Marshall leads the reader through the intricacies, ambiguities, and silences of !Kung beliefs. Based on fieldwork among the Bushmen of the Kalahari in the early 1950s, she presents the culture, beliefs, and spirituality of one of the last true hunting-and-gathering peoples by focusing on members of different bands as they reveal their own views.
The Ju/’hoan San, or Ju/’hoansi, of Namibia and Botswana are perhaps the most fully described indigenous people in all of anthropology. This is the story of how this group of former hunter-gatherers, speaking an exotic click language, formed a grassroots movement that led them to become a dynamic part of the new nation that grew from the ashes of apartheid South West Africa. While coverage of this group in the writings of Richard Lee, Lorna Marshall, Elizabeth Marshall Thomas, and films by John Marshall includes extensive information on their traditional ways of life, this book continues the story as it has unfolded since 1990. Peopled with accounts of and from contemporary Ju>/’hoan people, the book gives newly-literate Ju/’hoansi the chance to address the world with their own voices. In doing so, the images and myths of the Ju/’hoan and other San (previously called “Bushmen”) as either noble savages or helpless victims are discredited. This important book demonstrates the responsiveness of current anthropological advocacy to the aspirations of one of the best-known indigenous societies.
A profoundly heartening view of human nature, Beyond War offers a hopeful prognosis for a future without war. Douglas P. Fry convincingly argues that our ancient ancestors were not innately warlike--and neither are we. He points out that, for perhaps ninety-nine percent of our history, for well over a million years, humans lived in nomadic hunter-and-gatherer groups, egalitarian bands where warfare was a rarity. Drawing on archaeology and fascinating recent fieldwork on hunter-gatherer bands from around the world, Fry debunks the idea that war is ancient and inevitable. For instance, among Aboriginal Australians, warfare was an extreme anomaly. Fry also points out that even today, when war seems ever present, the vast majority of us live peaceful, nonviolent lives. We are not as warlike as we think, and if we can learn from our ancestors, we may be able to move beyond war to provide real justice and security for the world.
Why has Christianity, a religion premised upon neighborly love, failed in its attempts to heal social divisions? In this ambitious and wide-ranging work, Willie James Jennings delves deep into the late medieval soil in which the modern Christian imagination grew, to reveal how Christianity's highly refined process of socialization has inadvertently created and maintained segregated societies. A probing study of the cultural fragmentation-social, spatial, and racial-that took root in the Western mind, this book shows how Christianity has consistently forged Christian nations rather than encouraging genuine communion between disparate groups and individuals. Weaving together the stories of Zurara, the royal chronicler of Prince Henry, the Jesuit theologian Jose de Acosta, the famed Anglican Bishop John William Colenso, and the former slave writer Olaudah Equiano, Jennings narrates a tale of loss, forgetfulness, and missed opportunities for the transformation of Christian communities. Touching on issues of slavery, geography, Native American history, Jewish-Christian relations, literacy, and translation, he brilliantly exposes how the loss of land and the supersessionist ideas behind the Christian missionary movement are both deeply implicated in the invention of race. Using his bold, creative, and courageous critique to imagine a truly cosmopolitan citizenship that transcends geopolitical, nationalist, ethnic, and racial boundaries, Jennings charts, with great vision, new ways of imagining ourselves, our communities, and the landscapes we inhabit.
The Cinema of John Marshall explores the life and art of the pioneering ethnographic filmmaker. Its centerpiece is an autobiographical essay in which Marshall assesses his forty-year involvement with the San peoples (Bushmen) of South Africa and his films, from the 1957 award winning The Hunters to his current work in progress, Death by Myth. The book weaves together the political economy of San dispossession, history and ethnography, personal narratives of historical importance, and expositions of film techniques and film language. The first English language study of the man and his work, The Cinema of John Marshall conveys the complex unity of Marshall's life: the filmic, the intellectual, the political, and the human.
Where the Roads All End tells the remarkable story of an American family’s expeditions to the Kalahari Desert in the 1950s. Raytheon founder Laurence Marshall and his family recorded the lives of the last remaining hunter-gatherers, the so-called Bushmen, in what is now recognized as one of the most important anthropology ventures in Africa.
In light of negotiations now going on between people who rely on wild plants and animals and the governments of their territories about civil, political, social, economic, and cultural rights, anthropologists explore dimensions of culture and pressures as they are manifested in particular peoples. Their 27 papers, from an August 1993 conference in Moscow, Russian, cover warfare and conflict resolution; resistance, identity, and the state; ecology, demography, and market issues; gender and representation; and world-view and religious determination. The examples come from most of the world's continents. Annotation copyrighted by Book News, Inc., Portland, OR
From the majestic Bengal tiger to the domesticated Siamese comes a meditation on cats from the bestselling author of The Hidden Life of Dogs and The Social Lives of Dogs From as far back in time as the disappearance of the dinosaurs, cats have occupied an important place in our evolutionary, social, and cultural history. The family of the cat is as diverse as it is widespread, ranging from the lions, tigers, and pumas of the African and Asian wilds to the domesticated cats of our homes, zoos, and circuses. When she witnesses her housecat, Rajah, effortlessly scare off two fully-grown deer, acclaimed anthropologist Elizabeth Marshall Thomas starts studying the links that bind the feline family together. Immersing herself in the subtle differences of their social orders, feeding behaviors, and means of communication, Thomas explores the nature of the cat, both wild and domestic, and the resilient streak that has ensured its survival over thousands of years.
