What Shaw Really Wrote about the War

What Shaw Really Wrote about the War

Author: Bernard Shaw

Publisher:

Published: 2006

Total Pages: 309

ISBN-13: 9780813029603

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In Wisenthal and O'Leary's What Shaw Really Wrote About the War, Bernard Shaw speaks for himself--revealing his passionate views of World War I as neither unpatriotic nor pacifist. Aiming to correct misconceptions and explore the complexity of Shaw's wartime journalism, the editors have assembled the first annotated collection of his writings about the war, including What I Wrote About the War (1914),thepreviously unpublished More Common Sense About the War (1915), and What I Said in the Great War (1918). This landmark volume also includes an important piece called Peace Conference Hints, Shaw's unsolicited advice to the Allies at the end of the war. In addition, the authors draw parallels to Shaw's "theatre of war," noting how his attitudes about war infused his plays, including Heartbreak House and the Back to Methusaleh cycle he began to write during this period. "Shaw seems to be one of the belligerents in the War himself," the editors argue, "enjoying the use of his verbal firepower in his pugnacious campaign against politicians' ineptitude and his audience's fatal misunderstandings of what is going on." Essential reading for Shaw scholars and still relevant today, his work speaks to anyone who exercises the right to ask questions and voice objections in times of war. Contents include: Shaw's Theatre of War; Common Sense About the War (1914); More Common Sense About the War (1915); The Case of Rutland Boughton (1916); On British Squealing, and the Situation After the War (1917); What I Said in the Great War (1918); Preface for French edition of Peace Conference Hints (1919); Peace Conference Hints (1919); Index


The Politics and Plays of Bernard Shaw

The Politics and Plays of Bernard Shaw

Author: Judith Evans

Publisher: McFarland

Published: 2002-12-17

Total Pages: 230

ISBN-13: 9780786413232

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Do politics and the playhouse go together? For Bernard Shaw they most certainly did. As a playwright with a message he saw the theatre as the ideal medium for conveying his view of life, which was essentially socialistic. The theatre was to Shaw a latter-day temple of the arts within a community. But Shaw was, of course, multi-voiced, not only through the characters he created but also in his own persona as public speaker, essayist, tract writer and author of works on political economy. Much of the thinking that is expressed in his non-dramatic works is contained also in his plays. This work offers a readily accessible means of looking at the nature and the progression of Shaw's thinking. All the plays included in the major canon are reviewed and, except for brief plays and playlets (which are grouped), they are presented in sequential order.


Bernard Shaw and Totalitarianism

Bernard Shaw and Totalitarianism

Author: M. Yde

Publisher: Springer

Published: 2013-10-03

Total Pages: 350

ISBN-13: 1137330201

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This book reveals the genuity of Shaw's totalitarianism by looking at his material - articles, speeches, letters, etc but is especially concerned with analyzing the utopian desire that runs through so many of Shaw's plays; looking at his political and eugenic utopianism as expressed in his drama and comparing this to his political totalitarianism.


The Genius of George Bernard Shaw

The Genius of George Bernard Shaw

Author: Samiran Kumar Paul

Publisher: Notion Press

Published: 2020-12-04

Total Pages: 686

ISBN-13: 1649516460

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The Genius of George Bernard Shaw is a criticism of George Bernard Shaw’s work that explores his art, aesthetics, philosophy, and revolutionary ideas. Shaw wrote his plays raising and dealing with the problems of individuals, families, society, nations, and the world. It is occasionally stated that Shaw’s support for totalitarianism grew out of his frustration with nineteenth-century liberalism, which ineffectually culminated in a disastrous world war. Yet, close analysis to two of Shaw’s Major Critical Essays from the 1890s shows that even then Shaw expressed a desire for a ruthless man of action unencumbered by the burden of conscience to come on the scene and establish a new world order, to initiate the utopian epoch. Indeed, further analysis of a number of plays from before the war shows the impulse to be persistent and undeniable. Shaw hated disorder, and he wanted to see society managed efficiently by a small caste of technocratic experts who were at the same time, in Karl Popper’s memorable phrase, utopian social engineers. He had very little confidence in the average man and woman, who could not work mentally at the same speed? as the Fabian executive committee, his ideal of what a ruling caste would look like. Shaw’s ideal society, what I am calling his utopian vision, resembles Plato’s ideal city or Comte’s Religion of Humanity more than any society that has presumably ever existed on earth. This need for absolute order and control found many means of expression in both his life and work and was intricately bound up with his longing for perfection. This book is useful for world teachers, students, and research scholars in English in schools, colleges, universities all over the world.


Bernard Shaw and the Making of Modern Ireland

Bernard Shaw and the Making of Modern Ireland

Author: Audrey McNamara

Publisher: Springer Nature

Published: 2020-07-13

Total Pages: 291

ISBN-13: 3030421139

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This book is an anthology focused on Shaw’s efforts, literary and political, that worked toward a modernizing Ireland. Following Declan Kiberd’s Foreword and the editor’s Introduction, the contributing chapters, in their order of appearance, are from President of Ireland Michael D. Higgins, Anthony Roche, David Clare, Elizabeth Mannion, Nelson O’Ceallaigh Ritschel, Aisling Smith, Susanne Colleary, Audrey McNamara, Aileen R. Ruane, Peter Gahan, and Gustavo A. Rodriguez Martin. The essays establish that Shaw’s Irishness was inherent and manifested itself in his work, demonstrating that Ireland was a recurring feature in his considerations. Locating Shaw within the march towards modernizing Ireland furthers the recent efforts to secure Shaw’s place within the Irish spheres of literature and politics.


