Trecheon Omnir isn't happy with his life. His repair shop barely keeps him afloat, his family has abandoned him, and his experiences in war make it difficult to relate to others. So when his friend and fellow war veteran Neil Black offers him an out, he takes it without question. But Trecheon finds out too late that this "out" is actually an initiation into the world of assassins. Now he must overcome fear, deception, and guilt in order to turn this bad situation into something he can live with and become the profession's first White Assassin. Color Story Companion to Tanned Hide. Novel companion to Brothers at Arms.
Harmandus Luc, a newly trained paladin, and Airick Swordswinger, his cleric friend, leave their home nation of Valia to find out about the trouble stirring in Alithar. A demon hunting Harmanduss mind seeks to destroy him and the relationships he makes along the way. The followers Harmandus gains will be forced to make a choice to carry on, with or without him.
In the 1960s, Casey Lancon, a former New Orleans policewoman and now a successful detective in Lafayette, Louisiana, is retained to investigate a recent murder in Baton Rouge, while Bobby, her husband and a history professor at the local university, has befriended Rose Derouselle Chauvin, the wife of the man accused of assassinating a prominent politician in the halls of the state capitol during the turbulent 1930s. When Rose asks Casey if she would look into the assassination as well, Casey tells her she'll do if and when she has the time but quickly discovers that the two murders are in fact closely tied to each other, and assisted by close friends, associates, and even strangers, Casey begins to unravel inconsistencies in the historical account while dealing with fantasy and madness as well as intentional misdirection and occasional outright lies, much of it provided by Rose herself. Forced by obligations to abandon their cottage in the university section as well as cherished visits to their houseboat in the great Atchafalaya Basin, Casey begins doggedly investigating both murders, and despite Rose's incessant interference and manipulation, Casey manages to forge a strong and cherished friendship with the woman known to history as the assassin's wife. The characters closely reflect the mixed French heritage of south Louisiana, the area now known as Acadiana-Bobby Lancon, Jean Claude Bourgeois, and Jimmy Melancon, Cajun swampers; Casey Lancon, Amos Allen, and Gerri Breaux, transplanted Cajun detectives; Tre, Bobby and Casey's Cajun son; and Susan DeVillier, Rose Chauvin, and Joey Davenport, descendants of French aristocrats who fled the French Revolution and the Reign of Terror and settled in Louisiana
In The Assassin's Accomplice, historian Kate Clifford Larson tells the gripping story of Mary Surratt, a little-known participant in the plot to kill Abraham Lincoln, and the first woman ever to be executed by the federal government of the United States. Surratt, a Confederate sympathizer, ran the boarding house in Washington where the conspirators-including her rebel son, John Surratt-met to plan the assassination. When a military tribunal convicted her for her crimes and sentenced her to death, five of the nine commissioners petitioned President Andrew Johnson to show mercy on Surratt because of her sex and age. Unmoved, Johnson refused-Surratt, he said, "kept the nest that hatched the egg." Set against the backdrop of the Civil War, The Assassin's Accomplice tells the intricate story of the Lincoln conspiracy through the eyes of its only female participant. Based on long-lost interviews, confessions, and court testimony, the text explores how Mary's actions defied nineteenth-century norms of femininity, piety, and motherhood, leaving her vulnerable to deadly punishment historically reserved for men. A riveting narrative account of sex, espionage, and murder cloaked in the enchantments of Southern womanhood, The Assassin's Accomplice offers a fresh perspective on America's most famous murder.
Love becomes unchained. Ava-Marie Nothing can scare you when you’ve already died. Caught between the realm of the living and the dead, I’m not the same person I used to be. I’m darker, crazier… and nothing’s going to stop me from ruling over this prison. The merfolk key is linked to a legendary assassin, and Kallie might be the way to find it. If we’re going to save the Elves, my friends and I will have to resort to unsavory methods. I’m getting justice for my past, and taking revenge no matter what the consequences. My prophecy will test just how far I’m willing to go. If I truly want to stop the end of the world, we’ll have to go to the one place every inmate fears… Cellblock 9. Charlie The Warden nearly stole the love of my life away. I’m determined to protect what’s mine with everything in me. He thinks he can lock me in this cage, but I’m prepared to show him just what a villain can do. Our demigod powers grow stronger by the day, and soon, nothing will be able to contain us… contain me. There’s nothing I won’t do to fulfill my destiny. One way or another, we’re escaping the Institute, and raining hell down on whoever stands in our way. *** The Villain's Club descends into Cellblock 9 in the fourth installment of the Prison For Supernatural Offenders series. Dark romance and evil schemes ignite at a magical penitentiary full of vampires, shifters, witches, angels, and mermaids, where the Warden wages war and the inmates fight back. This series takes place in the Hidden Legends Universe, along with the Academy of Magical Creatures series, University of Sorcery series and the College of Witchcraft series. Each series stands on its own and can be read in any order. This is a full-length novel over 700 pages. Recommended reading age 18+ Become the villain and order today!
