Nearly lost after its anonymous publication in 1926 and only recently rediscovered, When Washington Was in Vogue is an acclaimed love story written and set during the Harlem Renaissance. When bobbed-hair flappers were in vogue and Harlem was hopping, Washington, D.C., did its share of roaring, too. Davy Carr, a veteran of the Great War and a new arrival in the nation's capital, is welcomed into the drawing rooms of the city's Black elite. Through letters, Davy regales an old friend in Harlem with his impressions of race, politics, and the state of Black America as well as his own experiences as an old-fashioned bachelor adrift in a world of alluring modern women -- including sassy, dark-skinned Caroline. With an introduction by Adam McKible and commentary by Emily Bernard, this novel, a timeless love story wonderfully enriched with the drama and style of one of the most hopeful moments in African American history, is as "delightful as it is significant" (Essence).
"A major study...one that thorougly interweaves the philosophies and fads, the people and movements that combined to give a small segment of Afro America a brief place in the sun."—The New York Times Book Review.
Nearly lost after its anonymous publication in 1926 and only recently rediscovered, When Washington Was in Vogue is an acclaimed love story written and set during the Harlem Renaissance. When bobbed-hair flappers were in vogue and Harlem was hopping, Washington, D.C., did its share of roaring, too. Davy Carr, a veteran of the Great War and a new arrival in the nation's capital, is welcomed into the drawing rooms of the city's Black elite. Through letters, Davy regales an old friend in Harlem with his impressions of race, politics, and the state of Black America as well as his own experiences as an old-fashioned bachelor adrift in a world of alluring modern women -- including sassy, dark-skinned Caroline. With an introduction by Adam McKible and commentary by Emily Bernard, this novel, a timeless love story wonderfully enriched with the drama and style of one of the most hopeful moments in African American history, is as "delightful as it is significant" (Essence).
In his introduction to the foundational 1925 text The New Negro, Alain Locke described the “Old Negro” as “a creature of moral debate and historical controversy,” necessitating a metamorphosis into a literary art that embraced modernism and left sentimentalism behind. This was the underlying theoretical background that contributed to the flowering of African American culture and art that would come to be called the Harlem Renaissance. While the popular period has received much scholarly attention, the significance of editors and editing in the Harlem Renaissance remains woefully understudied. Editing the Harlem Renaissance foregrounds an in-depth, exhaustive approach to relevant editing and editorial issues, exploring not only those figures of the Harlem Renaissance who edited in professional capacities, but also those authors who employed editorial practices during the writing process and those texts that have been discovered and/or edited by others in the decades following the Harlem Renaissance. Editing the Harlem Renaissance considers developmental editing, textual self-fashioning, textual editing, documentary editing, and bibliography. Chapters utilize methodologies of authorial intention, copy-text, manuscript transcription, critical edition building, and anthology creation. Together, these chapters provide readers with a new way of viewing the artistic production of one of the United States’ most important literary movements.
Comedian and star of The Office and Unbreakable Kimmy Schmidt and host of The Great American Baking Show Ellie Kemper delivers a hilarious, refreshing, and inspiring collection of essays “teeming with energy and full of laugh-out-loud moments” (Associated Press). “A pleasure. Ellie Kemper is the kind of stable, intelligent, funny, healthy woman that usually only exists in yogurt commercials. But she’s real and she’s all ours!” —Tina Fey “Ellie is a hilarious and talented writer, although we’ll never know how much of this book the squirrel wrote.”—Mindy Kaling Meet Ellie, the best-intentioned redhead next door. You’ll laugh right alongside her as she shares tales of her childhood in St. Louis, whether directing and also starring in her family holiday pageant, washing her dad’s car with a Brillo pad, failing to become friends with a plump squirrel in her backyard, eating her feelings while watching PG-13 movies, or becoming a “sports monster” who ends up warming the bench of her Division 1 field hockey team in college. You’ll learn how she found her comedic calling in the world of improv, became a wife, mother and New Yorker, and landed the role of a bridesmaid (while simultaneously being a bridesmaid) in Bridesmaids. You’ll get to know and love the comic, upbeat, perpetually polite actress playing Erin Hannon on The Office, and the exuberant, pink-pants-wearing star of Unbreakable Kimmy Schmidt. If you’ve ever been curious about what happens behind the scenes of your favorite shows, what it really takes to be a soul cycle “warrior,” how to recover if you accidentally fall on Doris Kearns Goodwin or tell Tina Fey on meeting her for the first time that she has “great hair—really strong and thick,” this is your chance to find out. But it’s also a laugh-out-loud primer on how to keep a positive outlook in a world gone mad and how not to give up on your dreams. Ellie “dives fully into each role—as actor, comedian, writer, and also wife and new mom—with an electric dedication, by which one learns to reframe the picture, and if not exactly become a glass-half-full sort of person, at least become able to appreciate them” (Vogue.com).
