Called by many France's foremost philosopher, Gilles Deleuze is one of the leading thinkers in the Western World. His acclaimed works and celebrated collaborations with Félix Guattari have established him as a seminal figure in the fields of literary criticism and philosophy. The long-awaited publication of What Is Philosophy? in English marks the culmination of Deleuze's career. Deleuze and Guattari differentiate between philosophy, science, and the arts, seeing as means of confronting chaos, and challenge the common view that philosophy is an extension of logic. The authors also discuss the similarities and distinctions between creative and philosophical writing. Fresh anecdotes from the history of philosophy illuminate the book, along with engaging discussions of composers, painters, writers, and architects. A milestone in Deleuze's collaboration with Guattari, What Is Philosophy? brings a new perspective to Deleuze's studies of cinema, painting, and music, while setting a brilliant capstone upon his work.
In attempting to answer the question posed by this book's title, Giorgio Agamben does not address the idea of philosophy itself. Rather, he turns to the apparently most insignificant of its components: the phonemes, letters, syllables, and words that come together to make up the phrases and ideas of philosophical discourse. A summa, of sorts, of Agamben's thought, the book consists of five essays on five emblematic topics: the Voice, the Sayable, the Demand, the Proem, and the Muse. In keeping with the author's trademark methodology, each essay weaves together archaeological and theoretical investigations: to a patient reconstruction of how the concept of language was invented there corresponds an attempt to restore thought to its place within the voice; to an unusual interpretation of the Platonic Idea corresponds a lucid analysis of the relationship between philosophy and science, and of the crisis that both are undergoing today. In the end, there is no universal answer to what is an impossible or inexhaustible question, and philosophical writing—a problem Agamben has never ceased to grapple with—assumes the form of a prelude to a work that must remain unwritten.
Hadot shows how the schools, trends, and ideas of ancient Greek and Roman philosophy strove to transform the individual's mode of perceiving and being in the world. For the ancients, philosophical theory and the philosophical way of life were inseparably linked. Hadot asks us to consider whether and how this connection might be reestablished today.
How do you know the world around you isn't just an elaborate dream, or the creation of an evil neuroscientist? If all you have to go on are various lights, sounds, smells, tastes and tickles, how can you know what the world is really like, or even whether there is a world beyond your own mind? Questions like these -- familiar from science fiction and dorm room debates -- lie at the core of venerable philosophical arguments for radical skepticism: the stark contention that we in fact know nothing at all about the world, that we have no more reason to believe any claim -- that there are trees, that we have hands -- than we have to disbelieve it. Like non-philosophers in their sober moments, philosophers, too, find this skeptical conclusion preposterous, but they're faced with those famous arguments: the Dream Argument, the Argument from Illusion, the Infinite Regress of Justification, the more recent Closure Argument. If these can't be met, they raise a serious challenge not just to philosophers, but to anyone responsible enough to expect her beliefs to square with her evidence. What Do Philosophers Do? takes up the skeptical arguments from this everyday point of view, and ultimately concludes that they don't undermine our ordinary beliefs or our ordinary ways of finding out about the world. In the process, Maddy examines and evaluates a range of philosophical methods -- common sense, scientific naturalism, ordinary language, conceptual analysis, therapeutic approaches -- as employed by such philosophers as Thomas Reid, G. E. Moore, Ludwig Wittgenstein, and J. L. Austin. The result is a revealing portrait of what philosophers do, and perhaps a quiet suggestion for what they should do, for what they do best.
Do we really need philosophy? The present collection of jargon-free essays aims at answering the question of why philosophy matters. Each essay considers the central question (Why Philosophy?) from different angles: the unavoidability of doing philosophy, the practical consequences of philosophy, philosophy as a therapy for the whole person, the benefits of philosophy for improving public policy, etc.
This book addresses the question What is Philosophy? by gathering together responses from philosophers working in a variety of areas. The resulting collection provides focused discussions of the character and methods of philosophy and its relationship with other disciplines.
