Conceived as an exploratory collection of materials, the content of this book revolves around the relationship that artist Adelita Husni-Bey explored between legislation, notions of property, and agency vis-à-vis the right to housing in Egypt, the Netherlands, and Spain. Each chapter presents itself as a reflection of the themes: Land, Law, Imaginary, that range from art historical perspectives to narrative fiction, collages and field-work notes. As such the book's structure speaks to the project's unfolding in time and its presence in radically distinct contexts, while also chronicling the multi-disciplinary approach and the wide range of formats and methodologies the project has brought to great effect.
Drawing from two political and several literary homelands, this collection presents a remarkable series of trenchant essays, demonstrating the full range and force of Salman Rushdie's remarkable imaginative and observational powers. With candour, eloquence and indignation he carefully examines an expanse of topics; including the politics of India and Pakistan, censorship, the Labour Party, Palestinian identity, contemporary film and late-twentieth century race, religion and politics. Elsewhere he trains his eye on literature and fellow writers, from Julian Barnes on love to the politics of George Orwell's 'Inside the Whale', providing fresh insight on Kipling, V.S. Naipaul, Graham Greene, John le Carré, Raymond Carver, Philip Roth and Thomas Pynchon among others. Profound, passionate and insightful, Imaginary Homelands is a masterful collection from one of the greatest writers working today.
Collective Imaginings draws on recent re-assessments of the philosophy of Spinoza to develop new ways of conceptualising issues of freedom and difference.
The history of Aboriginal people in Canada taught in schools and depicted in the media tends to focus on Aboriginal displacement from native lands and the consequent social and cultural disruptions they have endured. Collectively, they are portrayed as passive victims of European colonization and government policy, and, even when well intentioned, these depictions are demeaning and do little to truly represent the role Aboriginal peoples have played in Canadian life. Hidden in Plain Sight adds another dimension to the story, showing the extraordinary contributions Aboriginal peoples have made - and continue to make - to the Canadian experience. From treaties to contemporary arts and literatures, Aboriginal peoples have helped to define Canada and have worked to secure a place of their own making in Canadian culture. For this volume, editors David R. Newhouse, Cora J. Voyageur, and Daniel J.K. Beavon have brought together leading scholars and other impassioned voices, and together, they give full treatment to the Aboriginal contribution to Canada's intellectual, political, economic, social, historic, and cultural landscapes. Included are profiles of several leading figures such as actor Chief Dan George, artist Norval Morrisseau, author Tomson Highway, activist Anna Mae Pictou Aquash, and politician Phil Fontaine, among others. Canada simply would not be what it is today without these contributions. The first of two volumes, Hidden in Plain Sight is key to understanding and appreciating Canadian society and will be essential reading for generations to come.
This book presents a transdisciplinary and transnational challenge to the enduring coloniality of political concepts, discussing the need to decolonise both their theoretical constructions as well as their substantive translations into practices. Despite the acclaimed 20th century decolonisation waves, coloniality still remains in subtle and obvious practices, in visible and invisible mechanisms of power, in the privileging of certain knowledges and the dismissing of others. Decolonising Political Concepts critically addresses the role political concepts play in the continuing legacies of colonialism and ongoing coloniality. This book, building on postcolonial and decolonial thinkers and ideas, demonstrates how concepts may be used as oppressing political and epistemological tools. By presenting efforts to decolonise political concepts, the book signals the potential for genuinely postcolonial academic and political contexts. Bringing together scholars from different disciplines and engaging with a wide array of geographical contexts, the chapters examine concepts such as agency, violence, freedom, or sovereignty. This book enables readers to critically engage with concepts used in political discourse and allows them to reflect on their impact and alternatives. It will appeal to graduate students and scholars from international relations, social sciences, or philosophy, as well as to socio-political actors engaged in decolonisation agendas.
Resumen: proyecto desarrollado por la artista Adelita Husni-Bey en colaboración con varias organizaciones y grupos. La publicación se divide en tres capítulos que giran en torno a la relación entre legislación, propiedad y agencia y el derecho a la vivienda en Egipto, los Países Bajos y España. Se recogen además talleres de escritura colectiva, producción cinematográfica y exhibición formal, al tiempo que debates y acciones públicas, proporcionando herramientas para analizar y actuar sobre la expansión de las políticas urbanas neoliberales especulativas y para reimaginar el espacio público.