In the aftermath of the brutal violence that gripped western India in 2002, Karsan Dargawalla, heir to Pirbaag – the shrine of a mysterious, medieval sufi – begins to tell the story of his family. His tale opens in the 1960s: young Karsan is next in line after his father to assume lordship of the shrine, but he longs to be “just ordinary.” Despite his father's pleas, Karsan leaves home behind for Harvard, and, eventually, marriage and a career. Not until tragedy strikes, both in Karsan's adopted home in Canada and in Pirbaag, is he drawn back across thirty years of separation and silence to discover what, if anything, is left for him in India.
Since the birth of our nation and the election of the first president, groups of organized plotters or individuals have been determined to assassinate the chief executive. From the Founding Fathers to the Great Depression, three presidents have been assassinated: Abraham Lincoln, James Garfield, and William McKinley. However, unknown to the general public, almost all presidents have been threatened, put in danger, or survived "near lethal approaches" during their terms. Plotting to Kill the President reveals the numerous, previously untold incidents when assassins, plotters, and individuals have threatened the lives of American presidents, from George Washington to Herbert Hoover. Mel Ayton has uncovered these episodes, including an attempt to assassinate President Hayes during his inauguration ceremony, an attempt to shoot Benjamin Harrison on the streets of Washington, an assassination attempt on President Roosevelt at the White House, and many other incidents that have never been reported or have been covered up. Ayton also recounts the stories of Secret Service agents and bodyguards from each administration who put their lives in danger to protect the commander in chief. Plotting to Kill the President demonstrates the unsettling truth that even while the nation sleeps, those who would kill the president are often hard at work devising new schemes.
There are two facts in life. Birth and death. Everything else is just chance. Or is it destiny? As Mistral enters the second year of her apprenticeship to master Sight she begins to question whether it is what she truly wants. All that holds her to an unwanted future is the presence of her Mage, but when figures from his dark and violent past draw him away Mistral quickly becomes uncontrollable.
Between the 1950s and 1970s, Black Power coalesced as activists advocated a more oppositional approach to fighting racial oppression, emphasizing racial pride, asserting black political, cultural, and economic autonomy, and challenging white power. In Concrete Demands, Rhonda Y. Williams provides a rich, deeply researched history that sheds new light on this important social and political movement, and shows that the era of expansive Black Power politics that emerged in the 1960s had long roots and diverse trajectories within the 20th century. Looking at the struggle from the grassroots level, Williams highlights the role of ordinary people as well as more famous historical actors, and demonstrates that women activists were central to Black Power. Vivid and highly readable, Concrete Demands is a perfect introduction to Black Power in the twentieth century for anyone interested in the history of black liberation movements.
Reframing difference is the first major study of two overlapping strands of contemporary French cinema, cinema beur (films by young directors of Maghrebi immigrant origin) and cinema de banlieue (films set in France's disadvantaged outer-city estates). Carrie Tarr's insightful account draws on a wide range of films, from directors such as Mehdi Charef, Mathieu Kassovitz and Djamel Bensalah. Her analyses compare the work of male and female, majority and minority film-makers, and emphasise the significance of authorship in the representation of gender and ethnicity. Foregrounding such issues as the quest for identity, the negotiation of space and the recourse to memory and history, she argues that these films challenge and reframe the symbolic spaces of French culture, addressing issues of ethnicity and difference which are central to today's debates about what it means to be French. This timely book is essential reading for anyone interested in the relationship between cinema and citizenship in a multicultural society.
