There ain't no pleasing some people. Take Barry for example, most of us would be content soaring through the cosmos in a spacecraft, but for our pasty-addicted, antihero white space-van pilot it's nothing more than mundane. Delivering medical supplies to faraway colonies his employment, is also his curse. He only dedicates effort to skiving and generally loathing his job; it is the English way. His obnoxious and selfish employers depress him, his family ignore him, his colleagues assist his irritation with merciless banter, and even the onboard computer drives him up the wall, across the ceiling and out through the sunroof. Little wonder then Barry yearns for change. He waits for something to slap in the chops and guide him to it, rather than motivate himself to act on the reverie. But when it transpires and adventure ensues, well, Barry still whinges like a stuck Pat Boone record; But it is a Tuesday, he's only supposed to go as far as Io.........
Enter the edgy, gritty and distorted world of KELLY at your own risk; this tale takes NO prisoners. A slant on reality, headlines, gossip and hearsay merge the genres and cross-examines what is socially acceptable. KELLY caricatures the depravities of modern living and finds, with science, a possible way out. With the darkness of ""Blade Runner,"" and the ugliness of ""A Clockwork Orange,"" KELLY will shake your consciousness to its core. Contains adult material of a violent and sexual nature. I bet you wish you could handle this book? Be careful what you wish for......
When a murder takes place in the London Museum of Toys and Collectables its sexy but shy curator, Miss Heather Lovely seeks out who she thinks is a Harvard Professor but really is a bit of a simpleton that clears tables in a fast food restaurant, Robert Longdong to help her solve the case, while he just thinks he's onto a sure thing they end up uncovering more than they bargained for, exposing a conspiracy theory created by a sinister organisation that involves changing the very shape of human existence and takes them off exploring an alternative universe to uncover a god-like children's author. Oh yeah, and they have a few laughs on the way. It should be noted at this point that this title is in no way like anything that a more renowned author Dan Brown has ever written, so there!
Prepare for extreme horror. You have in your hands the first volume in our award-winning series. This unique collection of ten stories features a range of international talent: award-winning authors, masters of horror, rising stars, and fresh new voices in the genre. Take care as you reach into these dark places, for the things here bite, and you may withdraw a hand short of a few fingers. Water, Ice, And Vice, by Antonio Simon, Jr. – Jeremy's new apartment harbors a demonic wish-granting fridge, which he uses to exact bloody vengeance on his obnoxious roommate. The Dinner Party, by Trevor Boelter – A dinner party devolves into a massacre when the blood flows as freely as the wine. Routine, by Mia Bravo – Edward's life is neat and orderly, just the way he likes it. It doesn't stay that way for long once bizarre apparitions threaten to end his life, and worse – break his daily routine. The Final Spell, by Mark Meier – Ken, a modern-day wizard, risks life and liberty in pursuit of the ultimate magick. How far will he go to obtain limitless power? Back Through The Mist, by J.S. Watts – Police Sergeant Comberton's investigation of a baffling murder strains her resolve to its breaking point. When the enquiry takes an otherworldly turn, she questions whether the past holds the key to her future. Spawn, by Paige Reiring – Assassin-for-hire Alice's personality is so keen, it can kill. She'll need every edge she can get when the hunter becomes the hunted. The Pied Piper's Appetite, by Rich Phelan – A competitive eater leads a ghastly double life in pursuit of a gruesome personal crusade. Riana In The Gray Dusk, by Viktoria Faust – A hastily taken photograph leads to a shocking revelation and a rare glimpse at a singular individual. The Autobiography Of An Unsuccessful Author, by Brittany Gonzalez – A one-hit-wonder's search for inspiration blurs the line between reality and insanity, with horrifying results. Crying, by Darren Worrow – Vinny's research into an urban legend about a haunted painting reveals more about himself than he ever dared to ask.
Transformational new growth remains the Holy Grail for many organizations. But a deep understanding of how great business models are made can provide the key to unlocking that growth. This text describes how companies can achieve transformational growth in new markets or, simply put, how they can seize the white space.
This publication is the first career-encompassing monographic study of the artistic production of Philippe Van Snick. The result of a long-term collaboration between the artist, a team of researchers and a group of designers, it serves as an instrument for discovering Van Snick's oeuvre as a totality. This book reveals Van Snick's long-standing experimentation with a wide variety of materials and techniques, such as drawings and works on paper, photography, film, sculptures and works in situ. A red thread through the artworks is their close ties to everyday reality, life and nature.
Filmmakers employ various images to suggest the strangeness of outer space, but protective spacesuits most powerfully communicate its dangers and the frailty of humans beyond the cradle of Earth. (Many films set in space, however, forgo spacesuits altogether, reluctant to hide famous faces behind bulky helmets and ill-fitting jumpsuits.) This critical history comprehensively examines science fiction films that portray space travel realistically (and sometimes not quite so) by having characters wear spacesuits. Beginning [A] with the pioneering Himmelskibet (1918) and Woman on the Moon (1929), it discusses [B] other classics in this tradition, including Destination Moon (1950), Riders to the Stars (1954), and 2001: A Space Odyssey (1968); [C] films that gesture toward realism but betray that goal with melodramatic villains, low comedy, or improbable monsters; [D] the distinctive spacesuit films of Western Europe, Russia and Japan; and [E] America's spectacular real-life spacesuit film, the televised Apollo 11 moon landing (1969).
Edited by bestselling author George R. R. Martin, in the next Wild Cards adventure we follow John Fortune, son of two of the most powerful and popular Aces the world has ever seen. In Death Draws Five, John Fortune's card has finally turned. He's an Ace! And proud of it . . . except that his new powers put him on a collision course with enemies he never knew he had. Is he the new messiah? Or the Anti-Christ? Or is he just a kid who's in over his head and about to drown? It's really quite simple. Mr. Nobody wants to do his job. The Midnight Angel wants to serve her Lord. Billy Ray, dying from boredom, wants some action. John Nighthawk wants to uncover the awful secret behind his mysterious power. Fortunato wants to rescue his son from the clutches of a cryptic Vatican office. John Fortune just wants to catch Siegfried and Ralph's famous Vegas review. The problem is that all roads, whether they start in Turin, Italy, Las Vegas, Hokkaido, Japan, Jokertown, Snake Hill, the Short Cut, or Yazoo City, Mississippi, lead to Leo Barnett's Peaceable Kingdom, where the difference between the Apocalypse and Peace on Earth is as thin as a razor's edge and where Death himself awaits the final, terrible turn of the card. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Studying the work of important continental theorists, Joe Moran explores the concrete sites and routines of everyday life and how they are represented through political discourse, news media, material culture, photography, reality TV and more.
