List of Houses included: Dogtrot log house, based on dogtrots built in the southern U.S. Chalet, based on chalets built in the Austrian Alps. Pueblo, Taos, New Mexico Connected barn, based on connected barns common in northern New England. Cave dwelling, Guadix, Andalucia, Spain Palafitos (house on stilts), Chiloe Island, Chile Palazzo Dario, Venice, Italy Chateau La Brede, Bordeaux, France Tulou, Hangkeng village, Yongding, China Half-timbered houses, Miltenberg am Main, Germany Greek island village houses, Astipalaia Island, Greece Decorated houses of Ndebele, Pretoria, Transvaal, South Africa Yurt, based on yurts in Mongolia and other parts of central Asia. Airstream trailer, USA Floating house, Middleburg, the Netherlands Tree house, USA
The lovable underdog Lewis Barnavelt and his best friend Rose Rita are at it again—investigating the curious (and possibly supernatural?) goings-on in their town of New Zebedee. They get more than they bargained for when a new family moves into the Hawaii House, one of the oddest-looking houses in town, and Lewis and Rose Rita are drawn into a mystery involving forces far beyond the shores of their imagination. Why are there strange drumbeats emanating from the top floor of the Hawaii House? And why is Lewis having dreams about Pele, the Hawaiian goddess of fire? Incorporating actual Hawaiian legends with a spine-tingling story of suspense, this is another great addition to the Bellairs canon.
Radical subcultures in an unlikely place Told in personal interviews, this is the collective story of a punk community in an unlikely town and region, a hub of radical counterculture that drew artists and musicians from throughout the conservative South and earned national renown. The house at 309 6th Avenue has long been a crossroads for punk rock, activism, veganism, and queer culture in Pensacola, a quiet Gulf Coast city at the border of Florida and Alabama. In this book, residents of 309 narrate the colorful and often comical details of communal life in the crowded and dilapidated house over its 30-year existence. Terry Johnson, Ryan “Rymodee” Modee, Gloria Diaz, Skott Cowgill, and others tell of playing in bands including This Bike Is a Pipe Bomb, operating local businesses such as End of the Line Cafe, forming feminist support groups, and creating zines and art. Each voice adds to the picture of a lively community that worked together to provide for their own needs while making a positive, lasting impact on their surrounding area. Together, these participants show that punk is more than music and teenage rebellion. It is about alternatives to standard narratives of living, acceptance for the marginalized in a rapidly changing world, and building a sense of family from the ground up. Including photos by Cynthia Connolly and Mike Brodie, A Punkhouse in the Deep South illuminates many individual lives and creative endeavors that found a home and thrived in one of the oldest continuously inhabited punkhouses in the United States.
NATIONAL BESTSELLER • A coming-of-age classic about a young girl growing up in Chicago • Acclaimed by critics, beloved by readers of all ages, taught in schools and universities alike, and translated around the world—from the winner of the 2019 PEN/Nabokov Award for Achievement in International Literature. “Cisneros draws on her rich [Latino] heritage...and seduces with precise, spare prose, creat[ing] unforgettable characters we want to lift off the page. She is not only a gifted writer, but an absolutely essential one.” —The New York Times Book Review The House on Mango Street is one of the most cherished novels of the last fifty years. Readers from all walks of life have fallen for the voice of Esperanza Cordero, growing up in Chicago and inventing for herself who and what she will become. “In English my name means hope,” she says. “In Spanish it means too many letters. It means sadness, it means waiting." Told in a series of vignettes—sometimes heartbreaking, sometimes joyous—Cisneros’s masterpiece is a classic story of childhood and self-discovery and one of the greatest neighborhood novels of all time. Like Sinclair Lewis’s Main Street or Toni Morrison’s Sula, it makes a world through people and their voices, and it does so in language that is poetic and direct. This gorgeous coming-of-age novel is a celebration of the power of telling one’s story and of being proud of where you're from.
THE STORY: The home of the Blackwoods near a Vermont village is a lonely, ominous abode, and Constance, the young mistress of the place, can't go out of the house without being insulted and stoned by the villagers. They have also composed a nasty s
Have you ever been intrigued by a beautiful building and wondered when it was built? Identifying American Architecture provides the answer to such questions in a concise handbook perfect for preservationists, architects, students, and tourists alike. With 214 photographs, it allows readers to associate real buildings with architectural styles, elements, and orders. Identifying American Architecture was designed to be used--carried about and kept handy for frequent reference. Every photograph is keyed to an explanatory legend pointing out characteristic features of each building's style. Trade bookstores order from W.W. Norton, NY