Blue-Eyed Child of Fortune

Blue-Eyed Child of Fortune

Author: Robert Gould Shaw

Publisher: University of Georgia Press

Published: 2011-08-15

Total Pages: 481

ISBN-13: 0820342777

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On the Boston Common stands one of the great Civil War memorials, a magnificent bronze sculpture by Augustus Saint-Gaudens. It depicts the black soldiers of the Fifty-fourth Massachusetts Infantry marching alongside their young white commander, Colonel Robert Gould Shaw. When the philosopher William James dedicated the memorial in May 1897, he stirred the assembled crowd with these words: "There they march, warm-blooded champions of a better day for man. There on horseback among them, in the very habit as he lived, sits the blue-eyed child of fortune." In this book Shaw speaks for himself with equal eloquence through nearly two hundred letters he wrote to his family and friends during the Civil War. The portrait that emerges is of a man more divided and complex--though no less heroic--than the Shaw depicted in the celebrated film Glory. The pampered son of wealthy Boston abolitionists, Shaw was no abolitionist himself, but he was among the first patriots to respond to Lincoln's call for troops after the attack on Fort Sumter. After Cedar Mountain and Antietam, Shaw knew the carnage of war firsthand. Describing nightfall on the Antietam battlefield, he wrote, "the crickets chirped, and the frogs croaked, just as if nothing unusual had happened all day long, and presently the stars came out bright, and we lay down among the dead, and slept soundly until daylight. There were twenty dead bodies within a rod of me." When Federal war aims shifted from an emphasis on restoring the Union to the higher goal of emancipation for four million slaves, Shaw's mother pressured her son into accepting the command of the North's vanguard black regiment, the Fifty-fourth Massachusetts. A paternalist who never fully reconciled his own prejudices about black inferiority, Shaw assumed the command with great reluctance. Yet, as he trained his recruits in Readville, Massachusetts, during the early months of 1963, he came to respect their pluck and dedication. "There is not the least doubt," he wrote his mother, "that we shall leave the state, with as good a regiment, as any that has marched." Despite such expressions of confidence, Shaw in fact continued to worry about how well his troops would perform under fire. The ultimate test came in South Carolina in July 1863, when the Fifty-fourth led a brave but ill-fated charge on Fort Wagner, at the approach to Charleston Harbor. As Shaw waved his sword and urged his men forward, an enemy bullet felled him on the fort's parapet. A few hours later the Confederates dumped his body into a mass grave with the bodies of twenty of his men. Although the assault was a failure from a military standpoint, it proved the proposition to which Shaw had reluctantly dedicated himself when he took command of the Fifty-fourth: that black soldiers could indeed be fighting men. By year's end, sixty new black regiments were being organized. A previous selection of Shaw's correspondence was privately published by his family in 1864. For this volume, Russell Duncan has restored many passages omitted from the earlier edition and has provided detailed explanatory notes to the letters. In addition he has written a lengthy biographical essay that places the young colonel and his regiment in historical context.


Bernard Shaw on Politics

Bernard Shaw on Politics

Author: George Bernard Shaw

Publisher: Rosetta Books

Published: 2016-02-29

Total Pages: 317

ISBN-13: 0795346905

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A collection of critical writings on politics from the Nobel Prize – winning playwright behind Saint Joan and Man and Superman. The Critical Shaw: On Politics is a comprehensive selection of renowned Irish playwright and Nobel Laureate Bernard Shaw’s opinions on a wide range of political movements, ideologies, and events that helped shape the international landscape of the late nineteenth and early twentieth centuries. With unwavering conviction, and in many cases openly courting controversy and calumny, Shaw spoke his mind on the big “-isms” of his time: Socialism, Capitalism, Communism, and Fascism. He championed Socialism in its formative years, he condemned all combatants in the First World War, he berated America’s embrace of Capitalism, he praised Russia’s choice of Communism, he lauded Stalin, he rejected the notion that Hitler was responsible for the Second World War, and he scorned Democracy. Persistently provocative, sometimes outrageous, always the political iconoclast, Shaw's political convictions—as soapbox orator or world-famous pundit—challenge us to face the political issues and dilemmas of our own time with similar rigor and integrity. The Critical Shaw series brings together, in five volumes and from a wide range of sources, selections from Bernard Shaw’s voluminous writings on topics that exercised him for the whole of his professional career: Literature, Music, Politics, Religion, and Theater. The volumes are edited by leading Shaw scholars, and all include an introduction, a chronology of Shaw’s life and works, annotated texts, and a bibliography. The series editor is L.W. Conolly, literary adviser to the Shaw Estate and former president of the International Shaw Society.


Bernard Shaw, W. T. Stead, and the New Journalism

Bernard Shaw, W. T. Stead, and the New Journalism

Author: Nelson O'Ceallaigh Ritschel

Publisher: Springer

Published: 2017-02-07

Total Pages: 258

ISBN-13: 3319490079

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This book explores Bernard Shaw’s journalism from the mid-1880s through the Great War—a period in which Shaw contributed some of the most powerful and socially relevant journalism the western world has experienced. In approaching Shaw’s journalism, the promoter and abuser of the New Journalism, W. T. Stead, is contrasted to Shaw, as Shaw countered the sensational news copy Stead and his disciples generated. To understand Shaw’s brand of New Journalism, his responses to the popular press’ portrayals of high profile historical crises are examined, while other examples prompting Shaw’s journalism over the period are cited for depth: the 1888 Whitechapel murders, the 1890-91 O’Shea divorce scandal that fell Charles Stewart Parnell, peace crusades within militarism, the catastrophic Titanic sinking, and the Great War. Through Shaw’s journalism that undermined the popular press’ shock efforts that prevented rational thought, Shaw endeavored to promote clear thinking through the immediacy of his critical journalism. Arguably, Shaw saved the free press.