There were two battles against apartheid—a political campaign and a media war. The political story has been told, and now you can read about the media effort. As South Africa marks in 2014 its 20th anniversary as a democracy, its transformation is still hailed as a "miracle." Most of the credit for the region's massive changes is awarded to towering leaders like the late Nelson Mandela. But the freedom fighters didn't achieve it alone—they had active solidarity from a global anti-apartheid movement, with a media component that showcased the struggle and kept it visible worldwide. "News Dissector" Danny Schechter reveals the inside story of what he calls a "Media War" in When South Africa Called, We Answered. He presents journalism as activism and displays the determination and dedication of journalists worldwide in exposing and eradicating apartheid.
It all began with Charlie Chaplin, flickering in black and white on a makeshift screen in their modest home in Springfield, which later led to the neighbourhood children happily handing over their coins to 10-year-old Anant Singh and his younger brother Sanjeev. At age 13, deeply affected by the passing of his father, Anant found solace and escape in the moving image to which his father had introduced him. The combination of a deep and abiding passion for film and an entrepreneurial spirit were the sparks that lit the flame for Anant as he rewound 16mm reels in a film rental store in Durban, first for R1 a day and then for R25 a week. In South Africa in the 1970s, there were not many career options for a Black person who dreamed big in any business, let alone the film industry. But before his twentieth birthday, Anant was the owner of that store and in a business in which no person of colour had ventured. Restrictive legislation was not the only problem; all public facilities, including cinemas, were segregated and any voice raised in opposition to the state was swiftly silenced, while censorship across all forms of media, including films, was strictly enforced. By hiring out films classified for whites only to all races and uncensored movies to anyone who wanted to watch them, Anant was arrested for breaking the laws he refused to recognise as legitimate. He moved on to wider distribution, first to cinemas across Africa and then to the international market, to setting up Videovision Enterprises and capturing the home video market, and finally to putting his heart and soul into producing award-winning and important films. This extraordinary memoir is a story of professional relationships – and of friendships – with mentors including Ahmed Kathrada, Fatima and Ismail Meer and Nelson Mandela, as well as with superstars such as Quincy Jones, Sidney Poitier, Whoopi Goldberg, Amitabh Bachchan, Denzel Washington and Idris Elba. And it is a testament to determination, courage and perseverance – to speak up and speak out through the powerful medium of film.
"This book deals with an interesting but also painful topic: the stereotyping of Africa, in the West, notably in the United States of America. This is a laudable initiative.. a timely and courageous effort to deal with long-standing stereoxypes in the West"-Dr Piet Konings, Sociologist, African Studies Centre Leiden --
Explicit instruction is systematic, direct, engaging, and success oriented--and has been shown to promote achievement for all students. This highly practical and accessible resource gives special and general education teachers the tools to implement explicit instruction in any grade level or content area. The authors are leading experts who provide clear guidelines for identifying key concepts, skills, and routines to teach; designing and delivering effective lessons; and giving students opportunities to practice and master new material. Sample lesson plans, lively examples, and reproducible checklists and teacher worksheets enhance the utility of the volume. Downloadable video clips demonstrating the approach in real classrooms are available at the authors' website: www.explicitinstruction.org.
This all-new work chronicles the experiences of Paul French who, upon leaving the British Army's 21 SAS (V), sought adventure and excitement in C Squadron of the Rhodesian SAS. Upon passing the arduous Rhodesian SAS selection course, Paul was thrown into the maelstrom that was the Rhodesian Bush War. Here he participated in the SAS's infamous raid on Joshua Nkomo and numerous other operations against insurgent / liberation forces. Passing selection for Ron Reid-Daly's elite counterinsurgency specialists, the Selous Scouts, the author took part in 'externals' against FRELIMO and ' attachments' with the Mozambique National Resistance. Paul continued to serve on operations with the Rhodesian SAS until the end of the 'Chimurenga' in 1980. Paul then went on to join the South African Defense Force's elite 6 Reconnaissance Commando. A career in private security followed, with a series of assignments in Angola, Iraq and Somalia. This impressive book pulls no punches. It gives a unique and purposefully opinionated insight into the workings of the Rhodesian SAS and the Selous Scouts. It tells of the missions that succeeded and of the many that failed. It notes simply and succinctly the sheer stress and danger of special forces operations - all of which were deep in enemy-held territory with the threat of capture and death. Attempts to blow rail lines, helicopter assaults, pseudo-operations, the laying of deadly ambushes and risky parachute inserts are candidly related, accompanied by an unparalleled selection of photographs, most of which have never been published before. Born in West London, Paul French first sought military adventure in the County of London Yeomanry and then 21 SAS (V). Here, Paul discovered a yearning for hard work and arduous duty. A subsequent defence contract took him to Abu Dhabi where he learnt of Rhodesia and its attractions. Holidaying in Rhodesia, Paul took the opportunity to join the Rhodesian Army, serving with the renowned Rhodesian SAS and Selous Scouts. In 1980, Paul moved to the South African Defence Force, joining its elite 6 Reconnaissance Commando. Upon leaving the SADF a career in private security followed. An accomplished skydiver, Paul has thousands of jumps to his credit, and still jumps today. Married to Petah, Paul has three children. He continues to work in the security industry and now lives in the South-west of England. Shadows of A Forgotten Past is his first book.
Hierdie boek is ideaal vir onderwysers en ouers! Onderwysers sal die tekste in die klaskamer kan gebruik omdat daar meer as 50 tekste in ’n verskeidenheid afdelings is, soos begripstoetse, visuele tekste, luister-toetse en opsommings. Ouers kan ook die boek vir kinders aankoop –dit is uitstekend vir addisionele materiaal en vir gebruik in tuisskool.
In Bedford-Stuyvesant, Brooklyn, pianist Randy Weston and bassist Ahmed Abdul-Malik celebrated with song the revolutions spreading across Africa. In Ghana and South Africa, drummer Guy Warren and vocalist Sathima Bea Benjamin fused local musical forms with the dizzying innovations of modern jazz. These four were among hundreds of musicians in the 1950s and ’60s who forged connections between jazz and Africa that definitively reshaped both their music and the world. Each artist identified in particular ways with Africa’s struggle for liberation and made music dedicated to, or inspired by, demands for independence and self-determination. That music was the wild, boundary-breaking exultation of modern jazz. The result was an abundance of conversation, collaboration, and tension between African and African American musicians during the era of decolonization. This collective biography demonstrates how modern Africa reshaped jazz, how modern jazz helped form a new African identity, and how musical convergences and crossings altered politics and culture on both continents. In a crucial moment when freedom electrified the African diaspora, these black artists sought one another out to create new modes of expression. Documenting individuals and places, from Lagos to Chicago, from New York to Cape Town, Robin Kelley gives us a meditation on modernity: we see innovation not as an imposition from the West but rather as indigenous, multilingual, and messy, the result of innumerable exchanges across a breadth of cultures.
In this engaging and candid political memoir, Blakeney reflects on his four decades of public service, offering first-hand insights on the introduction of government-sponsored medicare, the patriation of the Canadian Constitution, and new approaches to natural resource development.
