Where "Indians" Fear to Tread?

Where

Author: Fabienne C. Quennet

Publisher: LIT Verlag Münster

Published: 2001

Total Pages: 260

ISBN-13: 9783825855987

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The two fields of contemporary Native American literature and culture exist in the tension between two literary traditions: the Native oral and literary tradition and the modern Western mainstream literary influence. In her North Dakota quartet Love Medicine (1984), The Beet Queen (1986), Tracks (1988), The Bingo Palace (1994), Native American mixedblood author, Louise Erdrich (b. 1954) exemplifies where and how these traditions meet and interact. A postmodern reading of the quartet shows that Native American authors and literary critics alike need not be afraid to tread into postmodernism, since an interpretation from this perspective opens up the possibility of freeing Native American literature from the limiting label of "ethnic or minority literature" and of establishing it as a vital part of American literature. This postmodern interpretation of Louise Erdrich's quartet offers a discussion of the theoretical issues involved in the context of ethnic writing and its relation to postmodernism, as well as an analysis of her intricate narrative strategies, in particular, her use of multiple perspectives and of intertextual techniques. The main part of the interpretation consists of a reading of postmodern concepts such as magical realism, carnivalesque humor, the relationship between reader and text, gender roles and sexual identities, history and textuality, the trickster figure, and games and chance as can be found in Louise Erdrich's North Dakota quartet.


Where White Men Fear to Tread

Where White Men Fear to Tread

Author: Russell Means

Publisher: Macmillan

Published: 1995

Total Pages: 628

ISBN-13: 9780312147617

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The Native American activist recounts his struggle for Indian self-determination, his periods in prison, and his spiritual awakening.


Like a Hurricane

Like a Hurricane

Author: Paul Chaat Smith

Publisher: ReadHowYouWant.com

Published: 2010-06

Total Pages: 566

ISBN-13: 145877872X

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For a brief but brilliant season beginning in the late 1960s, American Indians seized national attention in a series of radical acts of resistance. Like a Hurricane is a gripping account of the dramatic, breathtaking events of this tumultuous period. Drawing on a wealth of archival materials, interviews, and the authors' own experiences of these events, Like a Hurricane offers a rare, unflinchingly honest assessment of the period's successes and failures.


Where Soldiers Fear to Tread

Where Soldiers Fear to Tread

Author: John S. Burnett

Publisher: Bantam

Published: 2005

Total Pages: 350

ISBN-13: 9780553803747

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A former investigative journalist and political speechwriter describes his work as a UN relief worker in Somalia, describing the roles of civilian UN workers in hot spots around the world, their dedication to humanitarian efforts, and the perils they face while working to help others. 40,000 first printing.


Bury My Heart at Wounded Knee

Bury My Heart at Wounded Knee

Author: Dee Brown

Publisher: Open Road Media

Published: 2012-10-23

Total Pages: 680

ISBN-13: 1453274146

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The “fascinating” #1 New York Times bestseller that awakened the world to the destruction of American Indians in the nineteenth-century West (The Wall Street Journal). First published in 1970, Bury My Heart at Wounded Knee generated shockwaves with its frank and heartbreaking depiction of the systematic annihilation of American Indian tribes across the western frontier. In this nonfiction account, Dee Brown focuses on the betrayals, battles, and massacres suffered by American Indians between 1860 and 1890. He tells of the many tribes and their renowned chiefs—from Geronimo to Red Cloud, Sitting Bull to Crazy Horse—who struggled to combat the destruction of their people and culture. Forcefully written and meticulously researched, Bury My Heart at Wounded Knee inspired a generation to take a second look at how the West was won. This ebook features an illustrated biography of Dee Brown including rare photos from the author’s personal collection.


Fighting Colonialism with Hegemonic Culture

Fighting Colonialism with Hegemonic Culture

Author: Maureen Trudelle Schwarz

Publisher: State University of New York Press

Published: 2013-01-22

Total Pages: 250

ISBN-13: 1438445946

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How and why do American Indians appropriate images of Indianness for their own purposes? How do these representatives promote and sometimes challenge sovereignty for indigenous people locally and nationally? American Indians have recently taken on a new relationship with the hegemonic culture designed to oppress them. Rather than protesting it, they are currently earmarking images from it and using them for their own ends. This provocative book adds and interesting twist and nuance to our understanding of the five-hundred year interchange between American Indians and others. A host of examples of how American Indians use the so-called "White Man's Indian" reveal the key images and issues selected most frequently by the representatives of Native organizations or Native-owned businesses in the late twentieth century and the opening years of the twenty-first century to appropriate Indianness.


Hippies, Indians, and the Fight for Red Power

Hippies, Indians, and the Fight for Red Power

Author: Sherry L. Smith

Publisher: Oxford University Press

Published: 2012-05-03

Total Pages: 280

ISBN-13: 0199855609

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Through much of the 20th century, federal policy toward Indians sought to extinguish all remnants of native life and culture. That policy was dramatically confronted in the late 1960s when a loose coalition of hippies, civil rights advocates, Black Panthers, unions, Mexican-Americans, Quakers and other Christians, celebrities, and others joined with Red Power activists to fight for Indian rights. In Hippies, Indians and the Fight for Red Power, Sherry Smith offers the first full account of this remarkable story. Hippies were among the first non-Indians of the post-World War II generation to seek contact with Native Americans. The counterculture saw Indians as genuine holdouts against conformity, inherently spiritual, ecological, tribal, communal-the original "long hairs." Searching for authenticity while trying to achieve social and political justice for minorities, progressives of various stripes and colors were soon drawn to the Indian cause. Black Panthers took part in Pacific Northwest fish-ins. Corky Gonzales' Mexican American Crusade for Justice provided supplies and support for the Wounded Knee occupation. Actor Marlon Brando and comedian Dick Gregory spoke about the problems Native Americans faced. For their part, Indians understood they could not achieve political change without help. Non-Indians had to be educated and enlisted. Smith shows how Indians found, among this hodge-podge of dissatisfied Americans, willing recruits to their campaign for recognition of treaty rights; realization of tribal power, sovereignty, and self-determination; and protection of reservations as cultural homelands. The coalition was ephemeral but significant, leading to political reforms that strengthened Indian sovereignty. Thoroughly researched and vividly written, this book not only illuminates this transformative historical moment but contributes greatly to our understanding of social movements.


American Indian Image Makers of Hollywood

American Indian Image Makers of Hollywood

Author: Frank Javier Garcia Berumen

Publisher: McFarland

Published: 2020-01-01

Total Pages: 290

ISBN-13: 1476678138

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 Images from movies and film have had a powerful influence in how Native Americans are seen. In many cases, they have been represented as violent, uncivilized, and an impediment to progress and civilization. This book analyzes the representation of Native Americans in cinematic images from the 1890s to the present day, deconstructing key films in each decade. This book also addresses efforts by Native Americans to improve and have a part in their filmic representations, including mini-biographies of important indigenous filmmakers and performers.