The father of our country slept with Martha, but schlepped in the District. Now in the great man's footsteps comes humorist and twenty-year Washington resident Christopher Buckley with the real story of the city's founding. Well, not really. We're just trying to get you to buy the book. But we can say with justification that there's never been a more enjoyable, funny, and informative tour guide to the city than Buckley. His delight as he points out things of interest is con-tagious, and his frequent digressions about his own adventures as a White House staffer are often hilarious. In Washington Schlepped Here, Buckley takes us along for several walks around the town and shares with us a bit of his "other" Washington. They include "Dante¿s Paradiso" (Union Station); the "Zero Milestone of American democracy" (the U.S. Capitol); the "Almost Pink House" (the White House); and many other historical (and often hysterical) journeys. Buckley is the sort of wonderful guide who pries loose the abalone-like clichés that cling to a place as mythic as D.C. Wonderfully insightful and eminently practical, Washington Schlepped Here shows us that even a city whose chief industry is government bureaucracy is a lot funnier and more surprising than its media-ready image might let on.
Teaching the Harlem Renaissance: Course Design and Classroom Strategies addresses the practical and theoretical needs of college and high school instructors offering a unit or a full course on the Harlem Renaissance. In this collection many of the field's leading scholars address a wide range of issues and primary materials: the role of slave narrative in shaping individual and collective identity; the long-recognized centrality of women writers, editors, and critics within the «New Negro» movement; the role of the visual arts and «popular» forms in the dialogue about race and cultural expression; and tried-and-true methods for bringing students into contact with the movement's poetry, prose, and visual art. Teaching the Harlem Renaissance is meant to be an ongoing resource for scholars and teachers as they devise a syllabus, prepare a lecture or lesson plan, or simply learn more about a particular Harlem Renaissance writer or text.
This Very Short Introduction offers an overview of the Harlem Renaissance, a cultural awakening among African Americans between the two world wars. Cheryl A. Wall brings readers to the Harlem of 1920s to identify the cultural themes and issues that engaged writers, musicians, and visual artists alike.
'Passionate and urgent.' Guardian, Book of the Week 'A must-read for all.' Stylist, best new books for 2020 'Cogently argued and intensely persuasive. Groundbreaking Work.' Waterstones, best new books of April 'Impressive and much-needed.' Financial Times, Best Business Books April to June 'Admirably detailed.' Prospect Magazine 'Practical, useful, readable and essential for the times we are living in.' Nikesh Shukla 'An eye-opening book that I hope will be widely read.' Angela Saini 'If you think you don't need to read this book, you really need to read this book.' Jane Garvey 'An eye-opening book looking at unconscious bias. Meticulously researched and well written. It will make you think hard about the judgements you make. An essential read for our times.' Kavita Puri, BBC Journalist and author For the first time, behavioural and data scientist, activist and writer Dr Pragya Agarwal unravels the way our implicit or 'unintentional' biases affect the way we communicate and perceive the world, how they affect our decision-making, and how they reinforce and perpetuate systemic and structural inequalities. Sway is a thoroughly researched and comprehensive look at unconscious bias and how it impacts day-to-day life, from job interviews to romantic relationships to saving for retirement. It covers a huge number of sensitive topics - sexism, racism, ageism, homophobia, colourism - with tact, and combines statistics with stories to paint a fuller picture and enhance understanding. Throughout, Pragya clearly delineates theories with a solid grounding in science, answering questions such as: do our roots for prejudice lie in our evolutionary past? What happens in our brains when we are biased? How has bias affected technology? If we don't know about it, are we really responsible for it? At a time when partisan political ideologies are taking centre stage, and we struggle to make sense of who we are and who we want to be, it is crucial that we understand why we act the way we do. This book will enables us to open our eyes to our own biases in a scientific and non-judgmental way.
