Jason VanLord is on his way to happily ever after. His soon-to-be wife, the beautiful princess Mia, is waiting for him in the castle. However, Jason does not want to get married. Instead, he is after a life of adventure. With the help of the princess, he and his friends escape the castle and are soon on their way to finding an adventure. But things soon get hairy, and he is flung feet first into a quest. With time running out to save not only himself and his friends but the world, he has to travel to an island, the home of magic, and right the serious wrong that has befallen it.
DIVDeep in Radnor Forest, the magic of a captivating seeress is no match for unbridled, blazing desireDIV /divHer heart belongs to the five children she has raised, all of them orphans from the Welsh-English war. Her beauty as enchanting as her magic, the proud Wynne ab Gruffydd, Seeress of Radnor, would wage war to protect her children, regardless of the cost to herself. When Sir Cleve FitzWarin is dispatched to Wales to reclaim his liege lord’s orphaned offspring—and secure the handsome riches that come with his success—he meets Wynne head-on and quickly finds himself ensnared in her magical trap. But Cleve has ungodly powers of his own—powers that lay siege to Wynne’s heart and threaten her resolve. Girded for battle, they vow to vanquish each other, but will raw, consuming passion defeat them both?DIV /div /div
The first thorough assessment of the field of comparative religion in forty years, this groundbreaking volume surmounts the seemingly intractable division between postmodern scholars who reject the comparative endeavor and those who affirm it. The contributors demonstrate that a broader vision of religion, involving different scales of comparison for different purposes, is both justifiable and necessary. A Magic Still Dwells brings together leading historians of religions from a wide range of backgrounds and vantage points, and draws from traditions as diverse as Indo-European mythology, ancient Greek religion, Judaism, Buddhism, Ndembu ritual, and the spectrum of religions practiced in America. The contributors take seriously the postmodern critique, explain its impact on their work, uphold or reject various premises, and in several cases demonstrate new comparative approaches. Together, the essays represent a state-of-the-art assessment of current issues in the comparative study of religion.
With this influential book of essays, Jonathan Z. Smith has pointed the academic study of religion in a new theoretical direction, one neither theological nor willfully ideological. Making use of examples as apparently diverse and exotic as the Maori cults in nineteenth-century New Zealand and the events of Jonestown, Smith shows that religion must be construed as conventional, anthropological, historical, and as an exercise of imagination. In his analyses, religion emerges as the product of historically and geographically situated human ingenuity, cognition, and curiosity—simply put, as the result of human labor, one of the decisive but wholly ordinary ways human beings create the worlds in which they live and make sense of them. "These seven essays . . . display the critical intelligence, creativity, and sheer common sense that make Smith one of the most methodologically sophisticated and suggestive historians of religion writing today. . . . Smith scrutinizes the fundamental problems of taxonomy and comparison in religious studies, suggestively redescribes such basic categories as canon and ritual, and shows how frequently studied myths may more likely reflect situational incongruities than vaunted mimetic congruities. His final essay, on Jonestown, demonstrates the interpretive power of the historian of religion to render intelligible that in our own day which seems most bizarre."—Richard S. Sarason, Religious Studies Review
For a generation and more, the contribution of Christian theology to interreligious understanding has been a subject of debate. Some think of theological perspectives are of themselves inherently too narrow to support interreligious learning, and argue for an approach that is neutral or, on a more popular level, grounded simply open-minded direct experience. In response, comparative theology argues that theology, as faith seeking understanding, offers a vital perspective and a way of advancing interreligious dialogue, aided rather than hindered by commitments; theological perspectives can both complement and step beyond the study of religions by methods detached and merely neutral. Thus comparative theology has been successful in persuading many that interreligious learning from one faith perspective to another is both possible and worthwhile, and so the work of comparative theology has become more recognized and established globally. With this success there has come to the fore new challenges regarding method: How does one do comparative theological work in a way that is theologically grounded, genuinely open to learning from the other, sophisticated in pursuing comparisons, and fruitful on both the academic and practical levels? How To Do Comparative Theology therefore contributes to the maturation of method in the field of comparative theological studies, learning across religious borders, by bringing together essays drawing on different Christian traditions of learning, Judaism and Islam, Hinduism and Buddhism, the wisdom of senior scholars, and also insights from a younger generation of scholars who have studied theology and religion in new ways, and are more attuned to the language of the “spiritual but not religious.” The essays in this volume show great diversity in method, and also—over and again and from many angles—coherence in intent, a commitment to one learning from the other, and a confidence that one’s home tradition benefits from fair and unhampered learning from other and very different spiritual and religious traditions. It therefore shows the diversity and coherence of comparative theology as an emerging discipline today.
