A letter from the dead could solve Wisting's coldest case. Stavern 1983: Christmas is approaching and an ambitious young policeman named William Wisting has just become the father of twins. Edged off a robbery investigation by more experienced officers, he is soon on a less prestigious case. In a dilapidated barn stands a forgotten, bullet-riddled car. How long has it been there and what happened to the driver? This is the case that shaped William Wisting as a policeman, with a resolution thirty-three years in the future ...
Adeptly navigating between elegy and celebration, fear and determination, confusion and clarity, DeBaggio delivers an exquisitely moving and inspiring book that will resonate with all those who have grappled with their own or their loved ones' memory loss and with death. With his first memoir, Losing My Mind, Thomas DeBaggio stunned readers by laying bare his faltering mind in a haunting and beautiful meditation on the centrality of memory to human life, and on his loss of it to early-onset Alzheimer's disease. In this second extraordinary narrative, he confronts the ultimate loss: that of life. And as only DeBaggio could, he treats death as something to honor, to marvel at, to learn from. Charting the progression of his disease with breathtaking honesty, DeBaggio deftly describes the frustration, grief, and terror of grappling with his deteriorating intellectual faculties. Even more affecting, the prose itself masterfully represents the mental vicissitudes of his disease—DeBaggio's fragments of memory, observation, and rumination surface and subside in the reader's experience much as they might in his own mind. His frank, lilting voice and abundant sense of wonder bind these fragments into a fluid and poetic portrait of life and loss. Over the course of the book, DeBaggio revisits many of the people, places, and events of his life, both in his memory and in fact. In a sense, he is saying goodbye, paying his respects to the world as it recedes from him—and it is a poignant irony that even as this happens, he is at the height of his remarkable descriptive powers. In his moments of clarity, his love for life's details only grows deeper and richer: the limestone creek where he has fished for years; his satisfying and lonely herb farming days; the goldfish pond his son designed and built in his backyard in honor of DeBaggio's passion for "any hole in the ground with some liquid in it"; the thirty years in his beloved home in Arlington, Virginia; his early career as a muckraker; the innumerable precious moments spent with his wife and son; his belated grief over his parents' deaths.
Tense and suspenseful, the only reason to stop racing through the pages of Jorn Lier Horst's Ordeal will be to pause for a quick glance over your shoulder... "The best Scandinavian crime fiction available." - Yrsa Sigurdardottir Frank Mandt died after a fall down his basement steps, the same basement that holds a locked safe bolted to the floor. His granddaughter, Sofie Lund, inherits the house but wants nothing to do with his money. She believes the old man let her mother die in jail and is bitterly resentful. Line Wisting’s journalist instincts lead her into friendship with Sofie, and Line is with her when the safe is opened. What they discover unlocks another case and leads Chief Inspector William Wisting on a trial of murder to an ordeal that will eventually separate the innocent from the damned.
A new story collection from “one of Europe’s most exciting writers” (New York Times Book Review) deftly evokes and explores the shifts that occur when the world grows dark. Snowed in at a remote artists’ residency in Vermont, Peter recalls another Christmas some thirty years earlier, when he met Marcia by chance on a trip to New York City. Only now, in this eerie, isolated place, does he begin to see the consequences of their brief affair through a series of connections. When Hubert asks Sabrina to model for a sculpture, she’s flattered and happy to help. But facing the finished product, looking at herself from previously hidden angles, disturbs her, and she becomes determined to follow her double after it’s sold to a collector. Uneasy in his own skin and with the humdrum life set out for him, David decides to rob a bank. He already has a mask for the purpose, but won’t be using it today. He’s heard that bank robbers often study the scene for weeks before they strike. So he’s started to lurk. We think we know our world, but then the familiar suddenly turns strange, and even frightening. In these powerfully affecting, minutely constructed stories, Peter Stamm illustrates how fragile our reality really is, how susceptible to tricks of the heart and mind.
"When the Sky Goes Dark" is a horrific thriller that dives into a twisted world filled with raging maniacs that come out at night. It's up to Jonathan Barnes, a young college student, to traverse the terrors of the mysterious epidemic and find his loved ones before it's too late.
When the World Goes Dark is a tear jerking account of a young girl's battle with depression. Through Ella's eyes, we see the power that mental illness has over its victim, as well as the strength it takes to overcome. Ella battles her darkness with only one thing in hand, a glimpse of hope.
NEW YORK TIMES BESTSELLER • GOOD MORNING AMERICA BUZZ PICK • “A total departure for the author of The Paris Wife, McLain’s emotionally intense and exceptionally well-written thriller entwines its fictional crime with real cases.”—People (Book of the Week) NAMED ONE OF THE BEST BOOKS OF THE YEAR BY MARIE CLAIRE • “The kind of heart-pounding conclusion that thriller fans crave . . . In the end, a book full of darkness lands with a message of hope.”—The New York Times Book Review “This mystery will keep you guessing, and stay with you long after you finish. Dive in.”—Daily Skimm Anna Hart is a seasoned missing persons detective in San Francisco with far too much knowledge of the darkest side of human nature. When tragedy strikes her personal life, Anna, desperate and numb, flees to the Northern California village of Mendocino to grieve. She lived there as a child with her beloved foster parents, and now she believes it might be the only place left for her. Yet the day she arrives, she learns that a local teenage girl has gone missing. The crime feels frighteningly reminiscent of the most crucial time in Anna’s childhood, when the unsolved murder of a young girl touched Mendocino and changed the community forever. As past and present collide, Anna realizes that she has been led to this moment. The most difficult lessons of her life have given her insight into how victims come into contact with violent predators. As Anna becomes obsessed with saving the missing girl, she must accept that true courage means getting out of her own way and learning to let others in. Weaving together actual cases of missing persons, trauma theory, and a hint of the metaphysical, this propulsive and deeply affecting novel tells a story of fate, necessary redemption, and what it takes, when the worst happens, to reclaim our lives—and our faith in one another.
Lazlo is afraid of the dark. It hides in closets and sometimes sits behind the shower curtain, but mostly it lives in the basement. One night, when Lazlo’s nightlight burns out, the dark comes to visit him in his room. “Lazlo,” the Dark says. “I want to show you something.” And so Lazlo descends the basement stairs to face his fears and discover a few comforting facts about the mysterious presence with whom all children must learn to live. Beautifully rendered with sympathy and wit, this first collaboration between Snicket and Klassen offers a fresh take on a universal childhood experience.
Buffy the Vampire Slayer earned critical acclaim for its use of metaphor to explore the conflicts of growth, power, and transgression. Its groundbreaking stylistic and thematic devices, boldness and wit earned it an intensely devoted fan base--and as it approached its zenith, attention from media watchdog groups and the Federal Communications Commission. The grim and provocative evolution of the show over its final two seasons polarized its audience, while also breaking new ground for critical and philosophical analysis. The thirteen essays in this collection, divided into the perspectives of feminist, cultural, auteur and fan studies, explore the popular series' conclusion, providing a multifaceted examination of Buffy's most controversial two seasons.
