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The New York Times best-selling book exploring the counterproductive reactions white people have when their assumptions about race are challenged, and how these reactions maintain racial inequality. In this “vital, necessary, and beautiful book” (Michael Eric Dyson), antiracist educator Robin DiAngelo deftly illuminates the phenomenon of white fragility and “allows us to understand racism as a practice not restricted to ‘bad people’ (Claudia Rankine). Referring to the defensive moves that white people make when challenged racially, white fragility is characterized by emotions such as anger, fear, and guilt, and by behaviors including argumentation and silence. These behaviors, in turn, function to reinstate white racial equilibrium and prevent any meaningful cross-racial dialogue. In this in-depth exploration, DiAngelo examines how white fragility develops, how it protects racial inequality, and what we can do to engage more constructively.
Exposes the new generation of whiteness thriving at the expense and borrowed ingenuity of black people—and explores how this intensifies racial inequality. American culture loves blackness. From music and fashion to activism and language, black culture constantly achieves worldwide influence. Yet, when it comes to who is allowed to thrive from black hipness, the pioneers are usually left behind as black aesthetics are converted into mainstream success—and white profit. Weaving together narrative, scholarship, and critique, Lauren Michele Jackson reveals why cultural appropriation—something that’s become embedded in our daily lives—deserves serious attention. It is a blueprint for taking wealth and power, and ultimately exacerbates the economic, political, and social inequity that persists in America. She unravels the racial contradictions lurking behind American culture as we know it—from shapeshifting celebrities and memes gone viral to brazen poets, loveable potheads, and faulty political leaders. An audacious debut, White Negroes brilliantly summons a re-interrogation of Norman Mailer’s infamous 1957 essay of a similar name. It also introduces a bold new voice in Jackson. Piercing, curious, and bursting with pop cultural touchstones, White Negroes is a dispatch in awe of black creativity everywhere and an urgent call for our thoughtful consumption.
In the late 1960s, Alba Ballard, a Long Island housewife, decided it would be a cute idea to dress up one of her many pet parrots in a little costume. She sewed a tiny outfit, attached snaps to the back, and slipped it onto one of the birds. Delighted with the results, Alba began creating increasingly detailed costumes for her always available and willing subjects. Soon she began staging elaborate theatrical productions, casting her costumed parrots in scene reenactments from popular movies, TV shows, historical events, and 1970s popular culture. Her husband, Marvin, would assist in creating sets and props and would photograph the productions at Alba's direction. The resulting imagery from this collaboration among wife, husband, and parrots is a look into the highly creative mind of Alba Ballard. Untrained as an artist, she nevertheless was able to create works that embodied her fantasies, her humor, and her passions. And what fantasies she had! In her world, parrots became tiny, winged, overdressed incarnations of such luminaries as Sonny and Cher, Liberace, and General George Patton. Yellow and green macaws rode around on little motorcycles dressed in leather jackets reenacting scenes from Easy Rider and, changing costumes, could then effortlessly slip into roles from TV's Batman and Robin, The Dean Martin Show, and a commercial for Soft and Dry deodorant. Eventually, Alba and her feathered cast appeared on the David Letterman Show, Saturday Night Live, and even in Woody Allen's feature film Broadway Danny Rose. Very few of the photographs that Alba and Marvin created are still in existence, and sadly, Alba passed away in 1994. However, in 1992, a small collection of these photographs was discovered in the Swiss home of Elizabeth Taylor. Just after their discovery, the photographs reached the hands of photographer and author Arne Svenson, who has now gathered them together in this book. Book jacket.
In summer 1862, Minnesotans found themselves fighting interconnected wars—the first against the rebellious Southern states, and the second an internal war against the Sioux. While the Civil War was more important to the future of the United States, the Dakota War of 1862 proved far more destructive to the people of Minnesota—both whites and American Indians. It led to U.S. military action against the Sioux, divided the Dakotas over whether to fight or not, and left hundreds of white settlers dead. In Columns of Vengeance, historian Paul N. Beck offers a reappraisal of the Punitive Expeditions of 1863 and 1864, the U.S. Army’s response to the Dakota War of 1862. Whereas previous accounts have approached the Punitive Expeditions as a military campaign of the Indian Wars, Beck argues that the expeditions were also an extension of the Civil War. The strategy and tactics reflected those of the war in the East, and Civil War operations directly affected planning and logistics in the West. Beck also examines the devastating impact the expeditions had on the various bands and tribes of the Sioux. Whites viewed the expeditions as punishment—“columns of vengeance” sent against those Dakotas who had started the war in 1862—yet the majority of the Sioux the army encountered had little or nothing to do with the earlier uprising in Minnesota. Rather than relying only on the official records of the commanding officers involved, Beck presents a much fuller picture of the conflict by consulting the letters, diaries, and personal accounts of the common soldiers who took part in the expeditions, as well as rare personal narratives from the Dakotas. Drawing on a wealth of firsthand accounts and linking the Punitive Expeditions of 1863 and 1864 to the overall Civil War experience, Columns of Vengeance offers fresh insight into an important chapter in the development of U.S. military operations against the Sioux.
