This fun and informational picture book follows five friends as they explore their community during a street fair. The children find adventure close to home while learning about the businesses, public spaces and people in their neighborhood. Young readers will be inspired to re-create the fun-filled day in their own communities.
The Nim (North Fork Mono) Indians have lived for centuries in a remote region of California’s Sierra Nevada. In this memoir, Gaylen D. Lee recounts the story of his Nim family across six generations. Drawing from the recollections of his grandparents, mother, and other relatives, Lee provides a deeply personal account of his people’s history and culture. In keeping with the Nim’s traditional life-style, Lee’s memoir takes us through their annual seasonal cycle. He describes communal activities, such as food gathering, hunting and fishing, the processing of acorn (the Nim’s staple food), basketmaking, and ceremonies and games. Family photographs, some dating to the beginning of this century, enliven Lee’s descriptions. Woven into the seasonal account is the disturbing story of Hispanic and white encroachment into the Nim world. Lee shows how the Mexican presence in the early nineteenth century, the Gold Rush, the Protestant conversion movement, and, more recently, the establishment of a national forest on traditional land have contributed to the erosion of Nim culture. Walking Where We Lived is a bittersweet chronicle, revealing the persecution and hardships suffered by the Nim, but emphasizing their survival. Although many young Nim have little knowledge of the old ways and although the Nim are a minority in the land of their ancestors, the words of Lee’s grandmother remain a source of strength: "Ashupá. Don’t worry. It’s okay."
"Henry Allen is the truest chronicler of our American dream. By taking us into the homes of his history, he reveals our own lives in shafts of sunlit prose streaming through the windows of time and place."--James Grady, author of Six Days of the Condor "I loved the book."--Ann Beattie, author of Mrs. Nixon: A Novelist Imagines a Life and The State We're In: Maine Stories "Henry Allen, one of the best deadline essayists in the business."--Christopher Buckley, author of Thank You for Smoking Pulitzer Prize-winner Henry Allen brings alive nearly five centuries of family by describing places where they lived--from plantations in South Carolina and Guadeloupe to a boarding house in Queens; a sadly grand old house in Orange, New Jersey; farmhouses, mansions, apartments, ships, tents, and dormitories; towns in Rhode Island and Connecticut. He vividly describes his family's historical journey through Indian wars, a witchcraft trial, privateering, wagon trains, a split over slave trading, the friendship of presidents, the dwindling of the old Anglo-Saxon hegemony, and the heartless mysteries of money, alcohol, and gentility. I feared my children and their children would never know about the lost worlds of our family--love, moral stands, disappointment, Christmas dinners, the ancient and ordinary sunlight that transported us like aliens from galaxies of the past. These galaxies not only existed but persisted despite the apathy of their inheritors. Consider this book a last will and testament, an attempt to stave off the probate of oblivion. Intense, mercurial, and bearded, Henry Allen is a Marine veteran of Vietnam and was a feature writer and art critic at The Washington Post from 1970 to 2009. His books include Going Too Far Enough: American Culture at Century's End, What It Felt Like: Living in the American Century, Fool's Mercy, and The Museum of Light Air.
Looks at different types of homes from the past and the present, including igloos, tree houses, and mansions. Explains the advantage of each type in terms of a particular society's needs, work, and environment. Suggested level: primary, intermediate.
**Winner, Phillip D. Reed Award for Outstanding Writing on the Southern Environment** **A Planetizen Top Planning Book for 2017** After decades of sprawl, many American city and suburban residents struggle with issues related to traffic (and its accompanying challenges for our health and productivity), divided neighborhoods, and a non-walkable life. Urban designer Ryan Gravel makes a case for how we can change this. Cities have the capacity to create a healthier, more satisfying way of life by remodeling and augmenting their infrastructure in ways that connect neighborhoods and communities. Gravel came up with a way to do just that in his hometown with the Atlanta Beltline project. It connects 40 diverse Atlanta neighborhoods to city schools, shopping districts, and public parks, and has already seen a huge payoff in real estate development and local business revenue. Similar projects are in the works around the country, from the Los Angeles River Revitalization and the Buffalo Bayou in Houston to the Midtown Greenway in Minneapolis and the Underline in Miami. In Where We Want to Live, Gravel presents an exciting blueprint for revitalizing cities to make them places where we truly want to live.
This is a collection of more than 150 images from the Bruce and Nancy Berman Collection of contempory photographs. These images concentrate on the American landsape and the people and structures to be found in it.
“Barnes has constructed an intricate apocalyptic world that frighteningly mirrors present-day reality.”—Shelf Awareness, starred review In a near future where climate change has severely affected weather and agriculture, the North End of an unnamed city has long been abandoned in favor of the neighboring South End. Aside from the scavengers steadily stripping the empty city to its bones, only a few thousand people remain, content to live quietly among the crumbling metropolis. Many, like the narrator, are there to try to escape the demons of their past. He spends his time observing and recording the decay around him, attempting to bury memories of what he has lost. But it eventually becomes clear that things are unraveling elsewhere as well, as strangers, violent and desperate alike, begin to appear in the North End, spreading word of social and political deterioration in the South End and beyond. Faced with a growing disruption to his isolated life, the narrator discovers within himself a surprising need to resist losing the home he has created in this empty place. He and the rest of the citizens of the North End must choose whether to face outsiders as invaders or welcome them as neighbors. The City Where We Once Lived is a haunting novel of the near future that combines a prescient look at how climate change and industrial flight will shape our world with a deeply personal story of one man running from his past. In lean, spare prose, Eric Barnes brings into sharp focus questions of how we come to call a place home and what is our capacity for violence when that home becomes threatened.