The first English-language reference of its kind, The Encyclopedia of Philosophy was hailed as 'a remarkable and unique work' (Saturday Review) that contained 'the international who's who of philosophy and cultural history' (Library Journal).
Philosophy of science puts science itself under the microscope: What exactly is science? How do its explanations of the world differ from those of other subjects, including so-called “pseudo-sciences”? How should we understand and evaluate scientific methods? What, if anything, can science tell us about the nature of physical reality? Dean Rickles guides beginners through the central topics in philosophy of science. He looks at the origins and evolution of the field, the issues that arise when distinguishing between science and non-science, the concepts of logic and associated problems, scientific realism and anti-realism, and the nature of scientific models and representing. Rickles brings the subject to sparkling life with a user-friendly tone and rich, real-world examples. What is Philosophy of Science? is the must-have primer for students getting to grips with this broad-ranging and important topic.
We all have minds, but what exactly is a mind? Is your mind the same thing as your brain? How does what’s happening in your mind cause your behaviour? Can you know what’s going on in other people’s minds? Can you even be sure what’s going on in your own? Are babies conscious? How about cats? Or self-driving cars? Philosophy of mind grapples with questions like these, exploring who we are and how we fit into the world. In this student-friendly guide, McClelland introduces the key ideas in philosophy of mind, showing why they matter and how philosophers have tried to answer them. He covers the major historical moments in philosophy of mind, from Descartes and his troubles with immaterial souls up to today’s ‘consciousness wars’. Additionally, he examines the implications that philosophy of mind has for psychology, artificial intelligence and even particle physics. McClelland lays out the centuries-long dialogue between philosophy and science, presenting a uniquely grounded, practical picture of the field for students. Rich with real-world examples and written for the absolute beginner, What is Philosophy of Mind? gives students the tools to delve deeper into this dynamic field of philosophy.
A guide for achieving an enlightened mind through the art of non-doing • Details meditation practices, focused on stillness of the mind, along with Patanjali’s yoga methods to maintain a consciousness referred to as “being in the zone” • Builds on Taoist, Confucian, and Hindu principles along with scientific findings to support wu-wei--the art of non-doing, non-forcing--as a way of life • Explains how wu-wei practitioners cultivate intelligent spontaneity and effortless action to allow the natural harmony of the cosmos to prevail The practice of non-doing, non-forcing is an essential aspect of Taoism known as wu-wei. Attributed to the great sage Lao-tzu, the philosophy of wu-wei teaches you how to develop a natural state of consciousness not bound by thought or preconceived limitations. Experienced by the greatest artists, athletes, musicians, and writers, this heightened state of consciousness, referred to as “being in the zone,” is where intelligent spontaneity and effortless action flourish via a practice rooted in permitting the natural harmony of the cosmos to prevail. Merging Taoist philosophy, Hindu principles, and Confucianism along with scientific findings, Jason Gregory outlines the practice of wu-wei as a vehicle to realize our innate freedom, revealing that when we release our ego and allow life to unfold as it will, we align ourselves more closely with our goals and cultivate skill and mastery along the way. Equating “being in the zone” with a stillness of the mind, Gregory shares meditation practices coupled with yoga exercises from Patanjali that allow you to approach life with a mastery of acceptance, releasing deluded beliefs of how to achieve success that make your mind “sticky” and poised for conflict. The author shows how practicing wu-wei paradoxically empowers you to accomplish all that you desire by having no intention to do so, as well as allowing you to become receptive to nature’s blueprint for expressing beauty. Revealing wisdom utilized by renowned sages, artists, and athletes who have adapted “being in the zone” as a way of life, the author shows that wu-wei can yield a renewed sense of trust in many aspects of your daily life, making each day more effortless. As an avid wu-wei practitioner, he provides keen insight on how you, too, can experience the beauty of achieving an enlightened, effortless mind while reveling in the process of life’s unfolding.