The late author of five books on poetry, including the recent "Otherwise, " sheds light on her writing life, growing spirituality, and her struggle with leukemia, in this enlightening collection of prose.
Renowned for its clarity and accessibility of writing style, this popular volume explains the fundamental principles of human anatomy and physiology while exploring the factors that contribute to disease process. Rich with helpful learning features such as Mechanisms of Disease, Health Matters, Diagnostic Study, and Sport and Fitness, this volume has been fully updated to make full reference to European healthcare systems, including drugs, relevant investigations and local treatment protocols. The also book comes with an extensive website facility (which includes a wide array of helpful lecturer resources) and accompanying Brief Atlas of the Human Body and Quick Guide to the Language of Science and Medicine. Anatomy and Physiology, Adapted International Edition, will be ideal for students of nursing and allied health professions, biomedical and paramedical science, operating department practice, complementary therapy and massage therapy, as well as anyone studying BTEC (or equivalent) human biology. - Unique 'Clear View of the Human Body' allows the reader to build up a view of the body layer by layer - Clear, conversational writing style helps demystify the complexities of human biology - Content presented in digestible 'chunks' to aid reading and retention of facts - Consistent unifying themes, such as the 'Big Picture' and 'Cycle of Life' features, help readers understand the interrelation of body systems and how they are influenced by age and development - Accompanying Brief Atlas of the Human Body offers more than 100 full-colour transparencies and supplemental images that cover body parts, organs, cross sections, radiography images, and histology slides - Quick Guide to the Language of Science and Medicine contains medical terminology and scientific terms, along with pronunciations, definitions, and word part breakdowns for terms highlighted in the text - Numerous feature boxes such as Language of Science and Language of Medicine, Mechanisms of Disease, Health Matters, Diagnostic Study, FYI, and Sport and Fitness provide interesting and important side considerations to the main text - More than 1,400 full-colour photographs and spectacular drawings illustrate the most current scientific knowledge and help bring difficult concepts to life - Quick Check Questions within each chapter help reinforce learning by prompting readers to review what they just read - Chapter outlines, chapter objectives and study tips begin each chapter - Outline summaries, review questions, critical thinking questions, and case studies are included at the end of each chapter - Study Hints found throughout the text give practical advice to students about mnemonics or other helpful means of understanding or recall - Connect IT! features link to additional content online to facilitate wider study - Helpful Glossary and Anatomical Directions - Ideal for students who are new to the subject, or returning to study after a period of absence, and for anyone whose first language is not English
Recent writing by the influential critic and curator Bob Nickas This volume is comprised of years of recent writing by the influential New York-based critic and curator Bob Nickas, widely considered one of the few independent voices still at work today. The 50 essays and interviews, written since 2007, are spread across five chapters, touching on encounters with artists from the 1960s to the '80s to the present--among them, Jack Smith, Andy Warhol, Frank Stella, On Kawara, Isa Genzken, Steven Parrino, Jean-Michel Basquiat, Kara Walker, Wolfgang Tillmans, Kelley Walker and Pierre Huyghe. Writing as if these figures were passing us by in present time, Nickas traces the disappearance of artists, architecture and culture in New York over three decades. As a way to keep the past in every sense present, his writing is always issued from his fictional "Dept. of Corrections."
For six years Maya Stovall staged Liquor Store Theatre, a conceptual art and anthropology video project---included in the Whitney Biennial in 2017---in which she danced near the liquor stores in her Detroit neighborhood as a way to start conversations with her neighbors. In this book of the same name, Stovall uses the project as a point of departure for understanding everyday life in Detroit and the possibilities for ethnographic research, art, and knowledge creation. Her conversations with her neighbors—which touch on everything from economics, aesthetics, and sex to the political and economic racism that undergirds Detroit's history—bring to light rarely acknowledged experiences of longtime Detroiters. In these exchanges, Stovall enacts an innovative form of ethnographic engagement that offers new modes of integrating the social sciences with the arts in ways that exceed what either approach can achieve alone.
Based on almost 200 previously unpublished letters and extensive interviews with their closest associates, Walker's biography of Margaret Mitchell and her husband, John Marsh, offers a new look into a devoted marriage and fascinating partnership that ultimately created a Pulitzer Prize–winning novel. This edition of Walker's biography celebrates the seventy-fifth anniversary of the publication of Gone With the Wind in 1936. In lively extracts from their letters to family and friends, John and Margaret, who also went by Peggy, describe the stormy years of their courtship, their bohemian lifestyle as a young married couple, the arduous but fulfilling years when Peggy was writing her famous novel, the thrill of its acceptance for publication and its literary success, and the excitement of the making of the movie. In telling the private side of this twenty-four-year marriage, author Marianne Walker reveals a long-suspected truth: Gone With the Wind might have never been written were it not for John Marsh. He was Peggy's best friend and constant champion, and he became her editor, proofreader, researcher, business manager, and the inspiration and motivation behind her writing. At every point, including the turbulent years of Mitchell's first marriage to Red Upshaw, it was John who provided the intellectual stimulation, emotional support, and editorial insights that allowed Peggy to channel her talents into the creation of her astounding Civil War epic. From years of meticulous research, Marianne Walker details the intimate and moving love story between a husband and wife, and between a writer and her editor.