An immersive new space opera featuring an unforgettable ensemble cast, set in a sci-fi world with a fantasy twist. In this evocative science fiction series, four strangers are swept up in a gripping adventure of thrilling battles, ravenous creatures, and the return of forbidden magic. Ranger. Warrior. Tyrant. Arcanist. As their paths interweave in love and hate, redemption and revenge, one threat will eclipse their greatest fears: a being of utter darkness and its imminent return. THE DARK THAT DWELLS: essential for readers craving robust, character-driven adventures on fantastic alien worlds, bullet-ridden spaceships barely held together, and the expansive infinity of space-time itself.
The exotic island of Madeira is the perfect escape for an Englishwoman fleeing an arranged marriage—until she’s taken captive by a vengeful pirate One of the wealthiest heiresses in England, Eliza Thoroughgood is the ideal catch for the right man. But the husband her parents have chosen for her is a paragon of masculinity and urbane wit, while Eliza is shy and bookish and detests the public eye. So she comes up with the perfect escape from the perfect bridegroom: She will accompany her young cousin, Aubrey, to the sultry island of Madeira, where he can recuperate from a riding injury. Eliza has never been to sea, and she’s in for the adventure of her life when she and Aubrey are taken hostage by a vengeful buccaneer. Cyprian Dare has waited his whole life to destroy the nobleman who abandoned his mother and made him a bastard. He doesn’t believe in fate or luck—until the Lady Haberton sails out of port, setting in motion his abduction of his half-brother Lord Haberton’s heir. But he hadn’t planned on the boy’s beautiful, fiercely protective cousin. Desire is the wild card as Eliza awakens emotions Cyprian has never allowed himself to feel before. Can a woman’s loving touch heal the heart of a man who lives only for revenge?
Enjoy this thrilling portal fantasy series by USA Today Bestselling urban fantasy author Sarah Biglow... Reclaiming her throne is only the beginning… Morgan le Fey may have returned to modern-day Camelot, but settling into her new role as heir apparent is anything but easy. A simple witch at heart, the scrutiny of her every move proves stifling. When the threat of war looms over her newfound home, Morgan leaps at the chance to act. Morgan’s magic leads her back to the streets of London on the hunt for the Holy Grail. Her return to the city also reunites her with her childhood friend and her first witch knight. Along the way, Morgan struggles to blend her old life with the destiny unfolding before her. Their search takes them from the Tower of London to ancient abbeys and through the city’s magical underbelly. The closer Morgan and her companions get to unearthing the Grail’s true location, the more danger lurks. Even if Morgan can lay hands on the mythical object, will she be able to control its power and keep it from falling into enemy hands? Or will her first quest end in tragedy? HER AMBER CHALICE is the second book in the Guardians of Arthurian-inspired Camelot portal fantasy series by USA Today Bestselling Author Sarah Biglow and is part of the Seasons of Magic universe. The Guardians of Camelot series is best enjoyed in order. You can begin Morgan's journey in book 1, Her Sapphire Blade.
Focusing on how spiritual initiation takes place in Western esoteric religious, literary, and artistic traditions from antiquity to the present, Restoring Paradise provides an introduction to Western esotericism, including early modern esoteric movements like alchemy, Christian theosophy, and Rosicrucianism. The author argues that European and American literature and art often entail a written transmission of spiritual knowledge in which writing itself works to transmute consciousness, to generate, provoke, or convey spiritual awakening. He focuses on several important figures whose work has not received the attention it deserves, including American writer and Imagist poet H.D. (Hilda Doolittle) and British painter Cecil Collins, among others. While Arthur Versluis presents a new way of understanding Western esotericism in a contemporary light, above all he has crafted a book about knowing, and about how we come to know, and what "knowing" by way of literature and language actually means.
A cutting-edge introduction to contemporary religious studies theory, connecting theory to data This innovative coursebook introduces students to interdisciplinary theoretical tools for understanding contemporary religiously diverse societies—both Western and non-Western. Using a case-study model, the text considers: A wide and diverse array of contemporary issues, questions, and critical approaches to the study of religion relevant to students and scholars A variety of theoretical approaches, including decolonial, feminist, hermeneutical, poststructuralist, and phenomenological analyses Current debates on whether the term "religion" is meaningful Many key issues about the study of religion, including the insider-outsider debate, material religion, and lived religion Plural and religiously diverse societies, including the theological ideas of traditions and the political and social questions that arise for those living alongside adherents of other religions Understanding Religion is designed to provide a strong foundation for instructors to explore the ideas presented in each chapter in multiple ways, engage students in meaningful activities in the classroom, and integrate additional material into their lectures. Students will gain the tools to apply specific methods from a variety of disciplines to analyze the social, political, spiritual, and cultural aspects of religions. Its unique pedagogical design means it can be used from undergraduate- to postgraduate-level courses.
